{"id":8319,"date":"2021-03-05T17:46:58","date_gmt":"2021-03-05T22:46:58","guid":{"rendered":"https:\/\/www.cinedanse.ca\/?page_id=8319"},"modified":"2021-03-11T10:23:05","modified_gmt":"2021-03-11T15:23:05","slug":"cinedanse-2015-edition-quebec","status":"publish","type":"page","link":"https:\/\/www.cinedanse.ca\/en\/cinedanse-2015-edition-quebec\/","title":{"rendered":"Cin\u00e9danse 2015 edition &#8211; Qu\u00e9bec"},"content":{"rendered":"\n\t<section class=\"section dark\" id=\"section_225594564\">\n\t\t<div class=\"section-bg fill\" >\n\t\t\t\t\t\t\t\t\t<div class=\"section-bg-overlay absolute fill\"><\/div>\n\t\t\t\n\t<div class=\"is-border\"\n\t\tstyle=\"border-color:rgb(255, 255, 255);border-width:0px 0px 0px 0px;\">\n\t<\/div>\n\n\t\t<\/div>\n\n\t\t\n\n\t\t<div class=\"section-content relative\">\n\t\t\t\n<h2 class=\"alt-font\">&#8220;Because our world truly needs to dance.&#8221;<\/h2>\n\t\t<\/div>\n\n\t\t\n<style>\n#section_225594564 {\n  padding-top: 23px;\n  padding-bottom: 23px;\n  margin-bottom: 0px;\n  min-height: 0px;\n  background-color: rgb(0, 0, 0);\n}\n#section_225594564 .section-bg-overlay {\n  background-color: rgb(0, 0, 0);\n}\n<\/style>\n\t<\/section>\n\t\n<div class=\"video video-fit mb\" style=\"padding-top:56.25%;\"><p><iframe loading=\"lazy\" title=\"Cin&amp;eacute;danse Qu&amp;eacute;bec 2015 - Pub 30 sec\" src=\"https:\/\/player.vimeo.com\/video\/139499163?dnt=1&amp;app_id=122963\" width=\"1020\" height=\"574\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<\/div>\n\t<div id=\"gap-796616084\" class=\"gap-element clearfix\" style=\"display:block; height:auto;\">\n\t\t\n<style>\n#gap-796616084 {\n  padding-top: 30px;\n}\n<\/style>\n\t<\/div>\n\t\n<div class=\"row\"  id=\"row-1949013598\">\n\n\t<div id=\"col-1158375243\" class=\"col medium-5 small-12 large-5\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\t<div class=\"img has-hover x md-x lg-x y md-y lg-y\" id=\"image_142325391\">\n\t\t\t\t\t\t\t\t<div class=\"img-inner dark\" style=\"margin:13px 0px 0px 0px;\">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"892\" height=\"1024\" src=\"https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2021\/02\/2015-892x1024.png\" class=\"attachment-large size-large\" alt=\"\" srcset=\"https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2021\/02\/2015-892x1024.png 892w, https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2021\/02\/2015-261x300.png 261w, https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2021\/02\/2015-768x882.png 768w, https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2021\/02\/2015.png 1104w\" sizes=\"auto, (max-width: 892px) 100vw, 892px\" \/>\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\n<style>\n#image_142325391 {\n  width: 100%;\n}\n<\/style>\n\t<\/div>\n\t\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\n\t<div id=\"col-1549866889\" class=\"col medium-7 small-12 large-7\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<h1>The 2nd edition of the Cin\u00e9danse event was held in Quebec City at the \u201cMus\u00e9e de la Civilisation\u201d from September 24 to 27, 2015, in conjunction with the great exhibition on contemporary dance \u201cCorps Rebelles\u201d.<\/h1>\n<h1>More than fifty films and shows from fifteen countries were on the program.<\/h1>\n<p>The creations of a remarkable women filmmakers, choreographers and performers were showcased at this unique event in the country. Several of them were present in person to share their work with the public.<\/p>\n<p>The great Indian dancer Shantala Shivalingappa who has worked with Maurice B\u00e9jart, Pina Bausch, Peter Brook and Sidi Larbi Cherkaoui opened the event by performing on the stage of the Museum&#8217;s Roland-Arpin Auditorium the short piece \u201cSolo\u201d that she created with Bausch. The documentary \u201cShantala\u201d, a film by Quebecer Ezra Belotte-Cousineau, was subsequently screened in its North American premiere. In closing, Rouyn-Noranda director B\u00e9atriz Mediavilla presented her poetic documentary &#8220;Danse avec elles&#8221;, which she dedicated to her teacher Lynn Vaillancourt, who has been teaching dance for 45 years to students at the PRELV school in Rouyn-Noranda, Abitibi-T\u00e9miscamingue.<\/p>\n<p>The creations of Chantal Caron, the inspiring choreographer from Saint-Jean-Port-Joli, young up-and-coming choreographers Mo\u00efa Jobin-Par\u00e9, Ariane Voineau and Josiane Bernier from Quebec City, and Montrealers Ariane Boulet, Louise Lecavalier, Isabelle Hayeur, Carol Prieur, Virginie Brunelle and Katya Montaignac were also presented. New York visual artist and performer Jil Guyon, Catalan filmmaker Isabel Rocamora and Flemish choreographer Ann van den Broek were among the headliners of the event.<\/p>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n<\/div>\n<div class=\"is-divider divider clearfix\" style=\"max-width:60px;\"><\/div>\n\n\t<section class=\"section dark\" id=\"section_1096098520\">\n\t\t<div class=\"section-bg fill\" >\n\t\t\t\t\t\t\t\t\t\n\t\t\t\n\n\t\t<\/div>\n\n\t\t\n\n\t\t<div class=\"section-content relative\">\n\t\t\t\n<div class=\"accordion\">\n\t<div id=\"accordion-3931628166\" class=\"accordion-item\">\n\t\t<a id=\"accordion-3931628166-label\" class=\"accordion-title plain\" href=\"#accordion-item-highlights\" aria-expanded=\"false\" aria-controls=\"accordion-3931628166-content\">\n\t\t\t<button class=\"toggle\" aria-label=\"Toggle\"><i class=\"icon-angle-down\" aria-hidden=\"true\"><\/i><\/button>\n\t\t\t<span>HIGHLIGHTS<\/span>\n\t\t<\/a>\n\t\t<div id=\"accordion-3931628166-content\" class=\"accordion-inner\" aria-labelledby=\"accordion-3931628166-label\">\n\t\t\t\n<p><a class=\"_ps2id\" href=\"#lumieresurshantala2015\" data-ps2id-offset=\"\">&#8220;SPOTLIGHT ON SHANTALA SHIVALINGAPPA&#8221; <\/a><a class=\"_ps2id\" href=\"#lumieresurshantala2015\" data-ps2id-offset=\"\">(Paris\/Madras)<\/a> <a class=\"_ps2id __mPS2id _mPS2id-h\" href=\"https:\/\/www.cinedanse.ca\/cinedanse-edition-2019-ottawa\/#lecridenacerabelaza\" data-ps2id-offset=\"\">| OPENING NIGHT<\/a><\/p>\n<p><a class=\"_ps2id\" href=\"#extraitdenamasya2015\" data-ps2id-offset=\"\">&#8220;SOLO&#8221; EXTRACT FROM PLAY &#8220;<\/a><a class=\"_ps2id\" href=\"#extraitdenamasya2015\" data-ps2id-offset=\"\">NAMASYA&#8221;<\/a><a class=\"_ps2id\" href=\"#extraitdenamasya2015\" data-ps2id-offset=\"\">\u00a0<\/a><a class=\"_ps2id __mPS2id _mPS2id-h\" href=\"https:\/\/www.cinedanse.ca\/cinedanse-edition-2019-ottawa\/#lecridenacerabelaza\" data-ps2id-offset=\"\">| OPENING NIGHT<\/a><\/p>\n<p><a class=\"_ps2id\" href=\"#danseavecelles2015\" data-ps2id-offset=\"\">&#8220;DANSE AVEC ELLES&#8221; by B\u00c9ATRIZ MEDIAVILLA <\/a><a class=\"_ps2id\" href=\"#danseavecelles2015\" data-ps2id-offset=\"\">(Rouyn-Noranda)<\/a> <a class=\"_ps2id __mPS2id _mPS2id-h\" href=\"https:\/\/www.cinedanse.ca\/cinedanse-edition-2019-ottawa\/#lecridenacerabelaza\" data-ps2id-offset=\"\">| CLOSING FILM<\/a><\/p>\n<p><a class=\"_ps2id\" href=\"#coda2015\" data-ps2id-offset=\"\">&#8220;CODA&#8221; by DENIS POULAIN and MARTINE \u00c9POQUE <\/a><a class=\"_ps2id\" href=\"#coda2015\" data-ps2id-offset=\"\">(Montreal)<\/a><\/p>\n<p><a class=\"_ps2id\" href=\"#danserleprintemps2015\" data-ps2id-offset=\"\">&#8220;DANSER LE PRINTEMPS \u00c0 L&#8217;AUTOMNE&#8221; with THIERRY THIE\u00db NIANG (Paris)<\/a><\/p>\n<p><a class=\"_ps2id\" href=\"#loveismpourtous2015\" data-ps2id-offset=\"\">&#8220;LOVE-ISM, FOR ALL!