{"id":9324,"date":"2022-02-15T10:00:22","date_gmt":"2022-02-15T15:00:22","guid":{"rendered":"https:\/\/www.cinedanse.ca\/?page_id=9324"},"modified":"2023-05-24T11:37:42","modified_gmt":"2023-05-24T15:37:42","slug":"symposium","status":"publish","type":"page","link":"https:\/\/www.cinedanse.ca\/en\/symposium\/","title":{"rendered":"Symposium"},"content":{"rendered":"  <div id=\"page-header-238809211\" class=\"page-header-wrapper\">\n  <div class=\"page-title dark featured-title\">\n\n        <div class=\"page-title-bg\">\n      <div class=\"title-bg fill bg-fill\"\n        data-parallax-container=\".page-title\"\n        data-parallax-background\n        data-parallax=\"-\">\n      <\/div>\n      <div class=\"title-overlay fill\"><\/div>\n    <\/div>\n    \n    <div class=\"page-title-inner container align-center flex-row medium-flex-wrap\" >\n              <div class=\"title-wrapper flex-col text-left medium-text-center\">\n          <h1 class=\"entry-title mb-0\">\n            SYMPOSIUM \u00ab GUE\u0301RIR LES BLESSURES \u00bb          <\/h1>\n        <\/div>\n                    <div class=\"title-content flex-col flex-right text-right medium-text-center\">\n        <div class=\"title-breadcrumbs pb-half pt-half\"><\/div>      <\/div>\n    <\/div>\n\n     \n<style>\n#page-header-238809211 .title-bg {\n  background-image: url(https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2022\/02\/symposium-v2-LOGOS.png);\n}\n<\/style>\n  <\/div>\n    <\/div>\n  \n\t<div id=\"gap-1091873396\" class=\"gap-element clearfix\" style=\"display:block; height:auto;\">\n\t\t\n<style>\n#gap-1091873396 {\n  padding-top: 30px;\n}\n<\/style>\n\t<\/div>\n\t\n\t<div class=\"img has-hover x md-x lg-x y md-y lg-y\" id=\"image_2047117176\">\n\t\t\t\t\t\t\t\t<div class=\"img-inner dark\" >\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1020\" height=\"574\" src=\"https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2022\/02\/symposium-v2-LOGOS-1024x576.png\" class=\"attachment-large size-large\" alt=\"\" srcset=\"https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2022\/02\/symposium-v2-LOGOS-1024x576.png 1024w, https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2022\/02\/symposium-v2-LOGOS-300x169.png 300w, https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2022\/02\/symposium-v2-LOGOS-768x432.png 768w, https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2022\/02\/symposium-v2-LOGOS-1536x864.png 1536w, https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2022\/02\/symposium-v2-LOGOS-2048x1152.png 2048w\" sizes=\"auto, (max-width: 1020px) 100vw, 1020px\" \/>\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\n<style>\n#image_2047117176 {\n  width: 100%;\n}\n<\/style>\n\t<\/div>\n\t\n<p>En salle | En ligne | Gratuit (Inscription n\u00e9cessaire)<\/p>\n<p><b><span style=\"font-size: 14.0pt; font-family: 'FiraSans',serif; color: #ff3f4f;\">\u00ab Nouvelles perspectives sur la danse et la sante\u0301 dans nos communaute\u0301s \u00bb <\/span><\/b><\/p>\n<p><b><span style=\"font-family: 'FiraSans',serif;\">\u00ab Gue\u0301rir les blessures \u00bb, un e\u0301ve\u0301nement inspire\u0301 du film de Darian Smith (Kitigan Zibi) <\/span><\/b><\/p>\n<p><span style=\"font-size: 100%;\">Apre\u0300s la percutante premie\u0300re e\u0301dition, organise\u0301e a\u0300 l&#8217;occasion de l\u2019e\u0301ve\u0301nement Cine\u0301danse Ottawa 2019, c&#8217;est a\u0300 Rouyn-Noranda, capitale cosmopolite de l\u2019Abitibi-Te\u0301miscamingue, que se tiendra la seconde e\u0301dition du Symposium \u00ab Gue\u0301rir les blessures \u2013 Nouvelles perspectives en danse et sur la sante\u0301 \u00bb, du 14 au 16 mars 2022.