{"id":11192,"date":"2022-12-08T15:53:32","date_gmt":"2022-12-08T20:53:32","guid":{"rendered":"https:\/\/www.cinedanse.ca\/?page_id=11192"},"modified":"2023-05-24T11:27:59","modified_gmt":"2023-05-24T15:27:59","slug":"cinedanse-edition-2022-rouyn-noranda","status":"publish","type":"page","link":"https:\/\/www.cinedanse.ca\/en\/cinedanse-edition-2022-rouyn-noranda\/","title":{"rendered":"Cin\u00e9danse \u00c9dition 2022 &#8211; Rouyn Noranda"},"content":{"rendered":"\t<div class=\"img has-hover x md-x lg-x y md-y lg-y\" id=\"image_839617336\">\n\t\t\t\t\t\t\t\t<div class=\"img-inner dark\" >\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1020\" height=\"574\" src=\"https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2022\/02\/Cinedanse-2022-banner-1024x576.png\" class=\"attachment-large size-large\" alt=\"\" srcset=\"https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2022\/02\/Cinedanse-2022-banner-1024x576.png 1024w, https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2022\/02\/Cinedanse-2022-banner-300x169.png 300w, https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2022\/02\/Cinedanse-2022-banner-768x432.png 768w, https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2022\/02\/Cinedanse-2022-banner-1536x864.png 1536w, https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2022\/02\/Cinedanse-2022-banner.png 1920w\" sizes=\"auto, (max-width: 1020px) 100vw, 1020px\" \/>\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\n<style>\n#image_839617336 {\n  width: 100%;\n}\n<\/style>\n\t<\/div>\n\t\n<div class=\"is-divider divider clearfix\" ><\/div>\n\n\t<section class=\"section dark\" id=\"section_652577059\">\n\t\t<div class=\"section-bg fill\" >\n\t\t\t\t\t\t\t\t\t\n\t\t\t\n\n\t\t<\/div>\n\n\t\t\n\n\t\t<div class=\"section-content relative\">\n\t\t\t\n<div class=\"accordion\">\n\t<div id=\"accordion-2940803665\" class=\"accordion-item\">\n\t\t<a id=\"accordion-2940803665-label\" class=\"accordion-title plain\" href=\"#accordion-item-\u00c9ditorial\" aria-expanded=\"false\" aria-controls=\"accordion-2940803665-content\">\n\t\t\t<button class=\"toggle\" aria-label=\"Toggle\"><i class=\"icon-angle-down\" aria-hidden=\"true\"><\/i><\/button>\n\t\t\t<span>\u00c9DITORIAL<\/span>\n\t\t<\/a>\n\t\t<div id=\"accordion-2940803665-content\" class=\"accordion-inner\" aria-labelledby=\"accordion-2940803665-label\">\n\t\t\t\n<p><a class=\"_ps2id\" href=\"#editorial2019\" data-ps2id-offset=\"\">\u00c9DITORIAL<\/a><\/p>\n\t\t<\/div>\n\t<\/div>\n\t\n\t<div id=\"accordion-3554355584\" class=\"accordion-item\">\n\t\t<a id=\"accordion-3554355584-label\" class=\"accordion-title plain\" href=\"#accordion-item-temps-forts\" aria-expanded=\"false\" aria-controls=\"accordion-3554355584-content\">\n\t\t\t<button class=\"toggle\" aria-label=\"Toggle\"><i class=\"icon-angle-down\" aria-hidden=\"true\"><\/i><\/button>\n\t\t\t<span>TEMPS FORTS<\/span>\n\t\t<\/a>\n\t\t<div id=\"accordion-3554355584-content\" class=\"accordion-inner\" aria-labelledby=\"accordion-3554355584-label\">\n\t\t\t\n<p><a class=\"_ps2id\" href=\"https:\/\/www.cinedanse.ca\/mercredi-9-mars-2022\/#ouverture\" data-ps2id-offset=\"\">&#8211; \u00ab FRAGILE : LE PRINTEMPS PERDU \u00bb DE DENIS POULIN ET MARTINE \u00c9POQUE (MONTR\u00c9AL) | SOIR\u00c9E D\u2019OUVERTURE<\/a><\/p>\n<p><a class=\"_ps2id\" href=\"https:\/\/www.cinedanse.ca\/expo-installation\/\" data-ps2id-offset=\"\">&#8211; EXPO\u2013PROJECTIONS | \u00ab OUI ! EHE ! DU REFUS GLOBAL AU TEMPS DE L&#8217;INCLUSION ET DE LA FLUIDIT\u00c9 DES GENRES \u00bb<\/a><\/p>\n<p><a class=\"_ps2id\" href=\"https:\/\/www.cinedanse.ca\/symposium\/\" data-ps2id-offset=\"\">&#8211; SYMPOSIUM | \u00ab GU\u00c9RIR LES BLESSURES \u00bb NOUVELLES PERSPECTIVES EN DANSE ET SUR LA SANT\u00c9<\/a><\/p>\n<p><a class=\"_ps2id\" href=\"https:\/\/www.cinedanse.ca\/jeudi-10-mars-2022\/#ere-numerique\" data-ps2id-offset=\"\">&#8211; JOURN\u00c9E PROFESSIONNELLE | REGARDS SUR NOS DANSES \u00c0 L\u2019\u00c8RE NUM\u00c9RIQUE<\/a><\/p>\n<p><a class=\"_ps2id\" href=\"https:\/\/www.cinedanse.ca\/samedi-12-mars-2022\/#femmes\" data-ps2id-offset=\"\">&#8211; PROGRAMME | \u00ab FEMMES D&#8217;AUJOURD&#8217;HUI \u00bb<\/a><\/p>\n<p><a class=\"_ps2id\" href=\"https:\/\/www.cinedanse.ca\/samedi-12-mars-2022\/#cinegraphie\" data-ps2id-offset=\"\">&#8211; ATELIER DE YAKO (MONTR\u00c9AL) | LA CIN\u00c9GRAPHIE: L&#8217;ARR\u00caT SUR IMAGE ET MOUVEMENT<\/a><\/p>\n<p><a class=\"_ps2id\" href=\"https:\/\/www.cinedanse.ca\/dimanche-13-mars-2022\/#dimanche\" data-ps2id-offset=\"\">&#8211; THIERRY, JOS\u00c9PHINE, BLANCHE ET AUTRES DANSEURS DU DIMANCHE<\/a><\/p>\n<p><a class=\"_ps2id\" href=\"https:\/\/www.cinedanse.ca\/cinedanse-2019\/mercredi-16-mars-2022\/#victoria\" data-ps2id-offset=\"\">&#8211; \u00ab VICTORIA \u00bb DE DULCIN\u00c9E LANGFELDER | FILM DE CL\u00d4TURE<\/a><\/p>\n\t\t<\/div>\n\t<\/div>\n\t\n\t<div id=\"accordion-3261519973\" class=\"accordion-item\">\n\t\t<a id=\"accordion-3261519973-label\" class=\"accordion-title plain\" href=\"#accordion-item-prix-lumi\u00c8re-2022\" aria-expanded=\"false\" aria-controls=\"accordion-3261519973-content\">\n\t\t\t<button class=\"toggle\" aria-label=\"Toggle\"><i class=\"icon-angle-down\" aria-hidden=\"true\"><\/i><\/button>\n\t\t\t<span>PRIX LUMI\u00c8RE 2022<\/span>\n\t\t<\/a>\n\t\t<div id=\"accordion-3261519973-content\" class=\"accordion-inner\" aria-labelledby=\"accordion-3261519973-label\">\n\t\t\t\n<p><a class=\"_ps2id\" href=\"https:\/\/www.cinedanse.ca\/prix\/\" data-ps2id-offset=\"\">TOUT SUR LE PRIX LUMI\u00c8RE 2022<\/a><\/p>\n\t\t<\/div>\n\t<\/div>\n\t\n\t<div id=\"accordion-2594452707\" class=\"accordion-item\">\n\t\t<a id=\"accordion-2594452707-label\" class=\"accordion-title plain\" href=\"#accordion-item-programmation-d\u00c9taill\u00c9e\" aria-expanded=\"false\" aria-controls=\"accordion-2594452707-content\">\n\t\t\t<button class=\"toggle\" aria-label=\"Toggle\"><i class=\"icon-angle-down\" aria-hidden=\"true\"><\/i><\/button>\n\t\t\t<span>PROGRAMMATION D\u00c9TAILL\u00c9E<\/span>\n\t\t<\/a>\n\t\t<div id=\"accordion-2594452707-content\" class=\"accordion-inner\" aria-labelledby=\"accordion-2594452707-label\">\n\t\t\t\n<p><a href=\"https:\/\/www.cinedanse.ca\/mercredi-9-mars-2022\/\">9 MARS | OUVERTURE<\/a><\/p>\n<p><a href=\"https:\/\/www.cinedanse.ca\/jeudi-10-mars-2022\/\">10 MARS | JOURN\u00c9E PRO<\/a><\/p>\n<p><a href=\"https:\/\/www.cinedanse.ca\/vendredi-11-mars-2022\/\">11 MARS | ATELIER<\/a><\/p>\n<p><a href=\"https:\/\/www.cinedanse.ca\/samedi-12-mars-2022\/\">12 MARS | LA CIN\u00c9GRAPHIE<\/a><\/p>\n<p><a href=\"https:\/\/www.cinedanse.ca\/dimanche-13-mars-2022\/\">13 MARS | CL\u00d4TURE<\/a><\/p>\n<p><a href=\"https:\/\/www.cinedanse.ca\/cinedanse-2019\/lundi-14-mars-2022\/\">14 MARS | SYMPOSIUM 1<\/a><\/p>\n<p><a href=\"https:\/\/www.cinedanse.ca\/mardi-15-mars-2022\/\">15 MARS | SYMPOSIUM 2<\/a><\/p>\n<p><a href=\"https:\/\/www.cinedanse.ca\/cinedanse-2019\/mercredi-16-mars-2022\/\">16 MARS | SYMPOSIUM 3<\/a><\/p>\n\t\t<\/div>\n\t<\/div>\n\t\n<\/div>\n\t\t<\/div>\n\n\t\t\n<style>\n#section_652577059 {\n  padding-top: 0px;\n  padding-bottom: 0px;\n  background-color: rgb(0, 0, 0);\n}\n<\/style>\n\t<\/section>\n\t\n\t<div id=\"gap-2086363627\" class=\"gap-element clearfix\" style=\"display:block; height:auto;\">\n\t\t\n<style>\n#gap-2086363627 {\n  padding-top: 60px;\n}\n<\/style>\n\t<\/div>\n\t\n<h1 class=\"entry-title mb uppercase\"><a id=\"editorial2019\"><\/a>\u00e9DITORIAL<\/h1>\n<div class=\"row\"  id=\"row-139537856\">\n\n\t<div id=\"col-1027550293\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<h3 style=\"text-align: left;\"><span data-text-color=\"secondary\">Aimer, vieillir et danser ou \u00ab La danse et l&#8217;espoir \u00bb!