{"id":8601,"date":"2021-03-12T12:34:25","date_gmt":"2021-03-12T17:34:25","guid":{"rendered":"https:\/\/www.cinedanse.ca\/?page_id=8601"},"modified":"2021-04-12T12:36:59","modified_gmt":"2021-04-12T16:36:59","slug":"cinedanse-edition-2012-montreal","status":"publish","type":"page","link":"https:\/\/www.cinedanse.ca\/en\/cinedanse-edition-2012-montreal\/","title":{"rendered":"Cin\u00e9danse 2012 edition &#8211; Montr\u00e9al"},"content":{"rendered":"\n\t<section class=\"section dark\" id=\"section_94745777\">\n\t\t<div class=\"section-bg fill\" >\n\t\t\t\t\t\t\t\t\t<div class=\"section-bg-overlay absolute fill\"><\/div>\n\t\t\t\n\t<div class=\"is-border\"\n\t\tstyle=\"border-color:rgb(255, 255, 255);border-width:15px 0px 5px 0px;margin:0px 0px 0px 0px;\">\n\t<\/div>\n\n\t\t<\/div>\n\n\t\t\n\n\t\t<div class=\"section-content relative\">\n\t\t\t\n<h1>\u00a0<\/h1>\n<h1 class=\"alt-font\">&#8220;PINA BAUSCH &amp; FR\u00c9D\u00c9RICK GRAVEL WILL BE THERE&#8230; AND YOU? &#8220;<\/h1>\n<p>\u00a0<\/p>\n\t<div class=\"img has-hover x md-x lg-x y md-y lg-y\" id=\"image_1561633864\">\n\t\t\t\t\t\t\t\t<div class=\"img-inner dark\" >\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1020\" height=\"574\" src=\"https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2021\/03\/still-2-1024x576.jpg\" class=\"attachment-large size-large\" alt=\"\" srcset=\"https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2021\/03\/still-2-1024x576.jpg 1024w, https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2021\/03\/still-2-300x169.jpg 300w, https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2021\/03\/still-2-768x432.jpg 768w, https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2021\/03\/still-2-1536x864.jpg 1536w, https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2021\/03\/still-2-2048x1153.jpg 2048w\" sizes=\"auto, (max-width: 1020px) 100vw, 1020px\" \/>\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\n<style>\n#image_1561633864 {\n  width: 100%;\n}\n<\/style>\n\t<\/div>\n\t\n\t\t<\/div>\n\n\t\t\n<style>\n#section_94745777 {\n  padding-top: 0px;\n  padding-bottom: 0px;\n  margin-bottom: 0px;\n  min-height: 0px;\n  background-color: rgb(0, 0, 0);\n}\n#section_94745777 .section-bg-overlay {\n  background-color: rgb(0, 0, 0);\n}\n<\/style>\n\t<\/section>\n\t\n\t<div id=\"gap-233256813\" class=\"gap-element clearfix\" style=\"display:block; height:auto;\">\n\t\t\n<style>\n#gap-233256813 {\n  padding-top: 30px;\n}\n<\/style>\n\t<\/div>\n\t\n<div class=\"row\"  id=\"row-1679682048\">\n\n\t<div id=\"col-1800556040\" class=\"col small-12 large-12\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<h1><span style=\"color: #ff4350;\"><strong>Editorial<\/strong><\/span><\/h1>\n<p>To my father<\/p>\n<p>I was born in a hairdresser salon in the year of the Expo. I almost grew up on a theater stage&#8230;<\/p>\n<p>I always loved parties. I still remember the party at my Uncle Jacques and Aunt Therese&#8217;s house&#8230; my parents dancing to the famous Bee Gees album. My God, we had so much fun that night.<\/p>\n<p>One afternoon in high school, the prettiest girl in the class asked me if I wanted to take a dance class&#8230;. social dancing. I wasn&#8217;t a hockey player, but she was beautiful. I asked her if I could give her my answer the next morning&#8230;. 10 years of social dancing. With Aldor and Andr\u00e9e Grenier: the best. My God, we had fun. I would come home at 5 am, after dancing all night, cha-cha, triple swing, samba, and waltz&#8230; and rumba. No, our pictures are not on Facebook.<\/p>\n<p>In our right-thinking world, with opinions from all sides, we need to dance. To find our senses&#8230;. To feel better, to cry, to laugh and to moult.<\/p>\n<p>At a time when platforms are multiplying in all directions. At a time when there aren&#8217;t enough 24 hours in a day, with our intelligent tools that often leave us breathless, but keep us informed, it is important to dance, to dance again. On the screen too. Besides, we shouldn&#8217;t let the Netflixes of this world take all the space, and scatter the most beautiful dance works on screen in the cyber-nowhere&#8230;<\/p>\n<p>Cin\u00e9danse Montr\u00e9al is about looking in the mirror, seeing where we come from, where we are, where we are going.