<\/span><\/p>\n<div class=\"page\" title=\"Page 15\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>Ces trois journe\u0301es de danses, de projections, d\u2019e\u0301changes et de panels de discussions avec des confe\u0301renciers-invite\u0301.e.s de l\u2019Universite\u0301 du Que\u0301bec en Abitibi-Te\u0301miscamingue (UQAT), du Que\u0301bec, du Canada et de l&#8217;e\u0301tranger, chercheurs et artistes, est le fruit d&#8217;une collaboration entre l\u2019e\u0301ve\u0301nement nomade Cine\u0301danse, l\u2019E\u0301cole d\u2019e\u0301tudes autochtones de l\u2019UQAT et le Petit The\u0301a\u0302tre du Vieux Noranda.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"page\" title=\"Page 15\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>C\u2019est le court-me\u0301trage <em>Healing Scars<\/em>, co-re\u0301alise\u0301 par la jeune autochtone Darian Smith de Kitigan Zibi, et produit par la Wapikoni Mobile, qui a inspire\u0301 la the\u0301matique du Symposium.<\/p>\n<p><b>PRE\u0301SENTATION DU SYMPOSIUM <\/b><\/p>\n<p><span style=\"font-size: 100%;\">Au fil des re\u0301centes anne\u0301es, la pratique d&#8217;un nombre grandissant d&#8217;artistes leur a permis de constater comment la danse parvient a\u0300 re\u0301ge\u0301ne\u0301rer des e\u0302tres, des communaute\u0301s, a\u0300 travers des phe\u0301nome\u0300nes que la me\u0301decine et la science ont encore du mal a\u0300 expliquer.<\/span><\/p>\n<div class=\"page\" title=\"Page 15\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>&nbsp;<\/p>\n<p>Dans un esprit d&#8217;inclusion et de justice sociale, les e\u0301changes interrogeront le lien a\u0300 reba\u0302tir entre les ge\u0301ne\u0301rations, notre rapport trouble a\u0300 la vieillesse, a\u0300 la sante\u0301 mentale, a\u0300 la maladie, a\u0300 la mort. Une attention particulie\u0300re sera accorde\u0301e aux savoirs traditionnels autochtones et a\u0300 la que\u0302te de sens, de spiritualite\u0301 qui inonde notre temps.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"page\" title=\"Page 15\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>&nbsp;<\/p>\n<p>Et si la danse e\u0301tait salvatrice pour briser les sentiments d&#8217;exclusion dans nos socie\u0301te\u0301s modernes, aupre\u0300s des ai\u0302ne\u0301s, des personnes atteintes de troubles de motricite\u0301, de de\u0301pression, d&#8217;Alzheimer, de Parkinson ? Des expe\u0301riences en milieu carce\u0301ral, aupre\u0300s de personnes violente\u0301es, figurent e\u0301galement au menu de l&#8217;e\u0301ve\u0301nement dont l&#8217;ambition est d&#8217;e\u0301largir les consciences et permettre de nouvelles perspectives entre chercheurs, artistes et le grand public, afin de favoriser l\u2019e\u0301panouissement des communaute\u0301s et de leurs citoyens.<\/p>\n<\/div>\n<\/div>\n<\/div>\n\t<div id=\"gap-309353021\" class=\"gap-element clearfix\" style=\"display:block; height:auto;\">\n\t\t\n<style>\n#gap-309353021 {\n  padding-top: 30px;\n}\n<\/style>\n\t<\/div>\n\t\n<p><strong>FILMS DE WAPIKONI MOBILE \u00c0 L&#8217;AFFICHE PENDANT LE SYMPOSIUM<\/strong><\/p>\n\t<div id=\"gap-1119202185\" class=\"gap-element clearfix\" style=\"display:block; height:auto;\">\n\t\t\n<style>\n#gap-1119202185 {\n  padding-top: 30px;\n}\n<\/style>\n\t<\/div>\n\t\n<div class=\"row\"  id=\"row-1530653405\">\n\n\t<div