\u00a0<\/span><\/h3>\n<blockquote>\n<p class=\"p1\"><span style=\"font-size: 80%;\"><em><span class=\"s1\">\u00c0 Maria, au jeune gar\u00e7on qui voulait danser, tous deux de Pikogan, \u00e0 Mirabelle, \u00e0 \u00c9li, \u00e0 Marcel, Sophie, C\u00e9dric et \u00e0 tous ceux que j\u2019ai rencontr\u00e9s sur ma route en Abitibi.\u00a0<\/span><\/em><\/span><\/p>\n<\/blockquote>\n<p>En f\u00e9vrier 1948, la jeune Fran\u00e7oise Sullivan prononce une conf\u00e9rence pleine de v\u00e9rit\u00e9. Quelques mois plus tard, elle en fait sa contribution au manifeste du Refus global qu&#8217;elle co-signait avec Paul-\u00c9mile Borduas et 14 autres jeunes artistes. Pour sa charge \u00e9mancipatrice, son texte reste encore tout autant \u00e0 propos de nos jours.<\/p>\n<p>\u00ab Aujourd\u2019hui on s\u2019agite pour reconstruire le monde. L\u2019instrument de sauvetage est l\u2019instinct. Cet instinct si longtemps emprisonn\u00e9, une partie de notre effort consiste maintenant \u00e0 le d\u00e9terrer.<\/p>\n<p>Heureusement, il y a les besoins vitaux, forces irr\u00e9sistibles ; il y a l\u2019espoir et puis, il y a la science qui ne doit pas s\u2019isoler, mais pr\u00e9sider comme autrefois au culte et \u00e0 la magie. Il faut que tout s\u2019organise pour la lib\u00e9ration, pour retrouver le vertige, l\u2019amour. \u00bb<\/p>\n<p>Dans nos riches soci\u00e9t\u00e9s, notre pouvoir d&#8217;achat nous a rendu bien confortables, cherchant \u00e0 contr\u00f4ler les impr\u00e9vus, toujours en qu\u00eate de l&#8217;\u00e9lixir d&#8217;une jeunesse \u00e9ternelle.<\/p>\n<p>L&#8217;effrayant bal masqu\u00e9 auquel la nature nous a convi\u00e9s est venu stopper nos chim\u00e8res, ralentir nos rythmes effr\u00e9n\u00e9s, questionner nos pr\u00e9tentions, nos quotidiens, bousculer nos habitudes rang\u00e9es. La crise est venue exacerber les travers de nos soci\u00e9t\u00e9s \u00e0 l&#8217;aise, d\u00e9j\u00e0 confin\u00e9es, par des sentiments d&#8217;exclusion, des cloisons entre les g\u00e9n\u00e9rations, entre les genres, entre les nantis et les affam\u00e9s, les \u00e9trangers, les abus\u00e9s, les diff\u00e9rents et les autres.<\/p>\n<p>Notre Cin\u00e9danse 2022 souhaite interpeller le public de Rouyn, de l&#8217;Abitibi, en injectant une bonne dose de liant dans les communaut\u00e9s \u00e0 travers des danses \u00e0 l\u2019\u00e9cran, porteuses. Des danses nous permettant de nous observer, de mieux nous comprendre, de nous connecter avec nos instincts, afin que nos consciences se transforment et s&#8217;\u00e9largissent.<\/p>\n<p>\u00c0 l&#8217;\u00e9t\u00e9 2017, notre caravane, avec \u00e0 son bord la cin\u00e9aste B\u00e9atriz Mediavilla et le chor\u00e9graphe Thierry Thie\u00fb Niang s&#8217;arr\u00eate \u00e0 Rimouski, chez le m\u00e9tis Jean B\u00e9dard. Le philosophe et ex-intervenant social nous raconte qu&#8217;avant l&#8217;arriv\u00e9e des Europ\u00e9ens, les peuples autochtones se nourrissaient d&#8217;une spiritualit\u00e9 fond\u00e9e sur le petit-enfant port\u00e9 en chacun de nous. Qu&#8217;il fallait l&#8217;animer tout au cours de notre existence, selon les circonstances.<\/p>\n<p>Se sentir investi, partie prenante, \u00eatre utile, servir \u00e0 quelque chose, donner un sens \u00e0 sa vie par la transmission, \u00e0 travers les autres, un projet, jusqu&#8217;\u00e0 la mort. La danse fait ressurgir, r\u00e9anime cet instinct.<\/p>\n<p>Bien plus qu&#8217;une pilule miracle pour nous garder jeunes \u00e0 tout prix, \u00ab La danse et l&#8217;espoir \u00bb de Sullivan r\u00e9sonne encore aujourd&#8217;hui comme une injonction. Cin\u00e9danse Rouyn-Noranda 2022 en sera l&#8217;\u00e9cho.<\/p>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\n\t<div id=\"col-620441054\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\t<div class=\"img has-hover x md-x lg-x y md-y lg-y\" id=\"image_73531225\">\n\t\t\t\t\t\t\t\t<div class=\"img-inner dark\" >\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1020\" height=\"1013\" src=\"https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2022\/01\/Franc\u0327oise-Sullivan-Danse-dans-la-neige-1947-1024x1017.jpg\" class=\"attachment-large size-large\" alt=\"\" srcset=\"https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2022\/01\/Franc\u0327oise-Sullivan-Danse-dans-la-neige-1947-1024x1017.jpg 1024w, https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2022\/01\/Franc\u0327oise-Sullivan-Danse-dans-la-neige-1947-300x298.jpg 300w, https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2022\/01\/Franc\u0327oise-Sullivan-Danse-dans-la-neige-1947-150x150.jpg 150w, https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2022\/01\/Franc\u0327oise-Sullivan-Danse-dans-la-neige-1947-768x763.jpg 768w, https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2022\/01\/Franc\u0327oise-Sullivan-Danse-dans-la-neige-1947-1536x1526.jpg 1536w, https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2022\/01\/Franc\u0327oise-Sullivan-Danse-dans-la-neige-1947-2048x2034.jpg 2048w\" sizes=\"auto, (max-width: 1020px) 100vw, 1020px\" \/>\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\n<style>\n#image_73531225 {\n  width: 100%;\n}\n<\/style>\n\t<\/div>\n\t\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n<\/div>\n<div class=\"is-divider divider clearfix\" ><\/div>\n\n\t<section class=\"section dark\" id=\"section_1934081469\">\n\t\t<div class=\"section-bg fill\" >\n\t\t\t\t\t\t\t\t\t<div class=\"section-bg-overlay absolute fill\"><\/div>\n\t\t\t\n\t<div class=\"is-border\"\n\t\tstyle=\"border-color:rgb(255, 255, 255);border-width:0px 0px 10px 0px;\">\n\t<\/div>\n\n\t\t<\/div>\n\n\t\t\n\n\t\t<div class=\"section-content relative\">\n\t\t\t\n<h2 class=\"alt-font titreblocnoir\">\u00ab Fragile : le printemps perdu \u00bb de Denis Poulin et Martine \u00c9poque<\/h2>\n<h4 class=\"titreblocnoir\">Soir\u00e9e d&#8217;ouverture<\/h4>\n\t\t<\/div>\n\n\t\t\n<style>\n#section_1934081469 {\n  padding-top: 20px;\n  padding-bottom: 20px;\n  margin-bottom: 0px;\n  min-height: 0px;\n  background-color: rgb(0,0,0);\n}\n#section_1934081469 .section-bg-overlay {\n  background-color: #1a1a1a;\n}\n<\/style>\n\t<\/section>\n\t\n<div class=\"row\"  id=\"row-1611830896\">\n\n\t<div id=\"col-756941474\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\t<div class=\"img has-hover x md-x lg-x y md-y lg-y\" id=\"image_1387876557\">\n\t\t\t\t\t\t\t\t<div class=\"img-inner dark\" >\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1020\" height=\"574\" src=\"https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2022\/02\/OUVERTURE-V3-LOGOS-1024x576.png\" class=\"attachment-large size-large\" alt=\"\" srcset=\"https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2022\/02\/OUVERTURE-V3-LOGOS-1024x576.png 1024w, https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2022\/02\/OUVERTURE-V3-LOGOS-300x169.png 300w, https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2022\/02\/OUVERTURE-V3-LOGOS-768x432.png 768w, https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2022\/02\/OUVERTURE-V3-LOGOS-1536x864.png 1536w, https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2022\/02\/OUVERTURE-V3-LOGOS-2048x1152.png 2048w\" sizes=\"auto, (max-width: 1020px) 100vw, 1020px\" \/>\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\n<style>\n#image_1387876557 {\n  width: 100%;\n}\n<\/style>\n\t<\/div>\n\t\n<div class=\"is-divider divider clearfix\" ><\/div>\n\t<div class=\"img has-hover x md-x lg-x y md-y lg-y\" id=\"image_440946820\">\n\t\t\t\t\t\t\t\t<div class=\"img-inner dark\" >\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"922\" height=\"687\" src=\"https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2022\/02\/Prendre-le-nord.jpg\" class=\"attachment-large size-large\" alt=\"\" srcset=\"https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2022\/02\/Prendre-le-nord.jpg 922w, https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2022\/02\/Prendre-le-nord-300x224.jpg 300w, https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2022\/02\/Prendre-le-nord-768x572.jpg 768w\" sizes=\"auto, (max-width: 922px) 100vw, 922px\" \/>\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\n<style>\n#image_440946820 {\n  width: 100%;\n}\n<\/style>\n\t<\/div>\n\t\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\n\t<div id=\"col-1813141318\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<p class=\"p1\"><span class=\"s1\"><i>FRAGILE<\/i>, c\u2019est le passage du temps et l\u2019apprivoisement du fait de vieillir.