&#8221; by MOR SHANI (ISRAEL) and PAUL SIXTA (Netherlands)<\/a><\/p>\n<p><a class=\"_ps2id\" href=\"#widowdejilguyon2015\" data-ps2id-offset=\"\">&#8220;WIDOW&#8221; by JIL GUYON (NEW-YORK)<\/a><\/p>\n<p>&#8220;<a class=\"_ps2id\" href=\"#lecorpsenmouvement2015\" data-ps2id-offset=\"\">SPOTLIGHT ON ISABEL ROCAMORA&#8221;<\/a><a class=\"_ps2id\" href=\"#lecorpsenmouvement2015\" data-ps2id-offset=\"\"> (Barcelona)<\/a><\/p>\n<p><a class=\"_ps2id\" href=\"#glacecrevasseetderive2015\" data-ps2id-offset=\"\">&#8220;GLACE, CREVASSE ET D\u00c9RIVE&#8221; by CHANTAL CARON (Montreal)<\/a><\/p>\n<p><a class=\"_ps2id\" href=\"#lecerf2015\" data-ps2id-offset=\"\">&#8220;LE CERF, OU MOI QUI C\u00c8DE \u00c0 L&#8217;ESPACE&#8221; by ARIANE BOULET (Montreal)<\/a><\/p>\n<p><a class=\"_ps2id\" href=\"#theladyinblack2015\" data-ps2id-offset=\"\">&#8220;SPOTLIGHT ON ANN VAN DER BROEK&#8221;<\/a><a class=\"_ps2id\" href=\"#theladyinblack2015\" data-ps2id-offset=\"\">\u00a0(Netherlands)<\/a><\/p>\n<p><a class=\"_ps2id\" href=\"#lumieresursallygross2015\" data-ps2id-offset=\"\">&#8220;SPOTLIGHT ON SALLY GROSS&#8221; (United-States)<\/a><\/p>\n<p><a class=\"_ps2id\" href=\"#ravages2015\" data-ps2id-offset=\"\">&#8220;RAVAGES&#8221; by ALAN LAKE (Quebec)<\/a><\/p>\n\t\t<\/div>\n\t<\/div>\n\t\n\t<div id=\"accordion-2019275153\" class=\"accordion-item\">\n\t\t<a id=\"accordion-2019275153-label\" class=\"accordion-title plain\" href=\"#accordion-item-lumi\u00c8re-prize-2015\" aria-expanded=\"false\" aria-controls=\"accordion-2019275153-content\">\n\t\t\t<button class=\"toggle\" aria-label=\"Toggle\"><i class=\"icon-angle-down\" aria-hidden=\"true\"><\/i><\/button>\n\t\t\t<span>LUMI\u00c8RE PRIZE 2015<\/span>\n\t\t<\/a>\n\t\t<div id=\"accordion-2019275153-content\" class=\"accordion-inner\" aria-labelledby=\"accordion-2019275153-label\">\n\t\t\t\n<p><a class=\"_ps2id\" href=\"#prixlumiere2015\" data-ps2id-offset=\"\">THE LUMI\u00c8RE PRIZE 2015<\/a><\/p>\n\t\t<\/div>\n\t<\/div>\n\t\n\t<div id=\"accordion-489330300\" class=\"accordion-item\">\n\t\t<a id=\"accordion-489330300-label\" class=\"accordion-title plain\" href=\"#accordion-item-talking-about-us\" aria-expanded=\"false\" aria-controls=\"accordion-489330300-content\">\n\t\t\t<button class=\"toggle\" aria-label=\"Toggle\"><i class=\"icon-angle-down\" aria-hidden=\"true\"><\/i><\/button>\n\t\t\t<span>TALKING ABOUT US<\/span>\n\t\t<\/a>\n\t\t<div id=\"accordion-489330300-content\" class=\"accordion-inner\" aria-labelledby=\"accordion-489330300-label\">\n\t\t\t\n<p><a class=\"_ps2id\" href=\"#onparledenous2015\" data-ps2id-offset=\"\">CIN\u00c9DANSE 2015 IN THE PRESS<\/a><\/p>\n\t\t<\/div>\n\t<\/div>\n\t\n<\/div>\n\t\t<\/div>\n\n\t\t\n<style>\n#section_1096098520 {\n  padding-top: 30px;\n  padding-bottom: 30px;\n  background-color: rgb(0, 0, 0);\n}\n<\/style>\n\t<\/section>\n\t\n<div class=\"is-divider divider clearfix\" style=\"max-width:60px;\"><\/div>\n\t<div id=\"gap-48724967\" class=\"gap-element clearfix\" style=\"display:block; height:auto;\">\n\t\t\n<style>\n#gap-48724967 {\n  padding-top: 30px;\n}\n<\/style>\n\t<\/div>\n\t\n\n\t<section class=\"section dark\" id=\"section_2110676639\">\n\t\t<div class=\"section-bg fill\" >\n\t\t\t\t\t\t\t\t\t<div class=\"section-bg-overlay absolute fill\"><\/div>\n\t\t\t\n\t<div class=\"is-border\"\n\t\tstyle=\"border-color:rgb(255, 255, 255);border-width:0px 0px 20px 0px;\">\n\t<\/div>\n\n\t\t<\/div>\n\n\t\t\n\n\t\t<div class=\"section-content relative\">\n\t\t\t\n<h2 class=\"alt-font\"><a id=\"lumieresurshantala2015\"><\/a>&#8220;LUMI\u00c8RE on SHANTALA SHIVALINGAPPA&#8221; (Paris\/Madras)<\/h2>\n<h2>Opening night<\/h2>\n\t\t<\/div>\n\n\t\t\n<style>\n#section_2110676639 {\n  padding-top: 20px;\n  padding-bottom: 20px;\n  margin-bottom: 0px;\n  min-height: 0px;\n  background-color: rgb(0, 0, 0);\n}\n#section_2110676639 .section-bg-overlay {\n  background-color: rgb(0, 0, 0);\n}\n<\/style>\n\t<\/section>\n\t\n<blockquote>\n<p><em>&#8220;Because often words don&#8217;t mean anything&#8221; to the question, why dancing when there is so much to do?&#8221;<\/em><\/p>\n<\/blockquote>\n\t<div id=\"gap-386715675\" class=\"gap-element clearfix\" style=\"display:block; height:auto;\">\n\t\t\n<style>\n#gap-386715675 {\n  padding-top: 30px;\n}\n<\/style>\n\t<\/div>\n\t\n<div class=\"row\"  id=\"row-1324630294\">\n\n\t<div id=\"col-2076659665\" class=\"col medium-5 small-12 large-5\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\t<div class=\"img has-hover x md-x lg-x y md-y lg-y\" id=\"image_783214152\">\n\t\t\t\t\t\t\t\t<div class=\"img-inner dark\" >\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1020\" height=\"571\" src=\"https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2021\/02\/SHANTALA-9-72_DPI-1024x573-1.jpg\" class=\"attachment-large size-large\" alt=\"\" srcset=\"https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2021\/02\/SHANTALA-9-72_DPI-1024x573-1.jpg 1024w, https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2021\/02\/SHANTALA-9-72_DPI-1024x573-1-300x168.jpg 300w, https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2021\/02\/SHANTALA-9-72_DPI-1024x573-1-768x430.jpg 768w\" sizes=\"auto, (max-width: 1020px) 100vw, 1020px\" \/>\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\n<style>\n#image_783214152 {\n  width: 100%;\n}\n<\/style>\n\t<\/div>\n\t\n\t<div id=\"gap-1621955684\" class=\"gap-element clearfix\" style=\"display:block; height:auto;\">\n\t\t\n<style>\n#gap-1621955684 {\n  padding-top: 0px;\n}\n<\/style>\n\t<\/div>\n\t\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\n\t<div id=\"col-877780868\" class=\"col medium-7 small-12 large-7\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<p>From London to New York, from Philadelphia to San Francisco, from Montreal to Paris, director Ezra Belotte-Cousineau follows Shantala and tries to capture, through his dance and interviews, the essence of this character, discreet indeed, but animated by a burning passion for his profession and for her fellows.<\/p>\n<p>Dir : Ezra Belotte-Cousineau | Chor :\u00a0Shantala Shivalingappa | 2014 | 60<strong>\u2019<\/strong><\/p>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n<\/div>\n<div class=\"row\"  id=\"row-1762050284\">\n\n\t<div id=\"col-342153071\" class=\"col medium-5 small-12 large-5\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\t<div class=\"img has-hover x md-x lg-x y md-y lg-y\" id=\"image_1562720021\">\n\t\t\t\t\t\t\t\t<div class=\"img-inner dark\" >\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"338\" src=\"https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2021\/02\/play.jpg\" class=\"attachment-large size-large\" alt=\"\" srcset=\"https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2021\/02\/play.jpg 600w, https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2021\/02\/play-300x169.jpg 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/>\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\n<style>\n#image_1562720021 {\n  width: 100%;\n}\n<\/style>\n\t<\/div>\n\t\n<div class=\"video video-fit mb\" style=\"padding-top:56.25%;\"><p><iframe loading=\"lazy\" title=\"Bande annonce du film Shantala de Ezra Belotte-Cousineau, 2015\" src=\"https:\/\/player.vimeo.com\/video\/257861159?dnt=1&amp;app_id=122963\" width=\"1020\" height=\"574\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n<\/div>\n<div class=\"is-divider divider clearfix\" style=\"max-width:60px;\"><\/div>\n\n\t<section class=\"section dark\" id=\"section_178965511\">\n\t\t<div class=\"section-bg fill\" >\n\t\t\t\t\t\t\t\t\t<div class=\"section-bg-overlay absolute fill\"><\/div>\n\t\t\t\n\t<div class=\"is-border\"\n\t\tstyle=\"border-color:rgb(255, 255, 255);border-width:0px 0px 20px 0px;\">\n\t<\/div>\n\n\t\t<\/div>\n\n\t\t\n\n\t\t<div class=\"section-content relative\">\n\t\t\t\n<h2 class=\"alt-font\"><a id=\"extraitdenamasya2015\"><\/a>&#8220;SOLO&#8221; (EXTRACT FROM play &#8220;NAMASYA&#8221;)<\/h2>\n<p>\u00a0<\/p>\n\t\t<\/div>\n\n\t\t\n<style>\n#section_178965511 {\n  padding-top: 20px;\n  padding-bottom: 20px;\n  margin-bottom: 0px;\n  min-height: 0px;\n  background-color: rgb(0, 0, 0);\n}\n#section_178965511 .section-bg-overlay {\n  background-color: rgb(0, 0, 0);\n}\n<\/style>\n\t<\/section>\n\t\n<div class=\"row\"  id=\"row-51039448\">\n\n\t<div id=\"col-2142319445\" class=\"col medium-5 small-12 large-5\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\t<div class=\"img has-hover x md-x lg-x y md-y lg-y\" id=\"image_1198234581\">\n\t\t\t\t\t\t\t\t<div class=\"img-inner dark\" >\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"1024\" src=\"https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2021\/02\/SHA-NAMASYA-Laurent-Philippe-002-300-dpi-682x1024-1.jpg\" class=\"attachment-large size-large\" alt=\"\" srcset=\"https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2021\/02\/SHA-NAMASYA-Laurent-Philippe-002-300-dpi-682x1024-1.jpg 682w, https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2021\/02\/SHA-NAMASYA-Laurent-Philippe-002-300-dpi-682x1024-1-200x300.jpg 200w\" sizes=\"auto, (max-width: 682px) 100vw, 682px\" \/>\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\n<style>\n#image_1198234581 {\n  width: 100%;\n}\n<\/style>\n\t<\/div>\n\t\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\n\t<div id=\"col-1827679526\" class=\"col medium-7 small-12 large-7\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<p>The great Indian dancer Shantala Shivalingappa opened the event by performing the short play &#8220;Solo&#8221; that she created with Pina Bausch.<\/p>\n<p>Chor : Shantala Shivalingappa \/ Pina Bausch | Performer : Shantala Shivalingappa<\/p>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n<\/div>\n<div class=\"is-divider divider clearfix\" style=\"max-width:60px;\"><\/div>\n\n\t<section class=\"section dark\" id=\"section_1760097240\">\n\t\t<div class=\"section-bg fill\" >\n\t\t\t\t\t\t\t\t\t<div class=\"section-bg-overlay absolute fill\"><\/div>\n\t\t\t\n\t<div class=\"is-border\"\n\t\tstyle=\"border-color:rgb(255, 255, 255);border-width:0px 0px 20px 0px;\">\n\t<\/div>\n\n\t\t<\/div>\n\n\t\t\n\n\t\t<div class=\"section-content relative\">\n\t\t\t\n<h2 class=\"alt-font\"><a id=\"danseavecelles2015\"><\/a>\u00ab DANSE AVEC ELLES \u00bb by B\u00e9atriz Mediavilla (Rouyn-Noranda)<\/h2>\n<h2><strong>Closing film<\/strong><\/h2>\n\t\t<\/div>\n\n\t\t\n<style>\n#section_1760097240 {\n  padding-top: 20px;\n  padding-bottom: 20px;\n  margin-bottom: 0px;\n  min-height: 0px;\n  background-color: rgb(0, 0, 0);\n}\n#section_1760097240 .section-bg-overlay {\n  background-color: rgb(0, 0, 0);\n}\n<\/style>\n\t<\/section>\n\t\n<blockquote>\n<p>&#8220;Presented in various festivals, among others, in Montreal, Quebec, Toronto and Vancouver, but also Havana, Zaragoza and New York.&#8221;<\/p>\n<\/blockquote>\n<div class=\"row\"  id=\"row-702054617\">\n\n\t<div id=\"col-35688087\" class=\"col medium-5 small-12 large-5\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\t<div class=\"img has-hover x md-x lg-x y md-y lg-y\" id=\"image_1932843962\">\n\t\t\t\t\t\t\t\t<div class=\"img-inner dark\" >\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1020\" height=\"574\" src=\"https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2021\/02\/dancewiththem-1600x900-c-default-1024x576.jpg\" class=\"attachment-large size-large\" alt=\"\" srcset=\"https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2021\/02\/dancewiththem-1600x900-c-default-1024x576.jpg 1024w, https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2021\/02\/dancewiththem-1600x900-c-default-300x169.jpg 300w, https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2021\/02\/dancewiththem-1600x900-c-default-768x432.jpg 768w, https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2021\/02\/dancewiththem-1600x900-c-default-1536x864.jpg 1536w, https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2021\/02\/dancewiththem-1600x900-c-default.jpg 1600w\" sizes=\"auto, (max-width: 1020px) 100vw, 1020px\" \/>\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\n<style>\n#image_1932843962 {\n  width: 100%;\n}\n<\/style>\n\t<\/div>\n\t\n<div class=\"video video-fit mb\" style=\"padding-top:56.25%;\"><p><iframe loading=\"lazy\" title=\"Bande annonce \u00ab Danse avec elles \u00bb\" width=\"1020\" height=\"574\" src=\"https:\/\/www.youtube.com\/embed\/TU7_Yeo6Ubk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\n\t<div id=\"col-296339197\" class=\"col medium-7 small-12 large-7\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<p>In Rouyn-Noranda, in Abitibi-T\u00e9miscamingue, there is a dance school directed by the same person for 45 years, choreographer Lynn Vaillancourt.<\/p>\n<p>For one year, the filmmaker B\u00e9atriz Mediavilla was integrated into PRELV&#8217;s activities to bring out the particularities of this school and the links that unite the young students.<\/p>\n<p>Dir : B\u00e9atriz Mediavilla | 2014 | 89<strong>\u2019<\/strong><\/p>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n<\/div>\n<div class=\"is-divider divider clearfix\" style=\"max-width:60px;\"><\/div>\n\n\t<section class=\"section dark\" id=\"section_646088358\">\n\t\t<div class=\"section-bg fill\" >\n\t\t\t\t\t\t\t\t\t<div class=\"section-bg-overlay absolute fill\"><\/div>\n\t\t\t\n\t<div class=\"is-border\"\n\t\tstyle=\"border-color:rgb(255, 255, 255);border-width:0px 0px 20px 0px;\">\n\t<\/div>\n\n\t\t<\/div>\n\n\t\t\n\n\t\t<div class=\"section-content relative\">\n\t\t\t\n<h2 class=\"alt-font\"><a id=\"prixlumiere2015\"><\/a>LUMI\u00c8RE prize 2015<\/h2>\n<h2 class=\"alt-font\"><em>&#8220;<\/em>Lay Me Low<em>&#8220;<\/em>\u00a0 by Sandy Silva and Marlene Millar (montreal)<\/h2>\n\t\t<\/div>\n\n\t\t\n<style>\n#section_646088358 {\n  padding-top: 20px;\n  padding-bottom: 20px;\n  margin-bottom: 0px;\n  min-height: 0px;\n  background-color: rgb(0, 0, 0);\n}\n#section_646088358 .section-bg-overlay {\n  background-color: rgb(0, 0, 0);\n}\n<\/style>\n\t<\/section>\n\t\n<blockquote>\n<p>\u201c\u2026 A touching dance sung in the form of a funeral procession in the heart of nature, transfiguring ritual and tradition. &#8220;<\/p>\n<p>Le Devoir (Montreal)<\/p>\n<\/blockquote>\n<div class=\"row\"  id=\"row-1954824659\">\n\n\t<div id=\"col-1874705575\" class=\"col medium-5 small-12 large-5\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\t<div class=\"img has-hover x md-x lg-x y md-y lg-y\" id=\"image_732002630\">\n\t\t\t\t\t\t\t\t<div class=\"img-inner dark\" >\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"406\" src=\"https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2021\/02\/laymelow.jpg\" class=\"attachment-large size-large\" alt=\"\" srcset=\"https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2021\/02\/laymelow.jpg 600w, https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2021\/02\/laymelow-300x203.jpg 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/>\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\n<style>\n#image_732002630 {\n  width: 100%;\n}\n<\/style>\n\t<\/div>\n\t\n<div class=\"video video-fit mb\" style=\"padding-top:56.25%;\"><p><iframe loading=\"lazy\" title=\"Lay Me Low trailer\" src=\"https:\/\/player.vimeo.com\/video\/125331919?dnt=1&amp;app_id=122963\" width=\"1020\" height=\"574\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\n\t<div id=\"col-1696133027\" class=\"col medium-7 small-12 large-7\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<p>The film &#8220;Lay Me Low&#8221; by Sandy Silva and Marlene Millar was selected by the jury chaired by Martine \u00c9poque. The other members of this jury were: from Qu\u00e9bec City, Josianne Desloges, visual art journalist and columnist for Le Soleil newspaper, S\u00e9bastien Hudon, artistic director of La Bande-Vid\u00e9o; Kathleya Afanador, Manager of Programming and Content Acquisition at TenduTV (New-York); Greta Schoenberg, founder and artistic director of the San Francisco Dance Film Festival and \u2018Mor Shani, young Israeli choreographer and dancer.