id=\"col-394836818\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<div class=\"video video-fit mb\" style=\"padding-top:56.25%;\"><p><iframe loading=\"lazy\" title=\"HEALING SCARS\" width=\"1020\" height=\"574\" src=\"https:\/\/www.youtube.com\/embed\/c1ogIea4zjY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\n\t<div id=\"col-1813685036\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<p><em><strong>Gue\u0301rir les blessures \/ Healing Scars<br \/><\/strong><\/em><\/p>\n<p>La jeune Autochtone Darian Smith habite maintenant a\u0300 Ottawa. Elle souhaite e\u0301tudier en sciences infirmie\u0300res au Colle\u0300ge Algonquin et devenir me\u0301decin. Produit par Wapikoni Mobile, ce court me\u0301trage qu\u2019elle a co-re\u0301alise\u0301 a inspire\u0301 la the\u0301matique de Cine\u0301danse Ottawa. <em>Healing Scars<\/em> porte sur les enseignements lie\u0301s a\u0300 la \u00ab robe a\u0300 clochettes \u00bb (<em>jingle dress<\/em>) et ses fonctions de gue\u0301rison. Apre\u0300s une chirurgie a\u0300 c\u0153ur ouvert, Deedee entame la danse de la robe a\u0300 clochettes. Ce film accompagne quatre jeunes femmes pendant leur apprentissage de cette danse de la gue\u0301rison.<\/p>\n<p><em>Re\u0301al. : Darian Smith &amp; Kristina Decontie | Nation : Anishnabe | Kitigan Zibi, Que\u0301bec | 2014 | 5\u201920<\/em><\/p>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n<\/div>\n<div class=\"row\"  id=\"row-1017120480\">\n\n\t<div id=\"col-1146637906\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<div class=\"video video-fit mb\" style=\"padding-top:56.25%;\"><p><iframe loading=\"lazy\" title=\"Menuatikushu nikamun\" src=\"https:\/\/player.vimeo.com\/video\/162566858?h=df85d3f8e7&amp;dnt=1&amp;app_id=122963\" width=\"640\" height=\"480\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\n\t<div id=\"col-884877015\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<p><em><strong>Menuatikushu Nikamun \/ Le chant du c\u0153ur<\/strong><\/em><\/p>\n<p>Autour d\u2019un tambour, un Innu s\u2019inte\u0301resse au rituel du Pow wow, tradition qui vient d\u2019ailleurs. Ce film est produit par Wapikoni Mobile.<\/p>\n<p><em>Re\u0301al. : Shikuan Vollant | Nation : Innu | Uashat Mak Mani-Utenam, Que\u0301bec | 2010 | 5\u201915<\/em><\/p>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n<\/div>\n<div class=\"row\"  id=\"row-1240913731\">\n\n\t<div id=\"col-1308911094\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<div class=\"video video-fit mb\" style=\"padding-top:56.25%;\"><p><iframe loading=\"lazy\" title=\"STA - CARRYING ON THE TRADITION\" src=\"https:\/\/player.vimeo.com\/video\/222312762?h=e2407f8712&amp;dnt=1&amp;app_id=122963\" width=\"1020\" height=\"574\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\n\t<div id=\"col-1836168302\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<p><em><strong>Carrying on the Tradition \/ Perpe\u0301tuer la tradition<br \/><\/strong><\/em><\/p>\n<p>Le jeune Nimki surmonte sa de\u0301pression en renouant avec la danse traditionnelle autochtone et re\u0301tablit des liens avec sa culture et sa famille.