<\/p>\n<p>I will be there to welcome you, we will be there, with a smile on our face and dancing feet.<\/p>\n<p>The hairdresser&#8217;s son<\/p>\n<p><span style=\"font-size: 14.4px;\">Sylvain Bleau<\/span><\/p>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n<\/div>\n<div class=\"is-divider divider clearfix\" style=\"max-width:60px;\"><\/div>\n\n\t<section class=\"section dark\" id=\"section_1551930237\">\n\t\t<div class=\"section-bg fill\" >\n\t\t\t\t\t\t\t\t\t\n\t\t\t\n\n\t\t<\/div>\n\n\t\t\n\n\t\t<div class=\"section-content relative\">\n\t\t\t\n<div class=\"accordion\">\n\t<div id=\"accordion-4187976292\" class=\"accordion-item\">\n\t\t<a id=\"accordion-4187976292-label\" class=\"accordion-title plain\" href=\"#accordion-item-editorial\" aria-expanded=\"false\" aria-controls=\"accordion-4187976292-content\">\n\t\t\t<button class=\"toggle\" aria-label=\"Toggle\"><i class=\"icon-angle-down\" aria-hidden=\"true\"><\/i><\/button>\n\t\t\t<span>EDITORIAL<\/span>\n\t\t<\/a>\n\t\t<div id=\"accordion-4187976292-content\" class=\"accordion-inner\" aria-labelledby=\"accordion-4187976292-label\">\n\t\t\t\n<p><a class=\"_ps2id\" href=\"#editorial2012\" data-ps2id-offset=\"\">EDITORIAL 2012<\/a><\/p>\n\t\t<\/div>\n\t<\/div>\n\t\n\t<div id=\"accordion-1759605215\" class=\"accordion-item\">\n\t\t<a id=\"accordion-1759605215-label\" class=\"accordion-title plain\" href=\"#accordion-item-highlights\" aria-expanded=\"false\" aria-controls=\"accordion-1759605215-content\">\n\t\t\t<button class=\"toggle\" aria-label=\"Toggle\"><i class=\"icon-angle-down\" aria-hidden=\"true\"><\/i><\/button>\n\t\t\t<span>HIGHLIGHTS<\/span>\n\t\t<\/a>\n\t\t<div id=\"accordion-1759605215-content\" class=\"accordion-inner\" aria-labelledby=\"accordion-1759605215-label\">\n\t\t\t\n<p><a class=\"_ps2id\" href=\"#openingnight\" data-ps2id-offset=\"\">&#8220;THE CO(te)LETTE&#8221; by MIKE FIGGIS (Belgium\/England | OPENING NIGHT<\/a><\/p>\n<p><a class=\"_ps2id\" href=\"#claudebessy\" data-ps2id-offset=\"\">&#8220;CLAUDE BESSY : LIGNES D&#8217;UNE VIE&#8221; by FABRICE HERRAULT (France) | CLOSING FILM<\/a><\/p>\n<p><a class=\"_ps2id\" href=\"#dancingdreams\" data-ps2id-offset=\"\">&#8220;DANCING DREAMS : FOLLOWING PINA BAUSCH&#8221; by ANNE LINSEL &amp; RAINER HOFFMANN (Germany)<\/a><\/p>\n<p><a class=\"_ps2id\" href=\"#auxlimites\" data-ps2id-offset=\"\">&#8220;AUX LIMITES DE LA SC\u00c8NE&#8221; by GUILLAUME PAQUIN (Montreal)<\/a><\/p>\n<p><a class=\"_ps2id\" href=\"#dreamsof\" data-ps2id-offset=\"\">&#8220;DREAMS OF BABEL | SIDI LARBI CHERKAOUI by DON KENT (Belgium\/Scotland)<\/a><\/p>\n\t\t<\/div>\n\t<\/div>\n\t\n\t<div id=\"accordion-4023381386\" class=\"accordion-item\">\n\t\t<a id=\"accordion-4023381386-label\" class=\"accordion-title plain\" href=\"#accordion-item-detailed-program\" aria-expanded=\"false\" aria-controls=\"accordion-4023381386-content\">\n\t\t\t<button class=\"toggle\" aria-label=\"Toggle\"><i class=\"icon-angle-down\" aria-hidden=\"true\"><\/i><\/button>\n\t\t\t<span>DETAILED PROGRAM<\/span>\n\t\t<\/a>\n\t\t<div id=\"accordion-4023381386-content\" class=\"accordion-inner\" aria-labelledby=\"accordion-4023381386-label\">\n\t\t\t\n<p><a class=\"_ps2id\" href=\"#program2012\" data-ps2id-offset=\"\">DOWNLOAD THE COMPLETE PROGRAM<\/a><\/p>\n\t\t<\/div>\n\t<\/div>\n\t\n\t<div id=\"accordion-3986129332\" class=\"accordion-item\">\n\t\t<a id=\"accordion-3986129332-label\" class=\"accordion-title plain\" href=\"#accordion-item-talking-about-us\" aria-expanded=\"false\" aria-controls=\"accordion-3986129332-content\">\n\t\t\t<button class=\"toggle\" aria-label=\"Toggle\"><i class=\"icon-angle-down\" aria-hidden=\"true\"><\/i><\/button>\n\t\t\t<span>TALKING ABOUT US<\/span>\n\t\t<\/a>\n\t\t<div