\u00a0<i>FRAGILE<\/i>, parce que c\u2019est une prise de conscience que la vie nous impose, t\u00f4t ou tard. Il y a un moment o\u00f9 chaque individu constate que la vie est\u00a0<i>FRAGILE<\/i>.<br \/>\n<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">Pr\u00e9sent\u00e9e en premi\u00e8re mondiale au Petit Th\u00e9\u00e2tre du Vieux Noranda, la nouvelle cr\u00e9ation\u00a0<i>FRAGILE : Le printemps perdu<\/i>\u00a0du montr\u00e9alais Denis Poulin ouvrira la 4e \u00e9dition de Cin\u00e9danse.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">Cette \u0153uvre hybride est inspir\u00e9e par\u00a0<i>le Sacre du printemps<\/i>, que signait sa compagne de vie feu Martine \u00c9poque, grande pionni\u00e8re de la danse contemporaine au Qu\u00e9bec. Issue des nouvelles technologies, notamment de la capture de mouvement (MoCap) qui a fait la renomm\u00e9e de Denis Poulin de par le monde \u2013 jusqu\u2019\u00e0 Hollywood \u2013, <i>FRAGILE<\/i> a \u00e9t\u00e9 produite avec la grande complicit\u00e9 des studios REAL by Fake, bas\u00e9s \u00e0 Montr\u00e9al et Los Angeles. Sur sc\u00e8ne et \u00e0 l\u2019\u00e9cran, trois des solistes de la distribution originale : Manon Levac, Charles St-Onge et Philippe Vita.<\/span><\/p>\n<blockquote>\n<p class=\"p1\"><span class=\"s1\">Pour ouvrir l\u2019\u00e9v\u00e9nement, en premi\u00e8re, les nouvelles cr\u00e9ations de trois artistes du Qu\u00e9bec qui voyagent depuis longtemps \u00e0 bord de notre Caravane et parcourent le monde : B\u00e9atriz Mediavilla de Rouyn-Noranda, Chantal Caron de Saint-Jean-Port-Joli et Denis Poulin de Montr\u00e9al.<\/span><\/p>\n<\/blockquote>\n<a href=\"https:\/\/www.cinedanse.ca\/mercredi-9-mars-2022\/#ouverture\" class=\"button secondary\" >\n\t\t<span>En savoir plus<\/span>\n\t<\/a>\n\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n<\/div>\n<div class=\"is-divider divider clearfix\" style=\"max-width:60px;\"><\/div>\n\n\t<section class=\"section dark\" id=\"section_239837747\">\n\t\t<div class=\"section-bg fill\" >\n\t\t\t\t\t\t\t\t\t<div class=\"section-bg-overlay absolute fill\"><\/div>\n\t\t\t\n\t<div class=\"is-border\"\n\t\tstyle=\"border-color:rgb(255, 255, 255);border-width:0px 0px 10px 0px;\">\n\t<\/div>\n\n\t\t<\/div>\n\n\t\t\n\n\t\t<div class=\"section-content relative\">\n\t\t\t\n<h2 class=\"alt-font titreblocnoir\">\u00ab OUI ! EHE ! Du refus global au temps de l&#8217;inculsion et de la fluidit\u00e9 des genges \u00bb<\/h2>\n<h4 class=\"titreblocnoir\">Ouverture de l&#8217;expo-projections<\/h4>\n\t\t<\/div>\n\n\t\t\n<style>\n#section_239837747 {\n  padding-top: 20px;\n  padding-bottom: 20px;\n  margin-bottom: 0px;\n  min-height: 0px;\n  background-color: rgb(0,0,0);\n}\n#section_239837747 .section-bg-overlay {\n  background-color: #1a1a1a;\n}\n<\/style>\n\t<\/section>\n\t\n<div class=\"row\"  id=\"row-388468156\">\n\n\t<div id=\"col-398143881\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\t<div class=\"img has-hover x md-x lg-x y md-y lg-y\" id=\"image_1138267307\">\n\t\t\t\t\t\t\t\t<div class=\"img-inner dark\" >\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1020\" height=\"574\" src=\"https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2022\/03\/EXPO-V3-REFUS-majuscule-1024x576.jpg\" class=\"attachment-large size-large\" alt=\"\" srcset=\"https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2022\/03\/EXPO-V3-REFUS-majuscule-1024x576.jpg 1024w, https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2022\/03\/EXPO-V3-REFUS-majuscule-300x169.jpg 300w, https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2022\/03\/EXPO-V3-REFUS-majuscule-768x432.jpg 768w, https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2022\/03\/EXPO-V3-REFUS-majuscule-1536x864.jpg 1536w, https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2022\/03\/EXPO-V3-REFUS-majuscule-2048x1152.jpg 2048w\" sizes=\"auto, (max-width: 1020px) 100vw, 1020px\" \/>\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\n<style>\n#image_1138267307 {\n  width: 100%;\n}\n<\/style>\n\t<\/div>\n\t\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\n\t<div id=\"col-84002391\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<blockquote><p>\u00ab Aujourd&#8217;hui on s&#8217;agite pour reconstruire le monde. L&#8217;instrument de sauvetage est l&#8217;instinct. Cet instinct si longtemps emprisonn\u00e9, une partie de notre effort consiste maintenant \u00e0 le d\u00e9terrer. \u00bb<i><\/i><\/p>\n<p>\u2013 Fran\u00e7oise Sullivan, dans le manifeste du Refus Global (1948)<\/p><\/blockquote>\n<p>La programmation de films de cette exposition est issue d\u2019une collaboration entre l\u2019e\u0301ve\u0301nement que\u0301be\u0301cois Cine\u0301danse et le festival franc\u0327ais Cine\u0301-Corps. Le commissariat est signe\u0301 par Sylvain Bleau, directeur de La Caravane de Ph\u0153bus, et par Virginie Combet, directrice de Cine\u0301-Corps. Exposition destine\u0301e a\u0300 e\u0302tre produite dans le cadre de la 68e Biennie franco-que\u0301be\u0301coise, son volet que\u0301be\u0301cois sera pre\u0301sente\u0301 en premie\u0300re lors de l\u2019e\u0301ve\u0301nement Cine\u0301danse Rouyn-Noranda en mars 2022, et le volet franc\u0327ais en 2023.<\/p>\n<p>Le commissariat parle d\u2019\u00e9mancipation et de r\u00e9v\u00e9lation : des francophones, des autochtones au Que\u0301bec, des communaute\u0301s culturelles, en France comme ici, et enfin des diffe\u0301rents genres. L\u2019exposition met notamment en vedette les artistes que\u0301be\u0301cois Franc\u0327oise Sullivan, Mario Co\u0302te\u0301, Darian Smith, The\u0301re\u0300se Ottawa, Be\u0301atriz Mediavilla, Jose\u0301phine Bacon, Isabelle Hayeur, Ariane Boulet, E\u0301douard Lock et Nate Yaffe, ainsi que les artistes franc\u0327ais Maurice Be\u0301jart, Chriss Lag, Franc\u0327ois Chaignaud, Cecilia Bengolea, Ludivine Large-Bessette, Nacera Belaza et La Horde. Chriss Lag accompagne d\u2019ailleurs son documentaire <em>Parole de King !