<\/p>\n<p><em>Re\u0301al. : Nimki Peltier | Nation : Anishnabe | Wikwemikong, Ontario | 2017 | 4\u201954<\/em><\/p>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n<\/div>\n<div class=\"row\"  id=\"row-1136762935\">\n\n\t<div id=\"col-2106685823\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<div class=\"video video-fit mb\" style=\"padding-top:56.25%;\"><p><iframe loading=\"lazy\" title=\"STA   WHEN SPIRIT CALLS\" width=\"1020\" height=\"574\" src=\"https:\/\/www.youtube.com\/embed\/J_aytg-B1cI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\n\t<div id=\"col-640364477\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<p><strong><em>When Spirit Calls \/ L\u2019appel de l\u2019Esprit<\/em> <\/strong><\/p>\n<p>Film expe\u0301rimental sur la trajectoire spirituelle d\u2019une jeune femme autochtone. En mettant en e\u0301vidence des the\u0300mes tels que l\u2019intuition, la foi et la perse\u0301ve\u0301rance, Terrie nous ame\u0300ne dans un voyage mystique, celui de son cheminement spirituel.<\/p>\n<p><em>Re\u0301al. : Terrie McIntosh | Nation : Ojibwe | Pine Creek, Manitoba | 2014 | 4\u201910<\/em><\/p>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n<\/div>\n<div class=\"row\"  id=\"row-1712605263\">\n\n\t<div id=\"col-426524506\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<div class=\"video video-fit mb\" style=\"padding-top:56.25%;\"><p><iframe loading=\"lazy\" title=\"STF - Sweatlodge Song\" src=\"https:\/\/player.vimeo.com\/video\/272869240?h=15d547f5ee&amp;dnt=1&amp;app_id=122963\" width=\"1020\" height=\"574\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\n\t<div id=\"col-1794064759\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<p><strong><em>Sweatlodge Song<\/em> <\/strong><\/p>\n<p>La passion de la danse et du chant permet a\u0300 une jeune fille de traverser les e\u0301preuves difficiles de la vie.<\/p>\n<p><em>Re\u0301al. : Ire\u0300ne-Kimberley &amp; Valin-Awashish | Nation : Innue | Mashteuiatsh, Que\u0301bec | 2018 | 4\u201915<\/em><\/p>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n<\/div>\n<div class=\"row\"  id=\"row-35912601\">\n\n\t<div id=\"col-374008318\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<div class=\"video video-fit mb\" style=\"padding-top:56.25%;\"><p><iframe loading=\"lazy\" title=\"STA - Nodin\" src=\"https:\/\/player.vimeo.com\/video\/153947019?h=49ddddb4be&amp;dnt=1&amp;app_id=122963\" width=\"640\" height=\"480\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\n\t<div id=\"col-73565672\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\t<div id=\"gap-510532414\" class=\"gap-element clearfix\" style=\"display:block; height:auto;\">\n\t\t\n<style>\n#gap-510532414 {\n  padding-top: 30px;\n}\n<\/style>\n\t<\/div>\n\t\n<p><strong><em>Nodin \/ Vent<\/em> <\/strong><\/p>\n<p>Nodin exprime sa fierte\u0301 d\u2019e\u0302tre Anishnabe par la danse hip-hop.<\/p>\n<p><em>Re\u0301al. : Nodin Wawadie | Nation : Anishnabe | Kitigan Zibi, Que\u0301bec | 2010 | 2\u201945<\/em><\/p>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n<\/div>\n\t<div id=\"gap-1950684942\" class=\"gap-element clearfix\" style=\"display:block; height:auto;\">\n\t\t\n<style>\n#gap-1950684942 {\n  padding-top: 50px;\n}\n<\/style>\n\t<\/div>\n\t\n<p><strong>PROJECTIONS DE DOCUMENTAIRES ET DE FILMS PENDANT LE SYMPOSIUM<\/strong><\/p>\n\t<div id=\"gap-1206708983\" class=\"gap-element clearfix\" style=\"display:block; height:auto;\">\n\t\t\n<style>\n#gap-1206708983 {\n  padding-top: 30px;\n}\n<\/style>\n\t<\/div>\n\t\n<div class=\"row\"  id=\"row-531536455\">\n\n\t<div id=\"col-142788549\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<div class=\"video video-fit mb\" style=\"padding-top:56.25%;\"><p><iframe loading=\"lazy\" title=\"ENTER THE FAUN Trailer\" width=\"1020\" height=\"574\" src=\"https:\/\/www.youtube.com\/embed\/cg4CjqnyY3k?