id=\"accordion-3986129332-content\" class=\"accordion-inner\" aria-labelledby=\"accordion-3986129332-label\">\n\t\t\t\n<p><a class=\"_ps2id\" href=\"#presse2012\" data-ps2id-offset=\"\">CIN\u00c9DANSE 2012 IN THE PRESS<\/a><\/p>\n\t\t<\/div>\n\t<\/div>\n\t\n<\/div>\n\t\t<\/div>\n\n\t\t\n<style>\n#section_1551930237 {\n  padding-top: 30px;\n  padding-bottom: 30px;\n  background-color: rgb(0, 0, 0);\n}\n<\/style>\n\t<\/section>\n\t\n<div class=\"is-divider divider clearfix\" style=\"max-width:60px;\"><\/div>\n\t<div id=\"gap-771840713\" class=\"gap-element clearfix\" style=\"display:block; height:auto;\">\n\t\t\n<style>\n#gap-771840713 {\n  padding-top: 30px;\n}\n<\/style>\n\t<\/div>\n\t\n\n\t<section class=\"section dark\" id=\"section_811154348\">\n\t\t<div class=\"section-bg fill\" >\n\t\t\t\t\t\t\t\t\t<div class=\"section-bg-overlay absolute fill\"><\/div>\n\t\t\t\n\t<div class=\"is-border\"\n\t\tstyle=\"border-color:rgb(255, 255, 255);border-width:0px 0px 20px 0px;\">\n\t<\/div>\n\n\t\t<\/div>\n\n\t\t\n\n\t\t<div class=\"section-content relative\">\n\t\t\t\n<h2 class=\"alt-font\"><a id=\"openingnight\"><\/a>&#8220;THE CO(te)LETTE&#8221; by Mike Figgis (Belgium\/England)<\/h2>\n<h2>Opening Night<\/h2>\n\t\t<\/div>\n\n\t\t\n<style>\n#section_811154348 {\n  padding-top: 20px;\n  padding-bottom: 20px;\n  margin-bottom: 0px;\n  min-height: 0px;\n  background-color: rgb(0, 0, 0);\n}\n#section_811154348 .section-bg-overlay {\n  background-color: rgb(0, 0, 0);\n}\n<\/style>\n\t<\/section>\n\t\n<blockquote>\n<p>&#8220;A rare piece, an iconoclast portrait of the modern woman &#8230; CO(te)LETTE is a kind of postmodern Showgirls meets Fight Club punctuated with a dance marathon vibe.&#8221;<\/p>\n<p>Los Angeles Times<\/p>\n<\/blockquote>\n\t<div id=\"gap-2146859106\" class=\"gap-element clearfix\" style=\"display:block; height:auto;\">\n\t\t\n<style>\n#gap-2146859106 {\n  padding-top: 30px;\n}\n<\/style>\n\t<\/div>\n\t\n<div class=\"row\"  id=\"row-1528536635\">\n\n\t<div id=\"col-417762605\" class=\"col medium-5 small-12 large-5\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\t<div class=\"img has-hover x md-x lg-x y md-y lg-y\" id=\"image_1458991340\">\n\t\t\t\t\t\t\t\t<div class=\"img-inner dark\" >\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1020\" height=\"574\" src=\"https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2021\/03\/still-1-1024x576.jpg\" class=\"attachment-large size-large\" alt=\"\" srcset=\"https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2021\/03\/still-1-1024x576.jpg 1024w, https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2021\/03\/still-1-300x169.jpg 300w, https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2021\/03\/still-1-768x432.jpg 768w, https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2021\/03\/still-1-1536x864.jpg 1536w, https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2021\/03\/still-1-2048x1152.jpg 2048w\" sizes=\"auto, (max-width: 1020px) 100vw, 1020px\" \/>\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\n<style>\n#image_1458991340 {\n  width: 100%;\n}\n<\/style>\n\t<\/div>\n\t\n\t<div id=\"gap-898400172\" class=\"gap-element clearfix\" style=\"display:block; height:auto;\">\n\t\t\n<style>\n#gap-898400172 {\n  padding-top: 0px;\n}\n<\/style>\n\t<\/div>\n\t\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\n\t<div id=\"col-169460712\" class=\"col medium-7 small-12 large-7\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<p>For you, ladies!<\/p>\n<p>Punching out. Shocking. Disturbing. Delighting. On the closing night of Cinedans Amsterdam, the crowd stopped breathing in the first few minutes of the screening. And throughout the evening, there was sighing, heckling, and giggling and gnashing of teeth. Applause, and more heckling. New salvos of bravos to bury the indignation shouts of the scandalized spectators. No one remained indifferent to the portrait of the modern woman that Mike Figgis painted from Ann Van den Broek&#8217;s play. You, how will you react?