<\/em><\/p>\n<a href=\"https:\/\/www.cinedanse.ca\/expo-installation\/\" class=\"button secondary\" >\n\t\t<span>En savoir plus<\/span>\n\t<\/a>\n\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n<\/div>\n\n\t<section class=\"section dark\" id=\"section_1155439351\">\n\t\t<div class=\"section-bg fill\" >\n\t\t\t\t\t\t\t\t\t<div class=\"section-bg-overlay absolute fill\"><\/div>\n\t\t\t\n\t<div class=\"is-border\"\n\t\tstyle=\"border-color:rgb(255, 255, 255);border-width:0px 0px 10px 0px;\">\n\t<\/div>\n\n\t\t<\/div>\n\n\t\t\n\n\t\t<div class=\"section-content relative\">\n\t\t\t\n<h2 class=\"alt-font titreblocnoir\">\u00ab Gu\u00e9rir les blessures \u00bb<\/h2>\n<h4 class=\"titreblocnoir\">Symposium<\/h4>\n\t\t<\/div>\n\n\t\t\n<style>\n#section_1155439351 {\n  padding-top: 20px;\n  padding-bottom: 20px;\n  margin-bottom: 0px;\n  min-height: 0px;\n  background-color: rgb(0,0,0);\n}\n#section_1155439351 .section-bg-overlay {\n  background-color: #1a1a1a;\n}\n<\/style>\n\t<\/section>\n\t\n<div class=\"row\"  id=\"row-193095425\">\n\n\t<div id=\"col-285969848\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\t<div class=\"img has-hover x md-x lg-x y md-y lg-y\" id=\"image_755535168\">\n\t\t\t\t\t\t\t\t<div class=\"img-inner dark\" >\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1020\" height=\"574\" src=\"https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2022\/02\/symposium-v2-LOGOS-1024x576.png\" class=\"attachment-large size-large\" alt=\"\" srcset=\"https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2022\/02\/symposium-v2-LOGOS-1024x576.png 1024w, https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2022\/02\/symposium-v2-LOGOS-300x169.png 300w, https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2022\/02\/symposium-v2-LOGOS-768x432.png 768w, https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2022\/02\/symposium-v2-LOGOS-1536x864.png 1536w, https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2022\/02\/symposium-v2-LOGOS-2048x1152.png 2048w\" sizes=\"auto, (max-width: 1020px) 100vw, 1020px\" \/>\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\n<style>\n#image_755535168 {\n  width: 100%;\n}\n<\/style>\n\t<\/div>\n\t\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\n\t<div id=\"col-1339704957\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<p><b><span style=\"font-size: 14.0pt; font-family: 'FiraSans',serif; color: #ff3f4f;\">\u00ab Nouvelles perspectives sur la danse et la sante\u0301 dans nos communaute\u0301s \u00bb <\/span><\/b><\/p>\n<p><b><span style=\"font-family: 'FiraSans',serif;\">\u00ab Gue\u0301rir les blessures \u00bb, un e\u0301ve\u0301nement inspire\u0301 du film de Darian Smith (Kitigan Zibi) <\/span><\/b><\/p>\n<p><span style=\"font-size: 100%;\">Apre\u0300s la percutante premie\u0300re e\u0301dition, organise\u0301e a\u0300 l&#8217;occasion de l\u2019e\u0301ve\u0301nement Cine\u0301danse Ottawa 2019, c&#8217;est a\u0300 Rouyn-Noranda, capitale cosmopolite de l\u2019Abitibi-Te\u0301miscamingue, que se tiendra la seconde e\u0301dition du Symposium \u00ab Gue\u0301rir les blessures \u2013 Nouvelles perspectives en danse et sur la sante\u0301 \u00bb, du 14 au 16 mars 2022.<\/span><\/p>\n<div class=\"page\" title=\"Page 15\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>Ces trois journe\u0301es de danses, de projections, d\u2019e\u0301changes et de panels de discussions avec des confe\u0301renciers-invite\u0301.e.s de l\u2019Universite\u0301 du Que\u0301bec en Abitibi-Te\u0301miscamingue (UQAT), du Que\u0301bec, du Canada et de l&#8217;e\u0301tranger, chercheurs et artistes, est le fruit d&#8217;une collaboration entre l\u2019e\u0301ve\u0301nement nomade Cine\u0301danse, l\u2019E\u0301cole d\u2019e\u0301tudes autochtones de l\u2019UQAT et le Petit The\u0301a\u0302tre du Vieux Noranda.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"page\" title=\"Page 15\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>C\u2019est le court-me\u0301trage <em>Healing Scars<\/em>, co-re\u0301alise\u0301 par la jeune autochtone Darian Smith de Kitigan Zibi, et produit par la Wapikoni Mobile, qui a inspire\u0301 la the\u0301matique du Symposium.<\/p>\n<p><b>PRE\u0301SENTATION DU SYMPOSIUM <\/b><\/p>\n<p><span style=\"font-size: 100%;\">Au fil des re\u0301centes anne\u0301es, la pratique d&#8217;un nombre grandissant d&#8217;artistes leur a permis de constater comment la danse parvient a\u0300 re\u0301ge\u0301ne\u0301rer des e\u0302tres, des communaute\u0301s, a\u0300 travers des phe\u0301nome\u0300nes que la me\u0301decine et la science ont encore du mal a\u0300 expliquer.<\/span><\/p>\n<div class=\"page\" title=\"Page 15\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>Dans un esprit d&#8217;inclusion et de justice sociale, les e\u0301changes interrogeront le lien a\u0300 reba\u0302tir entre les ge\u0301ne\u0301rations, notre rapport trouble a\u0300 la vieillesse, a\u0300 la sante\u0301 mentale, a\u0300 la maladie, a\u0300 la mort. Une attention particulie\u0300re sera accorde\u0301e aux savoirs traditionnels autochtones et a\u0300 la que\u0302te de sens, de spiritualite\u0301 qui inonde notre temps.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"page\" title=\"Page 15\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>Et si la danse e\u0301tait salvatrice pour briser les sentiments d&#8217;exclusion dans nos socie\u0301te\u0301s modernes, aupre\u0300s des ai\u0302ne\u0301s, des personnes atteintes de troubles de motricite\u0301, de de\u0301pression, d&#8217;Alzheimer, de Parkinson ? Des expe\u0301riences en milieu carce\u0301ral, aupre\u0300s de personnes violente\u0301es, figurent e\u0301galement au menu de l&#8217;e\u0301ve\u0301nement dont l&#8217;ambition est d&#8217;e\u0301largir les consciences et permettre de nouvelles perspectives entre chercheurs, artistes et le grand public, afin de favoriser l\u2019e\u0301panouissement des communaute\u0301s et de leurs citoyens.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<a href=\"https:\/\/www.cinedanse.ca\/symposium\/\" class=\"button secondary\" >\n\t\t<span>En savoir plus<\/span>\n\t<\/a>\n\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n<\/div>\n<div class=\"is-divider divider clearfix\" style=\"max-width:60px;\"><\/div>\n\n\t<section class=\"section dark\" id=\"section_1815968163\">\n\t\t<div class=\"section-bg fill\" >\n\t\t\t\t\t\t\t\t\t<div class=\"section-bg-overlay absolute fill\"><\/div>\n\t\t\t\n\t<div class=\"is-border\"\n\t\tstyle=\"border-color:rgb(255, 255, 255);border-width:0px 0px 10px 0px;\">\n\t<\/div>\n\n\t\t<\/div>\n\n\t\t\n\n\t\t<div class=\"section-content relative\">\n\t\t\t\n<h2 class=\"alt-font titreblocnoir\">Regards sur nos danses \u00e0 l&#8217;\u00e8re num\u00e9rique<\/h2>\n<h4 class=\"titreblocnoir\">Journ\u00e9e professionnelle ouverte au public<\/h4>\n\t\t<\/div>\n\n\t\t\n<style>\n#section_1815968163 {\n  padding-top: 20px;\n  padding-bottom: 20px;\n  margin-bottom: 0px;\n  min-height: 0px;\n  background-color: rgb(0,0,0);\n}\n#section_1815968163 .section-bg-overlay {\n  background-color: #1a1a1a;\n}\n<\/style>\n\t<\/section>\n\t\n<div class=\"row\"  id=\"row-1830081325\">\n\n\t<div id=\"col-549623404\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\t<div class=\"img has-hover x md-x lg-x y md-y lg-y\" id=\"image_1087271746\">\n\t\t\t\t\t\t\t\t<div class=\"img-inner dark\" >\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1020\" height=\"574\" src=\"https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2022\/02\/RENCONTRES-V3-LOGOS-1024x576.png\" class=\"attachment-large size-large\" alt=\"\" srcset=\"https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2022\/02\/RENCONTRES-V3-LOGOS-1024x576.png 1024w, https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2022\/02\/RENCONTRES-V3-LOGOS-300x169.png 300w, https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2022\/02\/RENCONTRES-V3-LOGOS-768x432.png 768w, https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2022\/02\/RENCONTRES-V3-LOGOS-1536x864.png 1536w, https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2022\/02\/RENCONTRES-V3-LOGOS-2048x1152.png 2048w\" sizes=\"auto, (max-width: 1020px) 100vw, 1020px\" \/>\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\n<style>\n#image_1087271746 {\n  width: 100%;\n}\n<\/style>\n\t<\/div>\n\t\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\n\t<div id=\"col-626162581\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<div class=\"page\" title=\"Page 21\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p class=\"p1\"><span class=\"s1\">C\u2019est le projet de film <i>La fin du m\u00e9pris<\/i>, de l&#8217;artiste Manon Barbeau et d\u2019une douzaine de jeunes autochtones, qui a donn\u00e9 naissance \u00e0 l\u2019esprit du Wapikoni Mobile. De Nation en Nation, ce studio de production audio-visuel ambulant permet \u00e0 toute une jeunesse de se raconter, de se reconna\u00eetre, de s\u2019\u00e9manciper. C&#8217;est \u00e9galement ce qu&#8217;expriment les \u0153uvres des artistes au programme de l\u2019Expo-projections \u00ab OUI ! EHE ! \u00bb.