<\/p>\n<p>The jury described the work as &#8220;an accomplished film in which all the elements come together with strength. There is nothing too much, nothing extra, nothing in excess. The sobriety, the efficiency of the means chosen and the authenticity of the interpretation make it a unique, luminous and universal work. &#8220;Lay me low&#8221; is a sensitive and fascinating film.<\/p>\n<p>\u00a0<\/p>\n<p>Dir : Sandy Silva et Marlene Millar | 2015 | 8\u2019<\/p>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n<\/div>\n<div class=\"is-divider divider clearfix\" style=\"max-width:60px;\"><\/div>\n\n\t<section class=\"section dark\" id=\"section_1952108523\">\n\t\t<div class=\"section-bg fill\" >\n\t\t\t\t\t\t\t\t\t<div class=\"section-bg-overlay absolute fill\"><\/div>\n\t\t\t\n\t<div class=\"is-border\"\n\t\tstyle=\"border-color:rgb(255, 255, 255);border-width:0px 0px 20px 0px;\">\n\t<\/div>\n\n\t\t<\/div>\n\n\t\t\n\n\t\t<div class=\"section-content relative\">\n\t\t\t\n<h2 class=\"alt-font\"><a id=\"coda2015\"><\/a>&#8220;CODA&#8221; by Denis Poulain and Martine \u00c9poque (Montr\u00e9al)<\/h2>\n<p>\u00a0<\/p>\n\t\t<\/div>\n\n\t\t\n<style>\n#section_1952108523 {\n  padding-top: 20px;\n  padding-bottom: 20px;\n  margin-bottom: 0px;\n  min-height: 0px;\n  background-color: rgb(0, 0, 0);\n}\n#section_1952108523 .section-bg-overlay {\n  background-color: rgb(0, 0, 0);\n}\n<\/style>\n\t<\/section>\n\t\n<blockquote>\n<p><em>&#8220;Decorated with many prestigious awards around the world, in Hollywood, Li\u00e8ge, Angoul\u00eame, R\u00e9union Island (France), CODA is a true audio-visual experience of a rare beauty. The artwork illustrates the fragility of the human condition.&#8221;<\/em><\/p>\n<\/blockquote>\n<div class=\"row\"  id=\"row-681176931\">\n\n\t<div id=\"col-1803449550\" class=\"col medium-5 small-12 large-5\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\t<div class=\"img has-hover x md-x lg-x y md-y lg-y\" id=\"image_702581045\">\n\t\t\t\t\t\t\t\t<div class=\"img-inner dark\" >\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"432\" src=\"https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2021\/02\/2k-0-02-39-03-768x432-1.jpg\" class=\"attachment-large size-large\" alt=\"\" srcset=\"https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2021\/02\/2k-0-02-39-03-768x432-1.jpg 768w, https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2021\/02\/2k-0-02-39-03-768x432-1-300x169.jpg 300w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/>\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\n<style>\n#image_702581045 {\n  width: 100%;\n}\n<\/style>\n\t<\/div>\n\t\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\n\t<div id=\"col-237065435\" class=\"col medium-7 small-12 large-7\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<p>The film CODA, signed by the tandem formed by screen dance pioneers Martine \u00c9poque and Denis Poulin, can be considered the very essence of the work of art of the 21st century, the one that will flood our museums and public art in the coming decades.<\/p>\n<p>It is the Hourshid &amp; Mehrshid Afrakhteh sisters &#8211; the TwinMuse &#8211; young Montreal virtuosos of Iranian origin, who will perform excerpts from the final movement of Stravinsky&#8217;s famous Rite of Spring (four-handed version at the same piano).<\/p>\n<p>Co-produced with the support of the National Film Board of Canada and FAKE Digital Entertainment, this animated short film offers a new vision of dance in cinema, thanks to its use of advanced digital technologies, including motion capture (MoCap) and particle processing.<\/p>\n<p>\u00a0<\/p>\n<p>Dir : Denis Poulin &amp; Martine \u00c9poque | Chor : Martine \u00c9poque &amp; Fr\u00e9d\u00e9rick Gravel | QC | 2014 | 11\u2032<\/p>\n<p><a href=\"https:\/\/www.onf.ca\/film\/coda_fr\/\">FULL MOVIE<\/a><\/p>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n<\/div>\n<div class=\"is-divider divider clearfix\" style=\"max-width:60px;\"><\/div>\n\n\t<section class=\"section dark\" id=\"section_1691670432\">\n\t\t<div class=\"section-bg fill\" >\n\t\t\t\t\t\t\t\t\t<div class=\"section-bg-overlay absolute fill\"><\/div>\n\t\t\t\n\t<div class=\"is-border\"\n\t\tstyle=\"border-color:rgb(255, 255, 255);border-width:0px 0px 20px 0px;\">\n\t<\/div>\n\n\t\t<\/div>\n\n\t\t\n\n\t\t<div class=\"section-content relative\">\n\t\t\t\n<h2 class=\"alt-font\"><a id=\"danserleprintemps2015\"><\/a>&#8220;DANCING SPRING IN AUTUMN&#8221; with Thierry Thie\u00fb Niang (Paris)<\/h2>\n<h2>Workshop and Film<\/h2>\n\t\t<\/div>\n\n\t\t\n<style>\n#section_1691670432 {\n  padding-top: 20px;\n  padding-bottom: 20px;\n  margin-bottom: 0px;\n  min-height: 0px;\n  background-color: rgb(0, 0, 0);\n}\n#section_1691670432 .section-bg-overlay {\n  background-color: rgb(0, 0, 0);\n}\n<\/style>\n\t<\/section>\n\t\n<blockquote>\n<h4><em>\u201cMeeting with a choreographer who brings another tone to the dance.\u201d<\/em><\/h4>\n<\/blockquote>\n<div class=\"row\"  id=\"row-1387141458\">\n\n\t<div id=\"col-1799690291\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<div class=\"video video-fit mb\" style=\"padding-top:56.25%;\"><blockquote class=\"wp-embedded-content\" data-secret=\"9lT3SBCcUm\"><p><a href=\"https:\/\/www.cinedanse.ca\/danser-le-printemps\/projections-echanges-citoyens\/\">Gratuit |Projections |\u00c9changes citoyens<\/a><\/p><\/blockquote>\n<p><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" title=\"\u00ab\u00a0Gratuit |Projections |\u00c9changes citoyens\u00a0\u00bb &#8212; Cin\u00e9danse\" src=\"https:\/\/www.cinedanse.ca\/danser-le-printemps\/projections-echanges-citoyens\/embed\/#?secret=9lT3SBCcUm\" data-secret=\"9lT3SBCcUm\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/p>\n<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\n\t<div id=\"col-455818793\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<p>This powerful documentary is the result of seven years of work for 20 retired people from Marseille with the French choreographer Thierry Thie\u00fb Niang. Nurses, housewives, teachers and doctors, aged 60 to 87, with no choreographic experience, interpret a variation of Stravinsky&#8217;s masterpiece The Rite of Spring.<\/p>\n<p>The film retraces an extraordinary experience, marked by humanity and determination.<\/p>\n<p>Dir : Philippe Chevallier and Denis Sneguirev | Chor : Thierry Thie\u00fb Niang | France | 2013 | 52\u2019<\/p>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n<\/div>\n<div class=\"row\"  id=\"row-91609531\">\n\n\t<div id=\"col-178087084\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\t<div class=\"img has-hover x md-x lg-x y md-y lg-y\" id=\"image_488148010\">\n\t\t\t\t\t\t\t\t<div class=\"img-inner dark\" >\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1020\" height=\"680\" src=\"https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2021\/02\/JeanLouisFernandez43-1024x683-1.jpg\" class=\"attachment-large size-large\" alt=\"\" srcset=\"https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2021\/02\/JeanLouisFernandez43-1024x683-1.jpg 1024w, https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2021\/02\/JeanLouisFernandez43-1024x683-1-300x200.jpg 300w, https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2021\/02\/JeanLouisFernandez43-1024x683-1-768x512.jpg 768w\" sizes=\"auto, (max-width: 1020px) 100vw, 1020px\" \/>\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\n<style>\n#image_488148010 {\n  width: 100%;\n}\n<\/style>\n\t<\/div>\n\t\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\n\t<div id=\"col-118956882\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<p>In Quebec City, the workshop of the French choreographer Thierry Thie\u00fb Niang was for about twenty people over 60 years old. The artist proposed a dance experience based on one of his works &#8230; Du Printemps ! a free adaptation of Igor Stravinsky&#8217;s famous Rite of Spring.