<\/p>\n<p>Director Mike Figgis spoke to the audience after the screening.<\/p>\n<p>Dir : Mike Figgis | Concept and Chor : Ann Van den Broek | UK\/BE\/NL | 2010 | 60\u2019<\/p>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n<\/div>\n<div class=\"row\"  id=\"row-296022485\">\n\n\t<div id=\"col-771280326\" class=\"col medium-5 small-12 large-5\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<div class=\"video video-fit mb\" style=\"padding-top:56.25%;\"><p><iframe loading=\"lazy\" title=\"The Co (Te) Lette Film\" width=\"1020\" height=\"574\" src=\"https:\/\/www.youtube.com\/embed\/VHNSsMAUfJs?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n<\/div>\n<div class=\"is-divider divider clearfix\" style=\"max-width:60px;\"><\/div>\n\n\t<section class=\"section dark\" id=\"section_943456603\">\n\t\t<div class=\"section-bg fill\" >\n\t\t\t\t\t\t\t\t\t<div class=\"section-bg-overlay absolute fill\"><\/div>\n\t\t\t\n\t<div class=\"is-border\"\n\t\tstyle=\"border-color:rgb(255, 255, 255);border-width:0px 0px 20px 0px;\">\n\t<\/div>\n\n\t\t<\/div>\n\n\t\t\n\n\t\t<div class=\"section-content relative\">\n\t\t\t\n<h2 class=\"alt-font\"><a id=\"claudebessy\"><\/a>&#8220;Claude Bessy : traces of a life&#8221; by fabrice herrault (france)<\/h2>\n<h2>Closing Film<\/h2>\n\t\t<\/div>\n\n\t\t\n<style>\n#section_943456603 {\n  padding-top: 20px;\n  padding-bottom: 20px;\n  margin-bottom: 0px;\n  min-height: 0px;\n  background-color: rgb(0, 0, 0);\n}\n#section_943456603 .section-bg-overlay {\n  background-color: rgb(0, 0, 0);\n}\n<\/style>\n\t<\/section>\n\t\n<blockquote>\n<p>&#8220;And God created the dancer&#8230; &#8220;<\/p>\n<\/blockquote>\n<div class=\"row\"  id=\"row-266114175\">\n\n\t<div id=\"col-1822384114\" class=\"col medium-5 small-12 large-5\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\t<div class=\"img has-hover x md-x lg-x y md-y lg-y\" id=\"image_311254367\">\n\t\t\t\t\t\t\t\t<div class=\"img-inner dark\" >\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"480\" src=\"https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2021\/03\/Bessy_Daphnis-1.jpeg\" class=\"attachment-large size-large\" alt=\"\" srcset=\"https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2021\/03\/Bessy_Daphnis-1.jpeg 640w, https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2021\/03\/Bessy_Daphnis-1-300x225.jpeg 300w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/>\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\n<style>\n#image_311254367 {\n  width: 100%;\n}\n<\/style>\n\t<\/div>\n\t\n<div class=\"video video-fit mb\" style=\"padding-top:56.25%;\"><p>https:\/\/vimeo.com\/427463609<\/p>\n<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\n\t<div id=\"col-205847880\" class=\"col medium-7 small-12 large-7\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<p>With her sculptural beauty and femininity, Claude Bessy was considered the Bardot of dance on both sides of the Atlantic.<\/p>\n<p>For Serge Lifar, who brought her to light at the Paris Opera Ballet, she was the Golden Silhouette. She also distinguished herself as a great tragic actress in the role of Ph\u00e8dre that he created especially for her. Gene Kelly, charmed by her grace and sensuality, opened the doors of Hollywood to her. Mademoiselle Bessy never limited herself to classical dance, believing from a young age that an accomplished dancer should interpret everything. Her great friend B\u00e9jart offered her to create his famous Bol\u00e9ro.<\/p>\n<p>For more than 30 years, she directed the School of the Opera Ballet and offered to the stages of the world some of the most beautiful French star dancers: we think of Sylvie Guillem, Marie-Agn\u00e8s Gillot, of Manuel Legris, Laurent Hilaire or also Nicolas Le Riche.<\/p>\n<p>With the delightful humor that distinguishes her, her willful temperament and her constant passion for dance that has kept her youthful glow, Claude Bessy accompanied her film to Montreal to present it to you.