<\/span><\/p>\n<p>Cette journ\u00e9e a pour ambition de cre\u0301er des ponts entre les cre\u0301ateurs et les acteurs strate\u0301giques du cine\u0301ma, des arts visuels et nume\u0301riques et des e\u0301coles professionnelles, notamment le programme de cre\u0301ation nume\u0301rique de l\u2019UQAT.<\/p>\n<p>Nous invitons les artistes de Rouyn-Noranda, du Canada et de l\u2019e\u0301tranger a\u0300 s\u2019inscrire \u00e0 cette journe\u0301e professionnelle, de re\u0301seautage, d\u2019entretiens et de confe\u0301rences; elle est d&#8217;ailleurs aussi ouverte au public.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<p><span style=\"font-weight: 400;\"><strong>Animation :<\/strong> Assur\u00e9e par <\/span><span style=\"font-weight: 400;\"><strong>Sylvain Bleau<\/strong> <\/span><span style=\"font-weight: 400;\">et ses partenaires de Rouyn :<\/span><\/p>\n<ul>\n<li><span style=\"font-weight: 400;\"><strong>Audr\u00e9e Juteau<\/strong>;<\/span><\/li>\n<li><span style=\"font-weight: 400;\"><strong>Rosalie Chartier-Lacombe<\/strong>;<\/span><\/li>\n<li><span style=\"font-weight: 400;\"><strong>Jean-Jacques Lachapelle<\/strong>, h\u00f4te de l&#8217;\u00e9v\u00e9nement et directeur g\u00e9n\u00e9ral du Mus\u00e9e d&#8217;art de Rouyn.\u00a0<\/span><\/li>\n<\/ul>\n<p><strong>Invit\u00e9s :<\/strong><\/p>\n<ul>\n<li><strong>Jos\u00e9phine Bacon<\/strong>, po\u00e8te innue;<\/li>\n<li><strong>Th\u00e9r\u00e8se Ottawa<\/strong>, artiste atikamekw de Manawan (Qu\u00e9bec);<\/li>\n<li><strong>Isabelle Hayeur<\/strong>, Productrice, sc\u00e9nariste et r\u00e9alisatrice (Montre\u0301al);<\/li>\n<li><strong>Nacera Belaza<\/strong>, chor\u00e9graphe (Paris\/Alger);<\/li>\n<li><strong>Thierry Micouin<\/strong>, chor\u00e9graphe &amp; danseur (Paris);<\/li>\n<li><strong>Virginie Combet<\/strong>, de Cin\u00e9-Corps (Paris).<\/li>\n<\/ul>\n<p>Ce panel de discussion est organis\u00e9 dans le cadre de l&#8217;Expo-projections \u00ab OUI ! EHE ! Du Refus global au temps de l&#8217;inclusion et de la fluidit\u00e9 des genres \u00bb.<\/p>\n<a href=\"https:\/\/www.cinedanse.ca\/jeudi-10-mars-2022\/#ere-numerique\" class=\"button secondary\" >\n\t\t<span>En savoir plus<\/span>\n\t<\/a>\n\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n<\/div>\n\t<div id=\"gap-500007360\" class=\"gap-element clearfix\" style=\"display:block; height:auto;\">\n\t\t\n<style>\n#gap-500007360 {\n  padding-top: 30px;\n}\n<\/style>\n\t<\/div>\n\t\n<div class=\"row\"  id=\"row-965653415\">\n\n\t<div id=\"col-154645947\" class=\"col small-12 large-12\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n<\/div>\n\n\t<section class=\"section dark\" id=\"section_448534129\">\n\t\t<div class=\"section-bg fill\" >\n\t\t\t\t\t\t\t\t\t<div class=\"section-bg-overlay absolute fill\"><\/div>\n\t\t\t\n\t<div class=\"is-border\"\n\t\tstyle=\"border-color:rgb(255, 255, 255);border-width:0px 0px 10px 0px;\">\n\t<\/div>\n\n\t\t<\/div>\n\n\t\t\n\n\t\t<div class=\"section-content relative\">\n\t\t\t\n<h2 class=\"alt-font titreblocnoir\">\u00ab Femmes d\u2019aujourd\u2019hui \u00bb<\/h2>\n<h4 class=\"titreblocnoir\">Programme mixte de performances &amp; de projections<\/h4>\n\t\t<\/div>\n\n\t\t\n<style>\n#section_448534129 {\n  padding-top: 20px;\n  padding-bottom: 20px;\n  margin-bottom: 0px;\n  min-height: 0px;\n  background-color: rgb(0,0,0);\n}\n#section_448534129 .section-bg-overlay {\n  background-color: #1a1a1a;\n}\n<\/style>\n\t<\/section>\n\t\n<blockquote><p><i>\u00c0 sa sortie en France, ce documentaire a fait sensation et attir\u00e9 plus d\u2019un million de visionnements en ligne sur la plateforme de la cha\u00eene Arte.<\/i><\/p><\/blockquote>\n<div class=\"row\"  id=\"row-827787910\">\n\n\t<div id=\"col-435755350\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\t<div class=\"img has-hover x md-x lg-x y md-y lg-y\" id=\"image_1231536862\">\n\t\t\t\t\t\t\t\t<div class=\"img-inner dark\" >\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1020\" height=\"574\" src=\"https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2015\/07\/Desert-Widow_Guyon_1-1024x576.jpg\" class=\"attachment-large size-large\" alt=\"\" srcset=\"https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2015\/07\/Desert-Widow_Guyon_1-1024x576.jpg 1024w, https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2015\/07\/Desert-Widow_Guyon_1-300x169.jpg 300w, https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2015\/07\/Desert-Widow_Guyon_1.jpg 1920w\" sizes=\"auto, (max-width: 1020px) 100vw, 1020px\" \/>\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\n<style>\n#image_1231536862 {\n  width: 100%;\n}\n<\/style>\n\t<\/div>\n\t\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\n\t<div id=\"col-1598759116\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<p><span style=\"font-size: 120%;\"><strong>Jil Guyon<\/strong><\/span><\/p>\n<div class=\"page\" title=\"Page 20\">\n<div class=\"layoutArea\">\n<p><strong>Se\u0301rie de films <i>\u00ab Widow \u00bb<\/i> et performance <i>Widow\u2019s Walk<\/i><\/strong><\/p>\n<\/div>\n<\/div>\n<div class=\"page\" title=\"Page 21\">\n<p>La New-yorkaise Jil Guyon, muse des e\u0301ditions pre\u0301ce\u0301dentes de Cine\u0301danse, vient pour la premie\u0300re fois a\u0300 Rouyn-Noranda. Elle pre\u0301sente sa se\u0301rie de films <i>\u00ab Widow \u00bb<\/i> sous forme de <i>mapping<\/i>, ainsi qu\u2019une version ine\u0301dite de sa performance <i>Desert Widow<\/i>.<\/p>\n<p><i>Desert Widow<\/i> explore les contours du deuil et de l&#8217;isolement en fusionnant une performance solo bas\u00e9e sur le mouvement avec une vid\u00e9o et une musique immersives. La performance met en sc\u00e8ne le personnage de la Veuve, figure \u00e9nigmatique, \u00e0 la fois imposante et fragile, portant une robe noire iconique et changeante. Son \u00e9conomie gestuelle, f\u00e9minine et hautement stylis\u00e9e, d\u00e9gage une puissance \u00e9motionnelle contenue, tandis que l&#8217;urgence de sa concentration corporelle invite le public \u00e0 une communion \u00e9nerg\u00e9tique partag\u00e9e. Au milieu de l&#8217;\u00e9normit\u00e9 de la catastrophe climatique, de l&#8217;effondrement social et de l&#8217;emprise implacable d&#8217;une pand\u00e9mie mondiale, <i>Desert Widow<\/i> se situe dans l&#8217;\u0153il de cette temp\u00eate collective comme une offrande de deuil et une invitation \u00e0 la gu\u00e9rison.