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\n\t<div id=\"col-120308569\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<p><strong>\u00ab <em>Enter the Faun<\/em> \/ L\u2019apparition du faune \u00bb <\/strong><\/p>\n<p>L\u2019histoire rocambolesque du jeune come\u0301dien Gregg Mozgala, atteint de paralysie ce\u0301re\u0301brale, et de la chore\u0301graphe new-yorkaise Tamar Rogoff. Elle voulait cre\u0301er avec Gregg une nouvelle version de \u00ab L\u2019Apre\u0300s-midi d\u2019un faune \u00bb qu\u2019avait signe\u0301e Nijinsky. Cela lui a permis de re\u0301inventer sa de\u0301marche, sa vie.<\/p>\n<p><em>Re\u0301al. : Tamar Rogoff &amp; Daisy Wright | USA | 2015 | 68\u02b9<\/em><\/p>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n<\/div>\n<div class=\"row\"  id=\"row-2136337372\">\n\n\t<div id=\"col-641653734\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<div class=\"video video-fit mb\" style=\"padding-top:56.25%;\"><p><iframe loading=\"lazy\" title=\"Parkinson\" src=\"https:\/\/player.vimeo.com\/video\/125831677?h=1c0501bff4&amp;dnt=1&amp;app_id=122963\" width=\"1020\" height=\"574\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\n\t<div id=\"col-1213755014\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\t<div id=\"gap-547535040\" class=\"gap-element clearfix\" style=\"display:block; height:auto;\">\n\t\t\n<style>\n#gap-547535040 {\n  padding-top: 30px;\n}\n<\/style>\n\t<\/div>\n\t\n<p><strong><em>Parkinson<\/em> <\/strong><\/p>\n<p>Des artistes animent des ateliers de danse ou\u0300 des personnes atteintes de Parkinson sont jumele\u0301es avec des personnes qui ne le sont pas. Un phe\u0301nome\u0300ne porteur de sens se produit.<\/p>\n<p><em>Re\u0301al. : Marc Hammer | Luxembourg\/Belgique | 2015 | 17\u201907<\/em><\/p>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n<\/div>\n<div class=\"row\"  id=\"row-1080333540\">\n\n\t<div id=\"col-980536068\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<div class=\"video video-fit mb\" style=\"padding-top:56.25%;\"><p><iframe loading=\"lazy\" title=\"BANDE ANNONCE   Habiter le mouvement, un re\u0301cit en dix chapitres\" width=\"1020\" height=\"574\" src=\"https:\/\/www.youtube.com\/embed\/BRdaNTS2u8k?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\n\t<div id=\"col-1658478857\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<p><strong><em>Habiter le mouvement, un re\u0301cit en dix chapitres*<br \/><\/em><\/strong><\/p>\n<p>A\u0300 l\u2019e\u0301te\u0301 2017, le chore\u0301graphe franc\u0327ais Thierry Thieu\u0302 Niang donne une se\u0301rie d\u2019ateliers a\u0300 des groupes de volontaires d\u2019ai\u0302ne\u0301s et de jeunes aux quatre coins du Que\u0301bec. Be\u0301atriz Mediavilla, qui a suivi la tourne\u0301e, re\u0301alise un film poe\u0300me, loin du classique documentaire-ve\u0301rite\u0301. La prose-cine\u0301ma de Mediavilla interroge nos perspectives sur la condition humaine, sur notre rapport a\u0300 soi, au corps vieillissant, sur notre rapport a\u0300 l&#8217;autre, aux e\u0301trangers, a\u0300 la place du rituel de la danse a\u0300 l&#8217;e\u0300re moderne, au toucher. On est e\u0301mu par un poe\u0300me de Jose\u0301phine Bacon, bouscule\u0301 par un manifeste, interpelle\u0301 par un te\u0301moignage de Martine E\u0301poque ou du jeune e\u0301crivain Antoine Charbonneau-Demers.