<\/p>\n<p>Dir : Fabrice Herreault | US | 2011 | 50\u2019<\/p>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n<\/div>\n<div class=\"is-divider divider clearfix\" style=\"max-width:60px;\"><\/div>\n\n\t<section class=\"section dark\" id=\"section_2145610275\">\n\t\t<div class=\"section-bg fill\" >\n\t\t\t\t\t\t\t\t\t<div class=\"section-bg-overlay absolute fill\"><\/div>\n\t\t\t\n\t<div class=\"is-border\"\n\t\tstyle=\"border-color:rgb(255, 255, 255);border-width:0px 0px 20px 0px;\">\n\t<\/div>\n\n\t\t<\/div>\n\n\t\t\n\n\t\t<div class=\"section-content relative\">\n\t\t\t\n<h2 class=\"alt-font\"><a id=\"dancingdreams\"><\/a>&#8220;Dancing dreams: Following Pina Bausch&#8221; by Anne Linsel &amp; Rainer Hoffmann (Germany)<\/h2>\n<p>\u00a0<\/p>\n\t\t<\/div>\n\n\t\t\n<style>\n#section_2145610275 {\n  padding-top: 20px;\n  padding-bottom: 20px;\n  margin-bottom: 0px;\n  min-height: 0px;\n  background-color: rgb(0, 0, 0);\n}\n#section_2145610275 .section-bg-overlay {\n  background-color: rgb(0, 0, 0);\n}\n<\/style>\n\t<\/section>\n\t\n<blockquote>\n<p>&#8220;Kontakthof is a place where people meet to make contacts,&#8221; affirmed Pina Bausch. To show ourselves. To defend ourselves. With our fears. With one&#8217;s ardor. Disappointments. Desperations. First experiences. First attempts. Of tenderness and what it can bring to life. &#8220;<\/p>\n<p>Le Monde<\/p>\n<\/blockquote>\n<div class=\"row\"  id=\"row-1088670036\">\n\n\t<div id=\"col-734190473\" class=\"col medium-5 small-12 large-5\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\t<div class=\"img has-hover x md-x lg-x y md-y lg-y\" id=\"image_1215346652\">\n\t\t\t\t\t\t\t\t<div class=\"img-inner dark\" >\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"259\" src=\"https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2021\/03\/reves-dansants-film-pina-bausch.jpg\" class=\"attachment-large size-large\" alt=\"\" srcset=\"https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2021\/03\/reves-dansants-film-pina-bausch.jpg 500w, https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2021\/03\/reves-dansants-film-pina-bausch-300x155.jpg 300w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/>\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\n<style>\n#image_1215346652 {\n  width: 100%;\n}\n<\/style>\n\t<\/div>\n\t\n<div class=\"video video-fit mb\" style=\"padding-top:56.25%;\"><p><iframe loading=\"lazy\" title=\"Dancing Dreams trailer.mov\" width=\"1020\" height=\"574\" src=\"https:\/\/www.youtube.com\/embed\/TcXrwAxDYRU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\n\t<div id=\"col-627368993\" class=\"col medium-7 small-12 large-7\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<p>Discover the most beautiful film about Pina Bausch, a true gem of a documentary by Anne Linsel and Rainer Hoffmann. Dancing Dreams tells the touching story of a group of teenagers between the ages of fourteen and eighteen that Pina takes under her wing to revive her famous Kontakthof. The film was screened in the presence of Josephine Ann Endicott, Pina Bausch&#8217;s great interpreter since the beginning of her company.<\/p>\n<p>Dir : Anne Linsel &amp; Rainer Hoffmann | DE | 2010 | 89\u2019<\/p>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n<\/div>\n<div class=\"is-divider divider clearfix\" style=\"max-width:60px;\"><\/div>\n\n\t<section class=\"section dark\" id=\"section_1994941640\">\n\t\t<div class=\"section-bg fill\" >\n\t\t\t\t\t\t\t\t\t<div class=\"section-bg-overlay absolute fill\"><\/div>\n\t\t\t\n\t<div class=\"is-border\"\n\t\tstyle=\"border-color:rgb(255, 255, 255);border-width:0px 0px 20px 0px;\">\n\t<\/div>\n\n\t\t<\/div>\n\n\t\t\n\n\t\t<div class=\"section-content relative\">\n\t\t\t\n<h2 class=\"alt-font\"><a id=\"auxlimites\"><\/a>&#8220;Aux limites de la sc\u00e8ne&#8221; by Guillaume Paquin (Montreal)<\/h2>\n<h2>with Virginie Brunelle, Fr\u00e9d\u00e9rick Gravel et Dave St-Pierre<\/h2>\n\t\t<\/div>\n\n\t\t\n<style>\n#section_1994941640 {\n  padding-top: 20px;\n  padding-bottom: 20px;\n  margin-bottom: 0px;\n  min-height: 0px;\n  background-color: rgb(0, 0, 0);\n}\n#section_1994941640 .section-bg-overlay {\n  background-color: rgb(0, 0, 0);\n}\n<\/style>\n\t<\/section>\n\t\n<blockquote>\n<p>&#8220;Official Competition FIFA 2012, the film offers an incursion into the heart of the new generation of creators on the Montreal contemporary dance scene who are constantly pushing the frontiers of dance&#8230; &#8220;<\/p>\n<p>La Presse<\/p>\n<\/blockquote>\n<div class=\"row\"  id=\"row-1980009514\">\n\n\t<div id=\"col-124353008\" class=\"col medium-5 small-12 large-5\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\t<div class=\"img has-hover x md-x lg-x y md-y lg-y\" id=\"image_1113428326\">\n\t\t\t\t\t\t\t\t<div class=\"img-inner dark\" >\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"430\" src=\"https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2021\/03\/5616_aux_limites_de_la_scene_jamie_wright_federick_gravel_151.jpg\" class=\"attachment-large size-large\" alt=\"\" srcset=\"https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2021\/03\/5616_aux_limites_de_la_scene_jamie_wright_federick_gravel_151.jpg 300w, https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2021\/03\/5616_aux_limites_de_la_scene_jamie_wright_federick_gravel_151-209x300.jpg 209w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\n<style>\n#image_1113428326 {\n  width: 100%;\n}\n<\/style>\n\t<\/div>\n\t\n<div class=\"video video-fit mb\" style=\"padding-top:56.25%;\"><p><iframe loading=\"lazy\" title=\"English trailer AUX LIMITES DE LA SC&amp;Egrave;NE\" src=\"https:\/\/player.vimeo.com\/video\/37626810?dnt=1&amp;app_id=122963\" width=\"1020\" height=\"574\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\n\t<div id=\"col-1448198654\" class=\"col medium-7 small-12 large-7\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<p>We are rightly proud of the generation of creators who emerged in the 1980s and still shine for us all over the world, but what do we know about the artists of the new generation? Virginie Brunelle, the scrupulous one. Dave St-Pierre, the prodigy. Fr\u00e9d\u00e9rick Gravel THE philosopher, musician-dancer.<\/p>\n<p>Dir : Guillaume Paquin | CA | 2012 | 52&#8242;<\/p>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n<\/div>\n<div class=\"is-divider divider clearfix\" style=\"max-width:60px;\"><\/div>\n\n\t<section class=\"section dark\" id=\"section_1382396915\">\n\t\t<div class=\"section-bg fill\" >\n\t\t\t\t\t\t\t\t\t<div class=\"section-bg-overlay absolute fill\"><\/div>\n\t\t\t\n\t<div class=\"is-border\"\n\t\tstyle=\"border-color:rgb(255, 255, 255);border-width:0px 0px 20px 0px;\">\n\t<\/div>\n\n\t\t<\/div>\n\n\t\t\n\n\t\t<div class=\"section-content relative\">\n\t\t\t\n<h2 class=\"alt-font\"><a id=\"dreamsof\"><\/a>&#8220;Sidi Larbi Cherkaoui: Dreams of Babel&#8221; By Don Kent (Belgium\/Scotland)<\/h2>\n<p>\u00a0<\/p>\n\t\t<\/div>\n\n\t\t\n<style>\n#section_1382396915 {\n  padding-top: 20px;\n  padding-bottom: 20px;\n  margin-bottom: 0px;\n  min-height: 0px;\n  background-color: rgb(0, 0, 0);\n}\n#section_1382396915 .section-bg-overlay {\n  background-color: rgb(0, 0, 0);\n}\n<\/style>\n\t<\/section>\n\t\n<blockquote>\n<p>&#8221; Throughout China, India, Corsica and Antwerp, we travel to discover one of the most prolific and touching personalities of contemporary dance .&#8221;<\/p>\n<\/blockquote>\n<div class=\"row\"  id=\"row-263861341\">\n\n\t<div id=\"col-1285625744\" class=\"col medium-5 small-12 large-5\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\t<div class=\"img has-hover x md-x lg-x y md-y lg-y\" id=\"image_1478513054\">\n\t\t\t\t\t\t\t\t<div class=\"img-inner dark\" >\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1020\" height=\"1020\" src=\"https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2021\/03\/sidi.jpeg\" class=\"attachment-large size-large\" alt=\"\" srcset=\"https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2021\/03\/sidi.jpeg 1023w, https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2021\/03\/sidi-300x300.jpeg 