<\/p>\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n<\/div>\n<div class=\"is-divider divider clearfix\" style=\"max-width:60px;\"><\/div>\n\n\t<section class=\"section dark\" id=\"section_1319214826\">\n\t\t<div class=\"section-bg fill\" >\n\t\t\t\t\t\t\t\t\t<div class=\"section-bg-overlay absolute fill\"><\/div>\n\t\t\t\n\t<div class=\"is-border\"\n\t\tstyle=\"border-color:rgb(255, 255, 255);border-width:0px 0px 20px 0px;\">\n\t<\/div>\n\n\t\t<\/div>\n\n\t\t\n\n\t\t<div class=\"section-content relative\">\n\t\t\t\n<h2 class=\"alt-font\"><a id=\"loveismpourtous2015\"><\/a>&#8220;LOVE-ISM, FOR ALL!&#8221; by Mor Shani (Israel) and paul Sixta (Netherlands)<\/h2>\n<h2>WORKSHOP AND FILM<\/h2>\n\t\t<\/div>\n\n\t\t\n<style>\n#section_1319214826 {\n  padding-top: 20px;\n  padding-bottom: 20px;\n  margin-bottom: 1px;\n  min-height: 0px;\n  background-color: rgb(0, 0, 0);\n}\n#section_1319214826 .section-bg-overlay {\n  background-color: rgb(0, 0, 0);\n}\n<\/style>\n\t<\/section>\n\t\n<blockquote>\n<p>Jane Austen said, &#8220;There are as many expressions of love as there are moments in time. But what is the difference between one love and another?<\/p>\n<\/blockquote>\n<div class=\"row\"  id=\"row-1914976420\">\n\n\t<div id=\"col-200992509\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\t<div class=\"img has-hover x md-x lg-x y md-y lg-y\" id=\"image_1895237659\">\n\t\t\t\t\t\t\t\t<div class=\"img-inner dark\" >\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1020\" height=\"574\" src=\"https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2021\/02\/love-ism-film-01-1024x576-1.jpg\" class=\"attachment-large size-large\" alt=\"\" srcset=\"https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2021\/02\/love-ism-film-01-1024x576-1.jpg 1024w, https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2021\/02\/love-ism-film-01-1024x576-1-300x169.jpg 300w, https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2021\/02\/love-ism-film-01-1024x576-1-768x432.jpg 768w\" sizes=\"auto, (max-width: 1020px) 100vw, 1020px\" \/>\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\n<style>\n#image_1895237659 {\n  width: 100%;\n}\n<\/style>\n\t<\/div>\n\t\n<div class=\"video video-fit mb\" style=\"padding-top:56.25%;\"><p><iframe loading=\"lazy\" title=\"Love-ism: it will end with tears (trailer)\" src=\"https:\/\/player.vimeo.com\/video\/71962061?dnt=1&amp;app_id=122963\" width=\"1020\" height=\"574\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\n\t<div id=\"col-409088923\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<p>The Israeli choreographer Mor Shani was inspired by Erich Fromm&#8217;s Art of Loving (1956) to imagine Love-ism, a work that seeks to understand the different shapes of love that unite human beings.<\/p>\n<p>He continues the creative process in a series of workshops with non-dancers. Shani, who wants to take dance out of the studios and make it accessible to all.<\/p>\n<p>Fifteen people attended Mor Shani&#8217;s workshop in Quebec City. Luminous footage filmed by Sixta with workshop participants were integrated into the film presented to the Quebec City audience.<\/p>\n<p>Dir : Paul Sixta | Chor : Mor Shani 2014 | 53\u2019<\/p>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n<\/div>\n<div class=\"is-divider divider clearfix\" style=\"max-width:60px;\"><\/div>\n\n\t<section class=\"section dark\" id=\"section_342655284\">\n\t\t<div class=\"section-bg fill\" >\n\t\t\t\t\t\t\t\t\t<div class=\"section-bg-overlay absolute fill\"><\/div>\n\t\t\t\n\t<div class=\"is-border\"\n\t\tstyle=\"border-color:rgb(255, 255, 255);border-width:0px 0px 20px 0px;margin:0px 0px 0 0px;\">\n\t<\/div>\n\n\t\t<\/div>\n\n\t\t\n\n\t\t<div class=\"section-content relative\">\n\t\t\t\n<h2 class=\"alt-font\"><a id=\"widowdejilguyon2015\"><\/a>&#8220;WIDOW&#8221; by Jil Guyon (New-York)<\/h2>\n<h2><b>Nominated for the Lumi\u00e8re Prize<\/b><\/h2>\n\t\t<\/div>\n\n\t\t\n<style>\n#section_342655284 {\n  padding-top: 20px;\n  padding-bottom: 20px;\n  margin-bottom: -1px;\n  min-height: 0px;\n  background-color: rgb(0, 0, 0);\n}\n#section_342655284 .section-bg-overlay {\n  background-color: rgb(0, 0, 0);\n}\n<\/style>\n\t<\/section>\n\t\n<blockquote>\n<p><em>&#8220;Haunting and wonderful&#8221; <\/em>Houston Press<\/p>\n<\/blockquote>\n<div class=\"row\"  id=\"row-82145030\">\n\n\t<div id=\"col-1380931887\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\t<div class=\"img has-hover x md-x lg-x y md-y lg-y\" id=\"image_326188467\">\n\t\t\t\t\t\t\t\t<div class=\"img-inner dark\" >\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1020\" height=\"574\" src=\"https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2015\/07\/Desert-Widow_Guyon_1-1024x576.jpg\" class=\"attachment-large size-large\" alt=\"\" srcset=\"https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2015\/07\/Desert-Widow_Guyon_1-1024x576.jpg 1024w, https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2015\/07\/Desert-Widow_Guyon_1-300x169.jpg 300w, https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2015\/07\/Desert-Widow_Guyon_1.jpg 1920w\" sizes=\"auto, (max-width: 1020px) 100vw, 1020px\" \/>\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\n<style>\n#image_326188467 {\n  width: 100%;\n}\n<\/style>\n\t<\/div>\n\t\n<div class=\"video video-fit mb\" style=\"padding-top:56.25%;\"><p><iframe loading=\"lazy\" title=\"WIDOW [trailer]\" src=\"https:\/\/player.vimeo.com\/video\/288070685?dnt=1&amp;app_id=122963\" width=\"1020\" height=\"574\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\n\t<div id=\"col-1012620980\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<p>Widow is the filmed recreation of the in situ performance by New Yorker Jil Guyon. Her film presents the gradual untangling of a woman&#8217;s inner world. The evolving mystery of her psychological condition is gradually revealed through a disturbing calm, sharp gestures and extreme emotions. Precise choreographic movements emerge, with the veil that the beautiful woman hugs. Electronic sounds and overwhelming silence create changing paintings of images evocative of her struggle where she transcends her ruptures, her disenchantments.<\/p>\n<p>The two other films &#8220;Desert Widow&#8221; and &#8220;Vigil&#8221; were also screened.<\/p>\n<p>&#8220;We are all Widows&#8221;: says Jil Guyon<\/p>\n<p>Dir : Jil Guyon | Chor : Jil Guyon | Comp. Chris Becker | USA | 2013 | 11\u201957<\/p>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n<\/div>\n<div class=\"is-divider divider clearfix\" style=\"max-width:60px;\"><\/div>\n\n\t<section class=\"section dark\" id=\"section_1490632795\">\n\t\t<div class=\"section-bg fill\" >\n\t\t\t\t\t\t\t\t\t<div class=\"section-bg-overlay absolute fill\"><\/div>\n\t\t\t\n\t<div class=\"is-border\"\n\t\tstyle=\"border-color:rgb(255, 255, 255);border-width:0px 0px 20px 0px;margin:0px 0px 0 0px;\">\n\t<\/div>\n\n\t\t<\/div>\n\n\t\t\n\n\t\t<div class=\"section-content relative\">\n\t\t\t\n<h2 class=\"alt-font\"><a id=\"lecorpsenmouvement2015\"><\/a>&#8220;Lumi\u00e8re on Isabel Rocamora&#8221; (barcelona)<\/h2>\n\t\t<\/div>\n\n\t\t\n<style>\n#section_1490632795 {\n  padding-top: 20px;\n  padding-bottom: 20px;\n  margin-bottom: -1px;\n  min-height: 0px;\n  background-color: rgb(0, 0, 0);\n}\n#section_1490632795 .section-bg-overlay {\n  background-color: rgb(0, 0, 0);\n}\n<\/style>\n\t<\/section>\n\t\n<blockquote>\n<p><em>&#8220;A Real Masterpiece&#8221;<\/em><\/p>\n<p><strong>Artforum International Magazine<\/strong>, New-York (March 2009) about &#8220;Horizon of Exile&#8221;<\/p>\n<\/blockquote>\n<div class=\"row\"  id=\"row-1194859879\">\n\n\t<div