<\/p>\n<p><em>Re\u0301al. : Be\u0301atriz Mediavilla | Chor. : Thierry Thieu\u0302 Niang | Participation de Jose\u0301phine Bacon, Martine E\u0301poque &amp; Antoine Charbonneau-Demers | Que\u0301bec | 2019 | 62\u2019<\/em><\/p>\n\t<div id=\"gap-1513916058\" class=\"gap-element clearfix\" style=\"display:block; height:auto;\">\n\t\t\n<style>\n#gap-1513916058 {\n  padding-top: 30px;\n}\n<\/style>\n\t<\/div>\n\t\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n<\/div>\n<div class=\"row\"  id=\"row-1750681194\">\n\n\t<div id=\"col-60035646\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\t<div class=\"img has-hover x md-x lg-x y md-y lg-y\" id=\"image_147570487\">\n\t\t\t\t\t\t\t\t<div class=\"img-inner dark\" >\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1020\" height=\"638\" src=\"https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2017\/03\/JeanLouisFernandez47-1024x640.jpg\" class=\"attachment-large size-large\" alt=\"\" srcset=\"https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2017\/03\/JeanLouisFernandez47-1024x640.jpg 1024w, https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2017\/03\/JeanLouisFernandez47-300x188.jpg 300w\" sizes=\"auto, (max-width: 1020px) 100vw, 1020px\" \/>\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\n<style>\n#image_147570487 {\n  width: 100%;\n}\n<\/style>\n\t<\/div>\n\t\n\t<div id=\"gap-1245014333\" class=\"gap-element clearfix\" style=\"display:block; height:auto;\">\n\t\t\n<style>\n#gap-1245014333 {\n  padding-top: 30px;\n}\n<\/style>\n\t<\/div>\n\t\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\n\t<div id=\"col-1348401691\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<p><strong>E<\/strong><strong>xtraits de <em>Danser le printemps a\u0300 l\u2019automne<\/em> <\/strong><\/p>\n<p>Ce film est a\u0300 l\u2019origine de notre rencontre avec le chore\u0301graphe Thierry Thieu\u0302 Niang et de sa tourne\u0301e au Que\u0301bec en 2017. L\u2019e\u0301mouvant documentaire <em>Danser le printemps a\u0300 l\u2019automne<\/em> est issu de son inspirante de\u0301marche. Le film pre\u0301sente le fruit de sept anne\u0301es de travail pour 20 retraite\u0301s de Marseille avec le chore\u0301graphe. Infirmie\u0300res, femmes au foyer, professeurs ou me\u0301decins, a\u0302ge\u0301s de 60 a\u0300 87 ans et sans aucune expe\u0301rience chore\u0301graphique, interpre\u0300tent une variation du chef d\u2019\u0153uvre de Stravinsky \u00ab Le Sacre du printemps \u00bb.<\/p>\n<p><em>Re\u0301al. : Philippe Chevallier &amp; Denis Sneguirev | Chor. : Thierry Thieu\u0302 Niang | France | 2013 | 52&#8242;<\/em><\/p>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n<\/div>\n<div class=\"row\"  id=\"row-1646371092\">\n\n\t<div id=\"col-111313546\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<div class=\"video video-fit mb\" style=\"padding-top:56.25%;\"><p><iframe loading=\"lazy\" title=\"Une jeune fille de 90 ans -  CATEGORIE DOCUMENTAIRES\" width=\"1020\" height=\"574\" src=\"https:\/\/www.youtube.com\/embed\/dFM2Q1FhkpM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\n\t<div id=\"col-783600471\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<p><strong><em>Une jeune fille de 90 ans<\/em> <\/strong><\/p>\n<p>Ce t\u00e9l\u00e9film est une immersion dans la vie d\u2019une femme atteinte d\u2019Alzheimer, qui reprend gou\u0302t a\u0300 la vie en rencontrant le chore\u0301graphe Thierry Thieu\u0302 Niang.