300w, https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2021\/03\/sidi-150x150.jpeg 150w, https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2021\/03\/sidi-768x768.jpeg 768w\" sizes=\"auto, (max-width: 1020px) 100vw, 1020px\" \/>\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\n<style>\n#image_1478513054 {\n  width: 100%;\n}\n<\/style>\n\t<\/div>\n\t\n<div class=\"video video-fit mb\" style=\"padding-top:56.25%;\"><p><iframe loading=\"lazy\" title=\"Sidi Larbi Cherkaoui | Dreams of Babel (DVD trailer)\" width=\"1020\" height=\"574\" src=\"https:\/\/www.youtube.com\/embed\/Hr8L6JayiB0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\n\t<div id=\"col-877000034\" class=\"col medium-7 small-12 large-7\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<p>&#8220;I am Sidi Larbi Cherkaoui, I am a man, I am a son, a choreographer, a homosexual, I am Belgian, I have a tattoo, brown eyes, I am the son of an emigrant. I am all this and much more. This is the case of everyone, these are the elements that link me to others. &#8220;<\/p>\n<p>Dir : Don Kent | 2009 | 59\u2019<\/p>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n<\/div>\n<div class=\"is-divider divider clearfix\" style=\"max-width:60px;\"><\/div>\n\n\t<section class=\"section dark\" id=\"section_1947509310\">\n\t\t<div class=\"section-bg fill\" >\n\t\t\t\t\t\t\t\t\t<div class=\"section-bg-overlay absolute fill\"><\/div>\n\t\t\t\n\t<div class=\"is-border\"\n\t\tstyle=\"border-color:rgb(255, 255, 255);border-width:0px 0px 20px 0px;margin:0px 0px 0 0px;\">\n\t<\/div>\n\n\t\t<\/div>\n\n\t\t\n\n\t\t<div class=\"section-content relative\">\n\t\t\t\n<h2 class=\"alt-font\"><a id=\"program2012\"><\/a>DETAILED PROGRAM<\/h2>\n<p>\u00a0<\/p>\n\t\t<\/div>\n\n\t\t\n<style>\n#section_1947509310 {\n  padding-top: 20px;\n  padding-bottom: 20px;\n  margin-bottom: -1px;\n  min-height: 0px;\n  background-color: rgb(0, 0, 0);\n}\n#section_1947509310 .section-bg-overlay {\n  background-color: rgb(0, 0, 0);\n}\n<\/style>\n\t<\/section>\n\t\n\n  <div class=\"banner has-hover\" id=\"banner-1185685198\">\n          <div class=\"banner-inner fill\">\n        <div class=\"banner-bg fill\" >\n                                                \n                    <\/div>\n\t\t\n        <div class=\"banner-layers container\">\n            <div class=\"fill banner-link\"><\/div>            \n   <div id=\"text-box-3374016\" class=\"text-box banner-layer x50 md-x50 lg-x50 y50 md-y50 lg-y50 res-text\">\n                                <div class=\"text-box-content text dark\">\n              \n              <div class=\"text-inner text-center\">\n                  \n<h3 class=\"uppercase\"><strong><a href=\"https:\/\/www.cinedanse.ca\/pamphlet-2-1\/\">DOWNLOAD THE COMPLETE PROGRAM OF CIN\u00c9DANSE 2012 HERE!<\/a><\/strong><\/h3>\n              <\/div>\n           <\/div>\n                            \n<style>\n#text-box-3374016 {\n  width: 97%;\n}\n#text-box-3374016 .text-box-content {\n  font-size: 100%;\n}\n<\/style>\n    <\/div>\n \n        <\/div>\n      <\/div>\n\n            \n<style>\n#banner-1185685198 {\n  padding-top: 116px;\n  background-color: rgba(0, 0, 0, 0.19);\n}\n<\/style>\n  <\/div>\n\n\n<div class=\"is-divider divider clearfix\" style=\"max-width:60px;\"><\/div>\n\n\t<section class=\"section dark\" id=\"section_1734096806\">\n\t\t<div class=\"section-bg fill\" >\n\t\t\t\t\t\t\t\t\t<div class=\"section-bg-overlay absolute fill\"><\/div>\n\t\t\t\n\t<div class=\"is-border\"\n\t\tstyle=\"border-color:rgb(255, 255, 255);border-width:0px 0px 20px 0px;margin:0px 0px 0 0px;\">\n\t<\/div>\n\n\t\t<\/div>\n\n\t\t\n\n\t\t<div class=\"section-content relative\">\n\t\t\t\n<h2 class=\"alt-font\"><a id=\"presse2012\"><\/a>Talking about us! (french only)<\/h2>\n<p>\u00a0<\/p>\n\t\t<\/div>\n\n\t\t\n<style>\n#section_1734096806 {\n  padding-top: 20px;\n  padding-bottom: 20px;\n  margin-bottom: -1px;\n  min-height: 0px;\n  background-color: rgb(0, 0, 0);\n}\n#section_1734096806 .section-bg-overlay {\n  