id=\"col-2078002765\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\t<div class=\"img has-hover x md-x lg-x y md-y lg-y\" id=\"image_403186885\">\n\t\t\t\t\t\t\t\t<div class=\"img-inner dark\" >\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"599\" height=\"445\" src=\"https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2021\/02\/Fanny13.jpg\" class=\"attachment-large size-large\" alt=\"\" srcset=\"https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2021\/02\/Fanny13.jpg 599w, https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2021\/02\/Fanny13-300x223.jpg 300w\" sizes=\"auto, (max-width: 599px) 100vw, 599px\" \/>\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\n<style>\n#image_403186885 {\n  width: 100%;\n}\n<\/style>\n\t<\/div>\n\t\n<div class=\"video video-fit mb\" style=\"padding-top:56.25%;\"><p><iframe loading=\"lazy\" title=\"Body of War (2010) Isabel Rocamora - Extract\" width=\"1020\" height=\"574\" src=\"https:\/\/www.youtube.com\/embed\/Pt5pcGCGMVM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\n\t<div id=\"col-1608121441\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<p>The Catalan Isabel Rocamora is now recognized as one of the most inspired dance filmmakers in the world. In her films, Rocamora approaches the themes of religion, power and war, and old age with remarkable sharpness. She takes inspiration from the delicate subjects of our time to turn them into poetic works, full of truth.<\/p>\n<p>The films of this humanist artist have been produced by the BBC, Arte, Channel 3 of Spain and are exhibited in major museums and avant-garde galleries in Florence, Stockholm, San Francisco, Havana and Hong Kong.<\/p>\n<p>\u00a0<\/p>\n<p><strong>Horizon of Exile<\/strong><\/p>\n<p>In Horizon of Exile, Rocamora makes us live the hard desert crossing of two women whose inner movement invades us, disturbs us. These two women from the Middle East leave their world out of their desire for emancipation. The film questions the condition of Muslim women, the esteem they hold for themselves, and their desire to vanish. Disturbing.<\/p>\n<p>Dir : Isabel Rocamora\u00a0| Chor :\u00a0Isabel Rocamora | UK | 2007 | 22\u2019<\/p>\n<p><strong><u>\u00a0<\/u><\/strong><\/p>\n<p><strong>Promise of Fallen Time<\/strong><\/p>\n<p>A disaster has happened. A woman is struggling to survive, a man is waiting to die. In this dialogue between these two ageing bodies, &#8220;Promise of a Fallen Time&#8221; evokes all the fear that inhabits the one who is lost in the loved one who is leaving. Long before Haneke with his &#8220;Amour&#8221;, Isabel Rocamora signed here a great poem about the end of life of a dying couple. With delicacy and without flattery, crudely, as she films it so well.<\/p>\n<p>Dir : Isabel Rocamora | Chor : Isabel Rocamora | SP\/UK | 2009 | 18&#8242;<\/p>\n<p><strong><u>\u00a0<\/u><\/strong><\/p>\n<p><strong>Body of War<\/strong><\/p>\n<p>Isabel Rocamora brings back in Body of War the bare-handed combat ordeal. One becomes a soldier by the force of repeated acts of violence. She reminds us of the inner torments of soldiers that permeate their bodies, their psychology, their whole being. Even if conflicts today are the work of powerful machines, interfaces between the world powers, it is still the soldiers who are at war. With tenderness and through their testimonies, Body of War wants to be an intimate and brutal ode to the human behind the soldier, and questions the indoctrination, the instrumentation of our military structures. The film was shot on the very scene of the Normandy landings.<\/p>\n<p>Dir : Isabel Rocamora\u00a0| Chor.:\u00a0Isabel Rocamora |\u00a0UK | 2010 | 20\u2019<\/p>\n<p><strong><u>\u00a0<\/u><\/strong><\/p>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n<\/div>\n<div class=\"is-divider divider clearfix\" style=\"max-width:60px;\"><\/div>\n\n\t<section class=\"section dark\" id=\"section_1675695144\">\n\t\t<div class=\"section-bg fill\" >\n\t\t\t\t\t\t\t\t\t<div class=\"section-bg-overlay absolute fill\"><\/div>\n\t\t\t\n\t<div class=\"is-border\"\n\t\tstyle=\"border-color:rgb(255, 255, 255);border-width:0px 0px 20px 0px;margin:0px 0px 0 0px;\">\n\t<\/div>\n\n\t\t<\/div>\n\n\t\t\n\n\t\t<div class=\"section-content relative\">\n\t\t\t\n<h2 class=\"alt-font\"><a id=\"glacecrevasseetderive2015\"><\/a>&#8220;GLACE, CREVASSE ET D\u00c9RIVE&#8221; by Chantal Caron (St-Jean-Port-Joli)<\/h2>\n<h2><b>Nominated for the Lumi\u00e8re Prize<\/b><\/h2>\n\t\t<\/div>\n\n\t\t\n<style>\n#section_1675695144 {\n  padding-top: 20px;\n  padding-bottom: 20px;\n  margin-bottom: -1px;\n  min-height: 0px;\n  background-color: rgb(0, 0, 0);\n}\n#section_1675695144 .section-bg-overlay {\n  background-color: rgb(0, 0, 0);\n}\n<\/style>\n\t<\/section>\n\t\n<blockquote>\n<p><em>\u201cBest Screendance Short film at the San Francisco Dance Film Festival 2014\u201d<\/em><\/p>\n<p><em>&#8221; CALQ Award &#8211; Work of the year in Chaudi\u00e8re-Appalaches 2015&#8243;.<\/em><\/p>\n<\/blockquote>\n<div class=\"row\"  id=\"row-238207207\">\n\n\t<div id=\"col-326701269\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\t<div class=\"img has-hover x md-x lg-x y md-y lg-y\" id=\"image_1933921571\">\n\t\t\t\t\t\t\t\t<div class=\"img-inner dark\" >\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1020\" height=\"574\" src=\"https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2021\/02\/GLACE04capture-26-copie-1024x576-1.jpg\" class=\"attachment-large size-large\" alt=\"\" srcset=\"https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2021\/02\/GLACE04capture-26-copie-1024x576-1.jpg 1024w, https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2021\/02\/GLACE04capture-26-copie-1024x576-1-300x169.jpg 300w, https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2021\/02\/GLACE04capture-26-copie-1024x576-1-768x432.jpg 768w\" sizes=\"auto, (max-width: 1020px) 100vw, 1020px\" \/>\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\n<style>\n#image_1933921571 {\n  width: 100%;\n}\n<\/style>\n\t<\/div>\n\t\n<div class=\"video video-fit mb\" style=\"padding-top:56.25%;\"><p><iframe loading=\"lazy\" title=\"Glace, crevasse et d&amp;eacute;rive (2013) | SCREENER VO\" src=\"https:\/\/player.vimeo.com\/video\/273702307?dnt=1&amp;app_id=122963\" width=\"1020\" height=\"574\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\n\t<div id=\"col-1368591083\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<p>A dance film in the encounter with deep nature, &#8220;Glace, crevasse et d\u00e9rive&#8221; symbolizes life, death and the time that carries us away. Choreographer Chantal Caron from Saint-Jean-Port-Joli has created a work of a rare beauty that mystifies the banks of the St. Lawrence River where, since the 1980s, she has been practicing her art with commitment and total symbiosis with the nature that surrounds her.<\/p>\n<p>\u00a0<\/p>\n<p>Dir : Chantal Caron &amp; Albert Girard\u00a0 | Chor :\u00a0 Karine Gagn\u00e9 &amp; Tomas Casey | 2014 | 9\u201942<\/p>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n<\/div>\n<div class=\"is-divider divider clearfix\" style=\"max-width:60px;\"><\/div>\n\n\t<section class=\"section dark\" id=\"section_1667905718\">\n\t\t<div class=\"section-bg fill\" >\n\t\t\t\t\t\t\t\t\t<div class=\"section-bg-overlay absolute fill\"><\/div>\n\t\t\t\n\t<div class=\"is-border\"\n\t\tstyle=\"border-color:rgb(255, 255, 255);border-width:0px 0px 20px 0px;margin:0px 0px 0 0px;\">\n\t<\/div>\n\n\t\t<\/div>\n\n\t\t\n\n\t\t<div class=\"section-content relative\">\n\t\t\t\n<h2 class=\"alt-font\"><a id=\"lecerf2015\"><\/a>&#8220;LE CERF, OU MOI QUI C\u00c8DE \u00c0 L&#8217;ESPACE&#8221; by<strong> Ariane Boulet <\/strong>(Montreal)<\/h2>\n<h2><b>Nominated for the Lumi\u00e8re Prize<\/b><\/h2>\n\t\t<\/div>\n\n\t\t\n<style>\n#section_1667905718 {\n  padding-top: 20px;\n  padding-bottom: 20px;\n  margin-bottom: -1px;\n  min-height: 0px;\n  background-color: rgb(0, 0, 0);\n}\n#section_1667905718 .section-bg-overlay {\n  background-color: rgb(0, 0, 0);\n}\n<\/style>\n\t<\/section>\n\t\n<blockquote>\n<p><em>&#8220;A distinction is awarded to &#8220;Le Cerf, ou moi qui c\u00e8de \u00e0 l&#8217;espace&#8221; for the audacity of the performance, an inspired imagery and a willingness to transcend scenographic and literary forms.