<\/p>\n<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n<\/div>\n<div class=\"is-divider divider clearfix\" ><\/div>\n<div class=\"row\"  id=\"row-1737976834\">\n\n\t<div id=\"col-2077432610\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\t<div class=\"img has-hover x md-x lg-x y md-y lg-y\" id=\"image_1688817241\">\n\t\t\t\t\t\t\t\t<div class=\"img-inner dark\" >\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"819\" height=\"1024\" src=\"https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2022\/02\/Lana-Morton-819x1024.jpg\" class=\"attachment-large size-large\" alt=\"\" srcset=\"https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2022\/02\/Lana-Morton-819x1024.jpg 819w, https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2022\/02\/Lana-Morton-240x300.jpg 240w, https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2022\/02\/Lana-Morton-768x960.jpg 768w, https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2022\/02\/Lana-Morton.jpg 1160w\" sizes=\"auto, (max-width: 819px) 100vw, 819px\" \/>\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\n<style>\n#image_1688817241 {\n  width: 100%;\n}\n<\/style>\n\t<\/div>\n\t\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\n\t<div id=\"col-421361590\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<p><span style=\"font-size: 120%;\"><strong>Lana Morton\u00a0<\/strong><\/span><\/p>\n<p><strong><i>\u00ab Georgie \u00bb<\/i> <\/strong><\/p>\n<p><strong>Un spectacle avec Lana Morton (Val d\u2019Or\/Ottawa), une chore\u0301graphie d\u2019Harold Rhe\u0301aume (Que\u0301bec)<br \/>\n<\/strong>Inspire\u0301e par sa me\u0300re, l\u2019artiste originaire de Val d\u2019Or, Lana Morton, interpre\u0300te la femme fatale qui a appris a\u0300 vivre a\u0300 travers le regard des autres. Elle se de\u0301construit. \u00ab Nous avons tous en nous deux entite\u0301s qui se confrontent, notre co\u0302te\u0301 ludique et doux, en contraste avec notre co\u0302te\u0301 sombre. C\u2019est la contradiction confrontant l\u2019e\u0301vidence. Georgie, c\u2019est toi, c\u2019est moi \u00bb.<\/p>\n<p><strong>BIOGRAPHIE<\/strong><\/p>\n<p>Originaire de Val-d\u2019Or, <strong>Lana Morton<\/strong> est adjointe artistique et directrice de production du Centre de danse contemporaine ODD (Ottawa). Elle est aussi fondatrice et programmatrice de S\u00c9RIE DANSE 10, une s\u00e9rie de diffusion de spectacles qui compte plus de 45 productions.<\/p>\n<p>Bacheli\u00e8re en danse contemporaine de l\u2019UQAM (Universit\u00e9 du Qu\u00e9bec \u00e0 Montr\u00e9al), elle anime le milieu de la danse d\u2019Ottawa-Gatineau depuis 1995 en tant qu\u2019interpr\u00e8te, chor\u00e9graphe, collaboratrice artistique, enseignante et productrice.<\/p>\n<p>\u00c0 l\u2019automne 2016, accompagn\u00e9e des artistes chor\u00e9graphes Jeffrey Hall et Katia Gagn\u00e9, elle a cr\u00e9\u00e9 et pr\u00e9sent\u00e9 son solo <em>Autres fr\u00e9quences<\/em> \u00e0 la soir\u00e9e d\u2019ouverture du Festival Quartiers Danses \u00e0 la Place des Arts de Montr\u00e9al. Ce spectacle a par la suite \u00e9t\u00e9 pr\u00e9sent\u00e9 \u00e0 La Nouvelle Sc\u00e8ne Gilles Desjardins \u00e0 Ottawa, ainsi qu\u2019\u00e0 CD Spectacles \u00e0 Gasp\u00e9.<\/p>\n<p>Elle a interpr\u00e9t\u00e9 la pi\u00e8ce <em>GEORGIE<\/em>, une commande du CDC au chor\u00e9graphe Harold Rh\u00e9aume de Qu\u00e9bec. L\u2019\u0153uvre a \u00e9t\u00e9 pr\u00e9sent\u00e9e avec la Compagnie ODD \u00e0 La Nouvelle Sc\u00e8ne Gilles Desjardins (2017), \u00e0 La Nuit \u00e9mergente \u00e0 Sudbury et au XVII<sup>e<\/sup>\u00a0Sommet de la Francophonie en Arm\u00e9nie (2018).<\/p>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n<\/div>\n\t<div id=\"gap-2096166167\" class=\"gap-element clearfix\" style=\"display:block; height:auto;\">\n\t\t\n<style>\n#gap-2096166167 {\n  padding-top: 30px;\n}\n<\/style>\n\t<\/div>\n\t\n<div class=\"row\"  id=\"row-1029174753\">\n\n\t<div id=\"col-770456716\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\t<div class=\"img has-hover x md-x lg-x y md-y lg-y\" id=\"image_13447243\">\n\t\t\t\t\t\t\t\t<div class=\"img-inner dark\" >\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1020\" height=\"574\" src=\"https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2022\/02\/TOTA-1024x576.jpg\" class=\"attachment-large size-large\" alt=\"\" srcset=\"https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2022\/02\/TOTA-1024x576.jpg 1024w, https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2022\/02\/TOTA-300x169.jpg 300w, https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2022\/02\/TOTA-768x432.jpg 768w, https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2022\/02\/TOTA-1536x864.jpg 1536w, https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2022\/02\/TOTA.jpg 1920w\" sizes=\"auto, (max-width: 1020px) 100vw, 1020px\" \/>\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\n<style>\n#image_13447243 {\n  width: 100%;\n}\n<\/style>\n\t<\/div>\n\t\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\n\t<div id=\"col-1826161642\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<p class=\"p1\"><span class=\"s1\"><b><i>Tota \/ Grand-m\u00e8re \/ Grandmother<\/i><\/b><\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">L\u2019arri\u00e8re-grand-m\u00e8re de Barbara a confectionn\u00e9 une robe il y a environ 60 ans; elle a \u00e9t\u00e9 transmise \u00e0 Barbara par sa grand-m\u00e8re. Barbara explorera sa relation avec son \u00ab Tota \u00bb (grand-m\u00e8re), comment son ADN la traverse et comment cette robe l\u2019honore encore. <i>Comment l\u2019amour et les histoires transcendent-ils le temps et l\u2019espace ?<\/i><\/span><\/p>\n<p class=\"p1\"><span class=\"s1\"><em>Re\u0301al.: Courtney Montour | Chor. &amp; Inter.: Barbara Kaneratonni Diabo | Music: Michael Diabo | Prod.: APTN &amp; Nish Media &#8211; PULSE | 2022 | 5&#8242;<\/em><\/span><\/p>\n<a href=\"https:\/\/www.cinedanse.ca\/samedi-12-mars-2022\/#femmes\" class=\"button secondary\" >\n\t\t<span>En savoir plus<\/span>\n\t<\/a>\n\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n<\/div>\n\t<div id=\"gap-707907333\" class=\"gap-element clearfix\" style=\"display:block; height:auto;\">\n\t\t\n<style>\n#gap-707907333 {\n  padding-top: 50px;\n}\n<\/style>\n\t<\/div>\n\t\n\n\t<section class=\"section dark\" id=\"section_1846943251\">\n\t\t<div class=\"section-bg fill\" >\n\t\t\t\t\t\t\t\t\t<div class=\"section-bg-overlay absolute fill\"><\/div>\n\t\t\t\n\t<div class=\"is-border\"\n\t\tstyle=\"border-color:rgb(255, 255, 255);border-width:0px 0px 10px 0px;\">\n\t<\/div>\n\n\t\t<\/div>\n\n\t\t\n\n\t\t<div class=\"section-content relative\">\n\t\t\t\n<h2 class=\"alt-font titreblocnoir\">La cin\u00e9graphie : l\u2019arr\u00eat sur image et le mouvement<\/h2>\n<h4 class=\"titreblocnoir\">Atelier de yako<\/h4>\n\t\t<\/div>\n\n\t\t\n<style>\n#section_1846943251 {\n  padding-top: 20px;\n  padding-bottom: 20px;\n  margin-bottom: 0px;\n  min-height: 0px;\n  background-color: rgb(0,0,0);\n}\n#section_1846943251 .section-bg-overlay {\n  background-color: #1a1a1a;\n}\n<\/style>\n\t<\/section>\n\t\n<blockquote><p><span style=\"font-weight: 400;\"><i>\u00ab Haunting and wonderful. \u00bb <\/i><\/span><span style=\"font-weight: 400;\">Houston Press<\/span><\/p><\/blockquote>\n<div class=\"row\"  id=\"row-1438998695\">\n\n\t<div id=\"col-1388360265\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\t<div class=\"img has-hover x md-x lg-x y md-y lg-y\" id=\"image_139521132\">\n\t\t\t\t\t\t\t\t<div class=\"img-inner dark\" >\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"600\" src=\"https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2022\/02\/YAKO.jpg\" class=\"attachment-large size-large\" alt=\"\" srcset=\"https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2022\/02\/YAKO.jpg 600w, https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2022\/02\/YAKO-300x300.jpg 300w, https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2022\/02\/YAKO-150x150.jpg 150w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/>\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\n<style>\n#image_139521132 {\n  width: 100%;\n}\n<\/style>\n\t<\/div>\n\t\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\n\t<div id=\"col-1401190056\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<p><strong>yako (Jean-Christophe Yacono)<\/strong><br \/>\nConcepteur, re\u0301alisateur multime\u0301dia et photographe<\/p>\n<p>yako ouvre ses carnets vide\u0301os ou\u0300 sont esquisse\u0301es des recherches visuelles sur le mouvement; il pre\u0301sente quelques projets re\u0301alise\u0301s ou non. Ceux en cours de re\u0301alisation avec Fre\u0301de\u0301rick Gravel (DLD) et Carol Prieur (Cie M. Chouinard) seront particulie\u0300rement e\u0301tudie\u0301s. Dans un deuxie\u0300me temps, un atelier permettra aux artistes de mettre en pratique diffe\u0301rentes techniques photographiques (surimpression, <i>slow shutter<\/i>) ou d\u2019animation (<i>optical flow<\/i>, <i>morphing<\/i>&#8230;) autour de la cre\u0301ation de portraits \u00ab vivants \u00bb.