background-color: rgb(0, 0, 0);\n}\n<\/style>\n\t<\/section>\n\t\n<h1>LE DEVOIR<\/h1>\n<p><em>Le blues de Mike Figgis, par Odile Tremblay, mercredi 19 septembre 2013. (extraits)<\/em><\/p>\n<div class=\"page\" title=\"Page 1\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>C\u2019e\u0301tait la premie\u0300re fois que le Britannique Mike Figgis mettait les pieds a\u0300 Montre\u0301al. La veille au soir, il e\u0301tait alle\u0301 rencontrer les ratons laveurs sur la montagne. Toute une faune nocturne, qui l\u2019a enchante\u0301. Le cine\u0301aste de Leaving Las Vegas et de Time Code vient inaugurer jeudi au cine\u0301ma Impe\u0301rial le tout nouveau festival Cine\u0301danse Montre\u0301al (35 films sur la danse jusqu\u2019au 23 septembre).<\/p>\n[&#8230;]\n<\/div>\n<\/div>\n<\/div>\n<div class=\"page\" title=\"Page 2\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>Pre\u0301cisons que Cine\u0301danse Montre\u0301al, dirige\u0301 par Sylvain Bleau, frappe fort pour sa premie\u0300re cuve\u0301e. Outre Mike Figgis, l\u2019interpre\u0300te d Pina Bausch Jo Ann Endicott viendra pre\u0301senter le beau film sur Pina Bausch Les re\u0302ves dansants d\u2019Anne Linsel. Pour la clo\u0302ture, la danseuse e\u0301toile Claude Bessy accompagnera le film qui lui rend hommage Claude Bessy : lignes d\u2019une vie de Fabrice Herrault.<\/p>\n<h1>VOIR<\/h1>\n<\/div>\n<div class=\"page\" title=\"Page 3\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>Ce que le cine\u0301ma peut pour la danse, Elsa Pe\u0301pin, 20 septembre 2012<\/p>\n<div class=\"page\" title=\"Page 3\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>Les festivals poussent comme des champignons a\u0300 Montre\u0301al et ont la fa\u0302cheuse tendance a\u0300 se cloner. Cette semaine nai\u0302t Cine\u0301danse, premier de son espe\u0300ce au Que\u0301bec consacre\u0301 aux films sur la danse, un genre qui a donne\u0301 de ve\u0301ritables bijoux, a\u0300 commencer par le magnifique Pina de Wim Wenders. Filme\u0301es par l\u2019\u0153il artistique du cine\u0301aste qui a mis la technique 3D au service de la danse, les chore\u0301graphies de Pina Bausch ont non seulement trouve\u0301 une couleur ine\u0301dite, mais aussi touche\u0301 un auditoire plus large que les seuls amateurs de danse contemporaine gra\u0302ce a\u0300 ce film. La danse a un potentiel visuel extraordinaire pour le cine\u0301ma, mais ce dernier peut aussi devenir une pre\u0301cieuse rampe de lancement pour elle.<\/p>\n<\/div>\n<p><a href=\"https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2021\/03\/Revue-de-Presse-Cine\u0301danse-2012.pdf\">Read More<\/a><\/p>\n<p>\u00a0<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;A rare piece, an iconoclast portrait of the modern woman &#8230; CO(te)LETTE is a kind of postmodern Showgirls meets Fight Club punctuated with a dance marathon vibe.&#8221; Los Angeles Times &#8220;And God created the dancer&#8230; &#8220; &#8220;Kontakthof is a place where people meet to make contacts,&#8221; affirmed Pina Bausch. To show ourselves. To defend ourselves. [&#8230;]\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":109,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-8601","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Cin\u00e9danse 2012 edition - Montr\u00e9al | Cin\u00e9danse<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.cinedanse.ca\/en\/cinedanse-edition-2012-montreal\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Cin\u00e9danse 2012 edition - Montr\u00e9al | Cin\u00e9danse\" \/>\n<meta property=\"og:description\" content=\"&#8220;A rare piece, an iconoclast portrait of the modern woman &#8230; CO(te)LETTE is a kind of postmodern Showgirls meets Fight Club punctuated with a dance marathon vibe.&#8221; Los Angeles Times &#8220;And God created the dancer&#8230; &#8220; &#8220;Kontakthof is a place where people meet to make contacts,&#8221; affirmed Pina Bausch. To show ourselves. To defend ourselves. 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