&#8221;<\/em><\/p>\n<\/blockquote>\n<div class=\"row\"  id=\"row-1341639511\">\n\n\t<div id=\"col-1470299257\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\t<div class=\"img has-hover x md-x lg-x y md-y lg-y\" id=\"image_1811480310\">\n\t\t\t\t\t\t\t\t<div class=\"img-inner dark\" >\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1020\" height=\"680\" src=\"https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2021\/02\/Le-Cerf.jpg\" class=\"attachment-large size-large\" alt=\"\" srcset=\"https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2021\/02\/Le-Cerf.jpg 1023w, https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2021\/02\/Le-Cerf-300x200.jpg 300w, https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2021\/02\/Le-Cerf-768x512.jpg 768w\" sizes=\"auto, (max-width: 1020px) 100vw, 1020px\" \/>\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\n<style>\n#image_1811480310 {\n  width: 100%;\n}\n<\/style>\n\t<\/div>\n\t\n<div class=\"video video-fit mb\" style=\"padding-top:56.25%;\"><p><iframe loading=\"lazy\" title=\"Le Cerf, ou moi qui c&amp;egrave;de &amp;agrave; l&#039;espace Official Preview 2014\" src=\"https:\/\/player.vimeo.com\/video\/87244335?dnt=1&amp;app_id=122963\" width=\"1020\" height=\"574\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\n\t<div id=\"col-256846111\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<p>I am an animal. My border with the other is my skin, which carries the depth of my relationships. My nudity is shadow and light. My solitude is a noisy plain, a snow field to brave alone or a black box of lights from a past Christmas. The landscapes of my intimacy are warm and cold, full and empty, clear and dark. All these contrasts, vectors of my sense of identity, are anchored in the slowness of a contemplation hammering the urgency to run towards the horizon. In this body of exposed woman: the voice of the mature age, and that of a child of snow and electricity.<\/p>\n<p>Dir : \u00a0Ariane Boulet \u2028&amp; Andr\u00e9a de Keijzer\u00a0| Chor :\u00a0Ariane Boulet | QC | 2011-2013 | 17\u201912<\/p>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n<\/div>\n<div class=\"is-divider divider clearfix\" style=\"max-width:60px;\"><\/div>\n\n\t<section class=\"section dark\" id=\"section_1879303024\">\n\t\t<div class=\"section-bg fill\" >\n\t\t\t\t\t\t\t\t\t<div class=\"section-bg-overlay absolute fill\"><\/div>\n\t\t\t\n\t<div class=\"is-border\"\n\t\tstyle=\"border-color:rgb(255, 255, 255);border-width:0px 0px 20px 0px;margin:0px 0px 0 0px;\">\n\t<\/div>\n\n\t\t<\/div>\n\n\t\t\n\n\t\t<div class=\"section-content relative\">\n\t\t\t\n<h2 class=\"alt-font\"><a id=\"theladyinblack2015\"><\/a>LUMI\u00c8RE on Ann van den Broek (Anvers\/The Hague)<\/h2>\n<h2>Screening &#8220;THE LADY IN BLACK&#8221; by Lisa Boerstra (Netherlands)<\/h2>\n<p>\u00a0<\/p>\n\t\t<\/div>\n\n\t\t\n<style>\n#section_1879303024 {\n  padding-top: 20px;\n  padding-bottom: 20px;\n  margin-bottom: -1px;\n  min-height: 0px;\n  background-color: rgb(0, 0, 0);\n}\n#section_1879303024 .section-bg-overlay {\n  background-color: rgb(0, 0, 0);\n}\n<\/style>\n\t<\/section>\n\t\n<blockquote>\n<p><em>&#8220;A film that all dance lovers will certainly want to see more than once&#8230;&#8221;<\/em><\/p>\n<\/blockquote>\n<div class=\"row\"  id=\"row-1111115153\">\n\n\t<div id=\"col-1355072393\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\t<div class=\"img has-hover x md-x lg-x y md-y lg-y\" id=\"image_1029300381\">\n\t\t\t\t\t\t\t\t<div class=\"img-inner dark\" >\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"625\" height=\"1024\" src=\"https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2021\/02\/3D-Doos-dvd-lady-in-black-1-625x1024.png\" class=\"attachment-large size-large\" alt=\"\" srcset=\"https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2021\/02\/3D-Doos-dvd-lady-in-black-1-625x1024.png 625w, https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2021\/02\/3D-Doos-dvd-lady-in-black-1-183x300.png 183w, https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2021\/02\/3D-Doos-dvd-lady-in-black-1.png 650w\" sizes=\"auto, (max-width: 625px) 100vw, 625px\" \/>\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\n<style>\n#image_1029300381 {\n  width: 100%;\n}\n<\/style>\n\t<\/div>\n\t\n<div class=\"video video-fit mb\" style=\"padding-top:56.25%;\"><p><iframe loading=\"lazy\" title=\"The lady in black, first 12 min\" src=\"https:\/\/player.vimeo.com\/video\/258596849?dnt=1&amp;app_id=122963\" width=\"1020\" height=\"574\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\n\t<div id=\"col-907496360\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<p>Through &#8220;The Lady in Black&#8221;, immerse yourself in the world of the Flemish choreographer and dancer Ann van den Broek. This documentary, directed by Dutch director Lisa Boerstra, follows her through the creation of her piece and the international tours that follow at a breathtaking pace. You will discover dazzling clips from her pieces, her creative work and the stormy relationship with the dancers. The Lady in Black shows Van Der Broek in all his strength, sweetness, anger and tenderness.<\/p>\n<p>\u00a0<\/p>\n<p>Dir : \u00a0Lisa Boerstra | Chor :\u00a0Ann van den Broek\u00a0|\u00a0NL\u00a0| 2015 | 70\u2032<\/p>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n<\/div>\n<div class=\"is-divider divider clearfix\" style=\"max-width:60px;\"><\/div>\n\n\t<section class=\"section dark\" id=\"section_175708239\">\n\t\t<div class=\"section-bg fill\" >\n\t\t\t\t\t\t\t\t\t<div class=\"section-bg-overlay absolute fill\"><\/div>\n\t\t\t\n\t<div class=\"is-border\"\n\t\tstyle=\"border-color:rgb(255, 255, 255);border-width:0px 0px 20px 0px;margin:0px 0px 0 0px;\">\n\t<\/div>\n\n\t\t<\/div>\n\n\t\t\n\n\t\t<div class=\"section-content relative\">\n\t\t\t\n<h2 class=\"alt-font\"><a id=\"lumieresursallygross2015\"><\/a>Lumi\u00e8re on Sally Gross\u00a0(United States)<\/h2>\n<h2>Founding member of the famous Judson Church Group in New York City<\/h2>\n\t\t<\/div>\n\n\t\t\n<style>\n#section_175708239 {\n  padding-top: 20px;\n  padding-bottom: 20px;\n  margin-bottom: -1px;\n  min-height: 0px;\n  background-color: rgb(0, 0, 0);\n}\n#section_175708239 .section-bg-overlay {\n  background-color: rgb(0, 0, 0);\n}\n<\/style>\n\t<\/section>\n\t\n<blockquote>\n<p><em>&#8220;When humanity and dance are one.&#8221;<\/em><\/p>\n<\/blockquote>\n<div class=\"row\"  id=\"row-294769922\">\n\n\t<div id=\"col-1884589312\" class=\"col small-12 large-12\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<div class=\"row\"  id=\"row-1655284412\">\n\n\t<div id=\"col-1617204979\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<div class=\"video video-fit mb\" style=\"padding-top:56.25%;\"><p><iframe loading=\"lazy\" title=\"Here Now with Sally Gross - TRAILER\" src=\"https:\/\/player.vimeo.com\/video\/114291063?dnt=1&amp;app_id=122963\" width=\"1020\" height=\"574\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\n\t<div id=\"col-732695464\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<p>A tribute to the great lady of New York dance, Cin\u00e9danse dedicated a session to the memory of her talent and greatness of soul. Two films shot by director Douglas Rosenberg showcase the artist.