<\/p>\n<a href=\"https:\/\/www.cinedanse.ca\/samedi-12-mars-2022\/#cinegraphie\" class=\"button secondary\" >\n\t\t<span>En savoir plus<\/span>\n\t<\/a>\n\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n<\/div>\n<div class=\"is-divider divider clearfix\" style=\"max-width:60px;\"><\/div>\n\n\t<section class=\"section dark\" id=\"section_37514233\">\n\t\t<div class=\"section-bg fill\" >\n\t\t\t\t\t\t\t\t\t<div class=\"section-bg-overlay absolute fill\"><\/div>\n\t\t\t\n\t<div class=\"is-border\"\n\t\tstyle=\"border-color:rgb(255, 255, 255);border-width:0px 0px 10px 0px;\">\n\t<\/div>\n\n\t\t<\/div>\n\n\t\t\n\n\t\t<div class=\"section-content relative\">\n\t\t\t\n<h2 class=\"alt-font titreblocnoir\">Thierry, Jos\u00e9phine, Blanche et autres beaux danseurs du dimanche<\/h2>\n<h4 class=\"titreblocnoir\">3 documentaires porteurs d\u2019espoirs, \u00e0 voir ou \u00e0 revoir !<\/h4>\n\t\t<\/div>\n\n\t\t\n<style>\n#section_37514233 {\n  padding-top: 20px;\n  padding-bottom: 20px;\n  margin-bottom: 0px;\n  min-height: 0px;\n  background-color: rgb(0,0,0);\n}\n#section_37514233 .section-bg-overlay {\n  background-color: #1a1a1a;\n}\n<\/style>\n\t<\/section>\n\t\n<div class=\"row\"  id=\"row-1650050463\">\n\n\t<div id=\"col-552239044\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\t<div class=\"img has-hover x md-x lg-x y md-y lg-y\" id=\"image_528679237\">\n\t\t\t\t\t\t\t\t<div class=\"img-inner dark\" >\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1020\" height=\"611\" src=\"https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2021\/07\/cast-12-1024x613.jpg\" class=\"attachment-large size-large\" alt=\"\" srcset=\"https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2021\/07\/cast-12-1024x613.jpg 1024w, https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2021\/07\/cast-12-300x179.jpg 300w, https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2021\/07\/cast-12-768x459.jpg 768w, https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2021\/07\/cast-12.jpg 1130w\" sizes=\"auto, (max-width: 1020px) 100vw, 1020px\" \/>\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\n<style>\n#image_528679237 {\n  width: 100%;\n}\n<\/style>\n\t<\/div>\n\t\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\n\t<div id=\"col-412688513\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<p><em><strong>Habiter le mouvement, un re\u0301cit en dix chapitres<br \/>\n<\/strong><\/em><\/p>\n<p>A\u0300 l\u2019e\u0301te\u0301 2017, le chore\u0301graphe franc\u0327ais Thierry Thieu\u0302 Niang donne une se\u0301rie d\u2019ateliers a\u0300 des groupes de volontaires d\u2019ai\u0302ne\u0301s et de jeunes aux quatre coins du Que\u0301bec. Be\u0301atriz Mediavilla, qui a suivi la tourne\u0301e, re\u0301alise un film poe\u0300me, loin du classique documentaire-ve\u0301rite\u0301. La prose-cine\u0301ma de Mediavilla interroge nos perspectives sur la condition humaine, sur notre rapport a\u0300 soi, au corps vieillissant, sur notre rapport a\u0300 l&#8217;autre, aux e\u0301trangers, a\u0300 la place du rituel de la danse a\u0300 l&#8217;e\u0300re moderne, au toucher. On est e\u0301mu par un poe\u0300me de Jose\u0301phine Bacon, bouscule\u0301 par un manifeste, interpelle\u0301 par un te\u0301moignage de Martine E\u0301poque ou du jeune e\u0301crivain Antoine Charbonneau-Demers.<\/p>\n<p><em>Re\u0301al.: Be\u0301atriz Mediavilla I Chor.: Thierry Thieu\u0302 Niang | Participation de Jose\u0301phine Bacon, Martine E\u0301poque &amp; Antoine Charbonneau-Demers | Que\u0301bec | 2019 | 62\u2019<\/em><\/p>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n<\/div>\n\t<div id=\"gap-945900972\" class=\"gap-element clearfix\" style=\"display:block; height:auto;\">\n\t\t\n<style>\n#gap-945900972 {\n  padding-top: 30px;\n}\n<\/style>\n\t<\/div>\n\t\n<div class=\"row\"  id=\"row-2099890122\">\n\n\t<div id=\"col-458560853\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\t<div class=\"img has-hover x md-x lg-x y md-y lg-y\" id=\"image_2022787726\">\n\t\t\t\t\t\t\t\t<div class=\"img-inner dark\" >\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"830\" height=\"400\" src=\"https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2017\/03\/thierry-thieu-niang-jean-louis-fernandez-copie.jpg\" class=\"attachment-large size-large\" alt=\"\" srcset=\"https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2017\/03\/thierry-thieu-niang-jean-louis-fernandez-copie.jpg 830w, https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2017\/03\/thierry-thieu-niang-jean-louis-fernandez-copie-300x145.jpg 300w\" sizes=\"auto, (max-width: 830px) 100vw, 830px\" \/>\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\n<style>\n#image_2022787726 {\n  width: 100%;\n}\n<\/style>\n\t<\/div>\n\t\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\n\t<div id=\"col-293231558\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<p><strong>Extraits de <em>Danser le printemps a\u0300 l\u2019automne<\/em> <\/strong><\/p>\n<p>Ce film est a\u0300 l\u2019origine de notre rencontre avec le chore\u0301graphe Thierry Thieu\u0302 Niang et de sa tourne\u0301e au Que\u0301bec en 2017. L\u2019e\u0301mouvant documentaire <i>Danser le printemps a\u0300 l\u2019automne<\/i> est issu de son inspirante de\u0301marche. Le film pre\u0301sente le fruit de sept anne\u0301es de travail de 20 retraite\u0301s de Marseille avec le chore\u0301graphe. Infirmie\u0300res, femmes au foyer, professeurs ou me\u0301decins, a\u0302ge\u0301s de 60 a\u0300 87 ans et sans aucune expe\u0301rience chore\u0301graphique, interpre\u0300tent une variation du chef d\u2019\u0153uvre de Stravinsky, &#8220;Le Sacre du printemps&#8221;.<\/p>\n<p><em>Re\u0301al.: Philippe Chevallier &amp; Denis Sneguirev | Chor.: Thierry Thieu\u0302 Niang | France | 2013 | 52&#8242;<\/em><\/p>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n<\/div>\n\t<div id=\"gap-1250618268\" class=\"gap-element clearfix\" style=\"display:block; height:auto;\">\n\t\t\n<style>\n#gap-1250618268 {\n  padding-top: 30px;\n}\n<\/style>\n\t<\/div>\n\t\n<div class=\"row\"  id=\"row-314683223\">\n\n\t<div id=\"col-1427085624\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\t<div class=\"img has-hover x md-x lg-x y md-y lg-y\" id=\"image_1035895264\">\n\t\t\t\t\t\t\t\t<div class=\"img-inner dark\" >\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1020\" height=\"574\" src=\"https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2019\/08\/69237355_478550859368533_1066400432105979904_n-1024x576.jpg\" class=\"attachment-large size-large\" alt=\"\" srcset=\"https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2019\/08\/69237355_478550859368533_1066400432105979904_n-1024x576.jpg 1024w, https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2019\/08\/69237355_478550859368533_1066400432105979904_n-300x169.jpg 300w, https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2019\/08\/69237355_478550859368533_1066400432105979904_n-768x432.jpg 768w, https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2019\/08\/69237355_478550859368533_1066400432105979904_n.jpg 1920w\" sizes=\"auto, (max-width: 1020px) 100vw, 1020px\" \/>\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\n<style>\n#image_1035895264 {\n  width: 100%;\n}\n<\/style>\n\t<\/div>\n\t\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\n\t<div id=\"col-1491426168\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<p><strong><em>Une jeune fille de 90 ans<\/em> <\/strong><\/p>\n<p>Ce t\u00e9l\u00e9film est une immersion dans la vie d\u2019une femme atteinte d\u2019Alzheimer, qui reprend gou\u0302t a\u0300 la vie en rencontrant le chore\u0301graphe Thierry Thieu\u0302 Niang.