<\/p>\n<p><em>Re\u0301al. : Valeria Bruni Tedeschi &amp; Yann Coridian | Chor. : Thierry Thieu\u0302 Niang | France | 2016 | 85\u2019<\/em><\/p>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n<\/div>\n<div class=\"row\"  id=\"row-234109406\">\n\n\t<div id=\"col-1179597213\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<div class=\"video video-fit mb\" style=\"padding-top:56.25%;\"><p><iframe loading=\"lazy\" title=\"Sur ma peau \/ trailer\" src=\"https:\/\/player.vimeo.com\/video\/345112427?h=dc7c6491cf&amp;dnt=1&amp;app_id=122963\" width=\"1020\" height=\"574\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\n\t<div id=\"col-1263248384\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\t<div id=\"gap-1716466881\" class=\"gap-element clearfix\" style=\"display:block; height:auto;\">\n\t\t\n<style>\n#gap-1716466881 {\n  padding-top: 30px;\n}\n<\/style>\n\t<\/div>\n\t\n<p><strong><em>Sur ma peau<\/em> <\/strong><\/p>\n<p>Co-re\u0301cipiendaire du Prix Lumie\u0300re 2019. Ce film d\u2019art re\u0301alise\u0301 en milieu carce\u0301ral, avec les de\u0301tenues de la Maison d\u2019arre\u0302t de Nice, te\u0301moigne d\u2019un processus de recherche artistique engage\u0301.<\/p>\n<p><em>Re\u0301al. &amp; Chor. : Eric Oberdorff | France | 2017 | 12\u201938<\/em><\/p>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n<\/div>\n<div class=\"row\"  id=\"row-2094175478\">\n\n\t<div id=\"col-1841032933\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<div class=\"video video-fit mb\" style=\"padding-top:56.25%;\"><p><iframe loading=\"lazy\" title=\"Well Contested Sites\" src=\"https:\/\/player.vimeo.com\/video\/345535634?h=fabfe9a7a9&amp;dnt=1&amp;app_id=122963\" width=\"1020\" height=\"574\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\n\t<div id=\"col-1262515687\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<p><strong><em>Well Contested Sites<\/em> <\/strong><\/p>\n<p>Professeure d\u2019art et de justice sociale a\u0300 San Francisco University, Amie Dowling a co-re\u0301alise\u0301 ce court me\u0301trage avec des artistes et des hommes prisonniers de pe\u0300re en fils sur le site de la ce\u0301le\u0300bre prison d\u2019Alcatraz. Leur film te\u0301moigne d\u2019une nouvelle pratique humaniste au sein du syste\u0300me carce\u0301ral ame\u0301ricain.<\/p>\n<p><em>Re\u0301al. : Amie Dowling &amp; Austin Forbord | Chor. : Amie Dowling &amp; Natalie Greene | San Francisco, Californie | 2013 | 13\u02b915<\/em><\/p>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n<\/div>\n<div class=\"row\"  id=\"row-1412398908\">\n<\/div>\n<\/p><\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>En salle | En ligne | Gratuit (Inscription n\u00e9cessaire) \u00ab Nouvelles perspectives sur la danse et la sante\u0301 dans nos communaute\u0301s \u00bb \u00ab Gue\u0301rir les blessures \u00bb, un e\u0301ve\u0301nement inspire\u0301 du film de Darian Smith (Kitigan Zibi) Apre\u0300s la percutante premie\u0300re e\u0301dition, organise\u0301e a\u0300 l&#8217;occasion de l\u2019e\u0301ve\u0301nement Cine\u0301danse Ottawa 2019, c&#8217;est a\u0300 Rouyn-Noranda, capitale cosmopolite [&#8230;]\n","protected":false},"author":1,"featured_media":10577,"parent":0,"menu_order":300,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-9324","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Symposium | Cin\u00e9danse<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.cinedanse.ca\/en\/symposium\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Symposium | Cin\u00e9danse\" \/>\n<meta property=\"og:description\" content=\"En salle | En ligne | Gratuit (Inscription n\u00e9cessaire) \u00ab Nouvelles perspectives sur la 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