<\/p>\n<p><strong>Here Now with Sally Gross by Douglas Rosenberg<\/strong><\/p>\n<p>Dir : Douglas Rosenberg | Chor :\u00a0Sally Gross |\u00a0US\u00a0| 2015 | 57\u2032<\/p>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n<\/div>\n<div class=\"row\"  id=\"row-1693695368\">\n\n\t<div id=\"col-264583954\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<div class=\"video video-fit mb\" style=\"padding-top:56.25%;\"><p>https:\/\/vimeo.com\/41507391<\/p>\n<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\n\t<div id=\"col-1148750469\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<p><strong>Circling by Douglas Rosenberg<\/strong><\/p>\n<p>Dir : \u00a0Lisa Boerstra | Chor :\u00a0Sally Gross |\u00a0US\u00a0| 2012 | 15\u2032<\/p>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n<\/div>\n<div class=\"is-divider divider clearfix\" style=\"max-width:60px;\"><\/div>\n\n\t<section class=\"section dark\" id=\"section_1763178643\">\n\t\t<div class=\"section-bg fill\" >\n\t\t\t\t\t\t\t\t\t<div class=\"section-bg-overlay absolute fill\"><\/div>\n\t\t\t\n\t<div class=\"is-border\"\n\t\tstyle=\"border-color:rgb(255, 255, 255);border-width:0px 0px 20px 0px;margin:0px 0px 0 0px;\">\n\t<\/div>\n\n\t\t<\/div>\n\n\t\t\n\n\t\t<div class=\"section-content relative\">\n\t\t\t\n<h2 class=\"alt-font\"><a id=\"ravages2015\"><\/a>&#8220;RAVAGES&#8221; by ALAN LAKE (Qu\u00e9bec)<\/h2>\n<h2><b>Nominated for the Lumi\u00e8re Prize<\/b><\/h2>\n\t\t<\/div>\n\n\t\t\n<style>\n#section_1763178643 {\n  padding-top: 20px;\n  padding-bottom: 20px;\n  margin-bottom: -1px;\n  min-height: 0px;\n  background-color: rgb(0, 0, 0);\n}\n#section_1763178643 .section-bg-overlay {\n  background-color: rgb(0, 0, 0);\n}\n<\/style>\n\t<\/section>\n\t\n<blockquote>\n<p><em>&#8220;Jury Prize at the Festival Pleins \u00c9crans Montr\u00e9al 2016&#8221;<\/em><\/p>\n<\/blockquote>\n<div class=\"row\"  id=\"row-2073292802\">\n\n\t<div id=\"col-120697342\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\t<div class=\"img has-hover x md-x lg-x y md-y lg-y\" id=\"image_103334951\">\n\t\t\t\t\t\t\t\t<div class=\"img-inner dark\" >\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"282\" src=\"https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2021\/02\/fdead271db34b9be6e4703d3b7291064-02-FinShowravages.jpg\" class=\"attachment-large size-large\" alt=\"\" srcset=\"https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2021\/02\/fdead271db34b9be6e4703d3b7291064-02-FinShowravages.jpg 500w, https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2021\/02\/fdead271db34b9be6e4703d3b7291064-02-FinShowravages-300x169.jpg 300w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/>\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\n<style>\n#image_103334951 {\n  width: 100%;\n}\n<\/style>\n\t<\/div>\n\t\n<div class=\"video video-fit mb\" style=\"padding-top:56.25%;\"><p><iframe loading=\"lazy\" title=\"Ravages (2015) | EXTRAIT \/ TRAILER VO\" src=\"https:\/\/player.vimeo.com\/video\/174806697?dnt=1&amp;app_id=122963\" width=\"1020\" height=\"574\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\n\t<div id=\"col-582229874\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<p>The film weaves a kind of abstract narrative, inviting the viewer to dive into the raw and fragile universe of a symbolic epic where humans are confronted with what is perishable or immutable. This work of dance on the screen is carried by an immanent intensity, where the bodies-landscapes collide with the inclement weather, regroup to better survive and calm down, together, in the depths of lulls.<\/p>\n<p>\u00a0<\/p>\n<p>Dir :\u00a0Alan Lake | 2015 | QC | 22\u2032<\/p>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n<\/div>\n<div class=\"is-divider divider clearfix\" style=\"max-width:60px;\"><\/div>\n\n\t<section class=\"section dark\" id=\"section_712621941\">\n\t\t<div class=\"section-bg fill\" >\n\t\t\t\t\t\t\t\t\t<div class=\"section-bg-overlay absolute fill\"><\/div>\n\t\t\t\n\t<div class=\"is-border\"\n\t\tstyle=\"border-color:rgb(255, 255, 255);border-width:0px 0px 20px 0px;margin:0px 0px 0 0px;\">\n\t<\/div>\n\n\t\t<\/div>\n\n\t\t\n\n\t\t<div class=\"section-content relative\">\n\t\t\t\n<h2 class=\"alt-font\"><a id=\"onparledenous2015\"><\/a>talking about us<\/h2>\n<p>\u00a0<\/p>\n\t\t<\/div>\n\n\t\t\n<style>\n#section_712621941 {\n  padding-top: 20px;\n  padding-bottom: 20px;\n  margin-bottom: -1px;\n  min-height: 0px;\n  background-color: rgb(0, 0, 0);\n}\n#section_712621941 .section-bg-overlay {\n  background-color: rgb(0, 0, 0);\n}\n<\/style>\n\t<\/section>\n\t\n<h1>LE DEVOIR<\/h1>\n<p>&#8220;Le festival Cin\u00e9danse s\u2019est conclu hier \u00e0 Qu\u00e9bec en d\u00e9cernant le premier prix Lumi\u00e8re \u00e0 la r\u00e9alisatrice Marlene Millar et \u00e0 la chor\u00e9graphe Sandy Silva. D\u00e9j\u00e0 salu\u00e9 \u00e0 Cinedans Amsterdam et \u00e0 l\u2019Utah Dance Film Festival, leur court-m\u00e9trage Lay Me Low d\u00e9ploie une touchante danse chant\u00e9e en forme de procession fun\u00e8bre en pleine nature, transfigurant rituel et tradition.<\/p>\n<p>Les laur\u00e9ates b\u00e9n\u00e9ficieront d\u2019une r\u00e9sidence de trois semaines d\u2019une valeur de 20 000 $ pour cr\u00e9er un nouveau film d\u2019art \u00e0 Qu\u00e9bec, gr\u00e2ce aux organismes Spira, La Bande Vid\u00e9o et La Rotonde, le centre chor\u00e9graphique contemporain de Qu\u00e9bec. L\u2019oeuvre sera pr\u00e9sent\u00e9e lors de la prochaine \u00e9dition de Cin\u00e9danse en 2017.&#8221;<\/p>\n<p><a href=\"https:\/\/www.ledevoir.com\/culture\/danse\/451161\/cine-danse-aimer-vieillir-mourir\">LIRE PLUS<\/a><\/p>\n<h1>LE SOLEIL<\/h1>\n<p>La danse et le cin\u00e9ma, deux arts o\u00f9 le mouvement est central, se font de l&#8217;oeil depuis les films des fr\u00e8res Lumi\u00e8re. Ils scellent toutefois leur union avec\u00a0Cin\u00e9danse, qui aura lieu du 24 au 27 septembre au Mus\u00e9e de la civilisation (MCQ) et mettra en valeur de grands danseurs et chor\u00e9graphes d&#8217;ici et d&#8217;ailleurs.<\/p>\n<p><a href=\"https:\/\/www.lesoleil.com\/archives\/cinedanse-danser-le-monde-sur-ecran-ee26a8c688ae8eb9e4488088ebb06437\">LIRE PLUS<\/a><\/p>\n<h1>M\u00c9DIA DES 2 RIVES<\/h1>\n<p><b>CIN\u00c9DANSE QU\u00c9BEC 2015 soir\u00e9e d\u2019ouverture grandiose et plus encore.<br \/><\/b>C\u2019est ce jeudi 24 septembre 2015, \u00e0 19 h, qu\u2019a eu lieu \u00e0 l\u2019auditorium Roland-Arpin du Mus\u00e9e de la civilisation \u00e0 Qu\u00e9bec, la soir\u00e9e d\u2019ouverture du grand \u00e9v\u00e9nement Cin\u00e9danse Qu\u00e9bec 2015, anim\u00e9e par S\u00e9bastien Diaz. Pour nous mettre dans l\u2019ambiance de la danse on nous pr\u00e9sente Serpentine et Between en premi\u00e8re partie.<\/p>\n<p><a href=\"https:\/\/www.mediades2rives.com\/CineDance25septembre2015.html\">LIRE PLUS<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;Because often words don&#8217;t mean anything&#8221; to the question, why dancing when there is so much to do?&#8221; &#8220;Presented in various festivals, among others, in Montreal, Quebec, Toronto and Vancouver, but also Havana, Zaragoza and New York.&#8221; \u201c\u2026 A touching dance sung in the form of a funeral procession in the heart of nature, transfiguring [&#8230;]\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":300,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-8319","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Cin\u00e9danse 2015 edition - Qu\u00e9bec | Cin\u00e9danse<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.cinedanse.ca\/en\/cinedanse-2015-edition-quebec\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Cin\u00e9danse 2015 edition - Qu\u00e9bec | Cin\u00e9danse\" \/>\n<meta property=\"og:description\" content=\"&#8220;Because often words don&#8217;t mean anything&#8221; 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