<\/p>\n<p><em>Re\u0301al.: Valeria Bruni Tedeschi &amp; Yann Coridian I Chor.: Thierry Thieu\u0302 Niang | France | 2016 | 85\u2019<\/em><\/p>\n<a href=\"https:\/\/www.cinedanse.ca\/dimanche-13-mars-2022\/#dimanche\" class=\"button secondary\" >\n\t\t<span>En savoir plus<\/span>\n\t<\/a>\n\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n<\/div>\n<div class=\"is-divider divider clearfix\" style=\"max-width:60px;\"><\/div>\n\n\t<section class=\"section dark\" id=\"section_1190910156\">\n\t\t<div class=\"section-bg fill\" >\n\t\t\t\t\t\t\t\t\t<div class=\"section-bg-overlay absolute fill\"><\/div>\n\t\t\t\n\t<div class=\"is-border\"\n\t\tstyle=\"border-color:rgb(255, 255, 255);border-width:0px 0px 10px 0px;\">\n\t<\/div>\n\n\t\t<\/div>\n\n\t\t\n\n\t\t<div class=\"section-content relative\">\n\t\t\t\n<h2 class=\"alt-font titreblocnoir\">Victoria : le film avec Dulcin\u00e9e Langfelder<\/h2>\n<h4 class=\"titreblocnoir\">En cl\u00f4ture du festival<\/h4>\n\t\t<\/div>\n\n\t\t\n<style>\n#section_1190910156 {\n  padding-top: 20px;\n  padding-bottom: 20px;\n  margin-bottom: 0px;\n  min-height: 0px;\n  background-color: rgb(0,0,0);\n}\n#section_1190910156 .section-bg-overlay {\n  background-color: #1a1a1a;\n}\n<\/style>\n\t<\/section>\n\t\n<p class=\"lead\">Programme mixte de performances et projections<\/p>\n<blockquote><p><span style=\"font-weight: 400;\">\u00ab \u00catre femme aujourd&#8217;hui et danser. \u00c0 New-York, \u00e0 Montr\u00e9al ou \u00e0 Ottawa, du Zimbabwe ou par Skype. \u00bb<\/span><\/p><\/blockquote>\n<div class=\"row\"  id=\"row-1766293647\">\n\n\t<div id=\"col-1507147908\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\t<div class=\"img has-hover x md-x lg-x y md-y lg-y\" id=\"image_1284911224\">\n\t\t\t\t\t\t\t\t<div class=\"img-inner dark\" >\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1020\" height=\"575\" src=\"https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2022\/02\/Victoria-Dulcine\u0301e-1024x577.jpg\" class=\"attachment-large size-large\" alt=\"\" srcset=\"https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2022\/02\/Victoria-Dulcine\u0301e-1024x577.jpg 1024w, https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2022\/02\/Victoria-Dulcine\u0301e-300x169.jpg 300w, https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2022\/02\/Victoria-Dulcine\u0301e-768x433.jpg 768w, https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2022\/02\/Victoria-Dulcine\u0301e-1536x866.jpg 1536w, https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2022\/02\/Victoria-Dulcine\u0301e.jpg 2048w\" sizes=\"auto, (max-width: 1020px) 100vw, 1020px\" \/>\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\n<style>\n#image_1284911224 {\n  width: 100%;\n}\n<\/style>\n\t<\/div>\n\t\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\n\t<div id=\"col-888812146\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<div class=\"page\" title=\"Page 20\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<div class=\"page\" title=\"Page 2\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>Victoria, 90 ans, a perdu la me\u0301moire. Dans son monde, le temps n\u2019existe pas; les souvenirs sont aussi re\u0301els que le pre\u0301sent. Elle a perdu la me\u0301moire, sa chatte et le contro\u0302le de sa vie. L\u2019ombre d\u2019elle-me\u0302me, Victoria est aussi un personnage, une artiste de la sce\u0300ne qui, oubliant son ro\u0302le, s\u2019adapte aux situations dramatiques, comiques ou poe\u0301tiques de son quotidien. Le pre\u0301pose\u0301 qui en prend soin devient pour elle, tour a\u0300 tour, son ami, son adversaire, son pe\u0300re, son amoureux, tandis que son fauteuil roulant devient sa berceuse, son partenaire de tango, sa prison, et me\u0302me le charriot volant qui l\u2019emporte au dernier souffle.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<p><em>Re\u0301al. &amp; Chor. : Dulcine\u0301e Langfelder | Montre\u0301al | 2022 | 75\u2019<\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n<a href=\"https:\/\/www.cinedanse.ca\/cinedanse-2019\/mercredi-16-mars-2022\/#victoria\" class=\"button secondary\" >\n\t\t<span>En savoir plus<\/span>\n\t<\/a>\n\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n<\/div>\n<div class=\"row\"  id=\"row-191106616\">\n\n\t<div id=\"col-1603701536\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\n\t<div id=\"col-1571539950\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n<\/div>\n\t<div id=\"gap-837453359\" class=\"gap-element clearfix\" style=\"display:block; height:auto;\">\n\t\t\n<style>\n#gap-837453359 {\n  padding-top: 30px;\n}\n<\/style>\n\t<\/div>\n\t\n<div class=\"is-divider divider clearfix\" style=\"max-width:3000px;\"><\/div>\n\t<div id=\"gap-1696494187\" class=\"gap-element clearfix\" style=\"display:block; height:auto;\">\n\t\t\n<style>\n#gap-1696494187 {\n  padding-top: 30px;\n}\n<\/style>\n\t<\/div>\n\t\n","protected":false},"excerpt":{"rendered":"<p>\u00e9DITORIAL \u00c0 sa sortie en France, ce documentaire a fait sensation et attir\u00e9 plus d\u2019un million de visionnements en ligne sur la plateforme de la cha\u00eene Arte. \u00ab Haunting and wonderful. \u00bb Houston Press Programme mixte de performances et projections \u00ab \u00catre femme aujourd&#8217;hui et danser. \u00c0 New-York, \u00e0 Montr\u00e9al ou \u00e0 Ottawa, du Zimbabwe [&#8230;]\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":109,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-11192","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Cin\u00e9danse \u00c9dition 2022 - Rouyn Noranda | Cin\u00e9danse<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.cinedanse.ca\/en\/cinedanse-edition-2022-rouyn-noranda\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Cin\u00e9danse \u00c9dition 2022 - Rouyn Noranda | Cin\u00e9danse\" \/>\n<meta property=\"og:description\" content=\"\u00e9DITORIAL \u00c0 sa sortie en France, ce documentaire a fait sensation et attir\u00e9 plus d\u2019un million de visionnements en ligne sur la plateforme de la cha\u00eene Arte. \u00ab Haunting and wonderful. \u00bb Houston Press Programme mixte de performances et projections \u00ab \u00catre femme aujourd&#8217;hui et danser. \u00c0 New-York, \u00e0 Montr\u00e9al ou \u00e0 Ottawa, du Zimbabwe [...]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.cinedanse.ca\/en\/cinedanse-edition-2022-rouyn-noranda\/\" \/>\n<meta property=\"og:site_name\" content=\"Cin\u00e9danse\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/cinedanse.ca\/\" \/>\n<meta property=\"article:modified_time\" content=\"2023-05-24T15:27:59+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.cinedanse.ca\/wp-content\/uploads\/2023\/06\/cinedanse_logo.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1024\" \/>\n\t<meta property=\"og:image:height\" content=\"600\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"18 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.cinedanse.ca\\\/en\\\/cinedanse-edition-2022-rouyn-noranda\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.cinedanse.ca\\\/en\\\/cinedanse-edition-2022-rouyn-noranda\\\/\"},\"author\":{\"name\":\"La caravane\",\"@id\":\"https:\\\/\\\/www.cinedanse.ca\\\/en\\\/#\\\/schema\\\/person\\\/ae554981b8bdc47cf9f8d72f324f9418\"},\"headline\":\"Cin\u00e9danse \u00c9dition 2022 &#8211; 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