{"id":8324,"date":"2021-03-05T23:33:48","date_gmt":"2021-03-06T04:33:48","guid":{"rendered":"https:\/\/www.cinedanse.ca\/?page_id=8324"},"modified":"2021-03-08T20:27:15","modified_gmt":"2021-03-09T01:27:15","slug":"cinedanse-2019-edition-ottawa","status":"publish","type":"page","link":"http:\/\/www.cinedanse.ca\/en\/cinedanse-2019-edition-ottawa\/","title":{"rendered":"Cin\u00e9danse 2019 edition &#8211; Ottawa"},"content":{"rendered":"\t<div class=\"img has-hover x md-x lg-x y md-y lg-y\" id=\"image_274820395\">\n\t\t\t\t\t\t\t\t<div class=\"img-inner dark\" >\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1020\" height=\"574\" src=\"http:\/\/www.cinedanse.ca\/wp-content\/uploads\/2019\/07\/Ottawa_fr-1024x576.jpg\" class=\"attachment-large size-large\" alt=\"\" srcset=\"http:\/\/www.cinedanse.ca\/wp-content\/uploads\/2019\/07\/Ottawa_fr-1024x576.jpg 1024w, http:\/\/www.cinedanse.ca\/wp-content\/uploads\/2019\/07\/Ottawa_fr-300x169.jpg 300w, http:\/\/www.cinedanse.ca\/wp-content\/uploads\/2019\/07\/Ottawa_fr-768x432.jpg 768w, http:\/\/www.cinedanse.ca\/wp-content\/uploads\/2019\/07\/Ottawa_fr.jpg 1920w\" sizes=\"auto, (max-width: 1020px) 100vw, 1020px\" \/>\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\n<style>\n#image_274820395 {\n  width: 100%;\n}\n<\/style>\n\t<\/div>\n\t\n\t<div class=\"img has-hover x md-x lg-x y md-y lg-y\" id=\"image_1459809702\">\n\t\t\t\t\t\t\t\t<div class=\"img-inner dark\" style=\"margin:0px 0px 0px 0px;\">\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1020\" height=\"123\" src=\"http:\/\/www.cinedanse.ca\/wp-content\/uploads\/2021\/03\/Sans-titre-6-e1614868812718-1024x123.png\" class=\"attachment-large size-large\" alt=\"\" srcset=\"http:\/\/www.cinedanse.ca\/wp-content\/uploads\/2021\/03\/Sans-titre-6-e1614868812718-1024x123.png 1024w, http:\/\/www.cinedanse.ca\/wp-content\/uploads\/2021\/03\/Sans-titre-6-e1614868812718-300x36.png 300w, http:\/\/www.cinedanse.ca\/wp-content\/uploads\/2021\/03\/Sans-titre-6-e1614868812718-768x92.png 768w, http:\/\/www.cinedanse.ca\/wp-content\/uploads\/2021\/03\/Sans-titre-6-e1614868812718-1536x184.png 1536w, http:\/\/www.cinedanse.ca\/wp-content\/uploads\/2021\/03\/Sans-titre-6-e1614868812718-2048x246.png 2048w\" sizes=\"auto, (max-width: 1020px) 100vw, 1020px\" \/>\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\n<style>\n#image_1459809702 {\n  width: 100%;\n}\n<\/style>\n\t<\/div>\n\t\n<div class=\"is-divider divider clearfix\" ><\/div>\n\n\t<section class=\"section dark\" id=\"section_315762190\">\n\t\t<div class=\"section-bg fill\" >\n\t\t\t\t\t\t\t\t\t\n\t\t\t\n\n\t\t<\/div>\n\n\t\t\n\n\t\t<div class=\"section-content relative\">\n\t\t\t\n<div class=\"accordion\">\n\t<div id=\"accordion-1639883020\" class=\"accordion-item\">\n\t\t<a id=\"accordion-1639883020-label\" class=\"accordion-title plain\" href=\"#accordion-item-editorial\" aria-expanded=\"false\" aria-controls=\"accordion-1639883020-content\">\n\t\t\t<button class=\"toggle\" aria-label=\"Toggle\"><i class=\"icon-angle-down\" aria-hidden=\"true\"><\/i><\/button>\n\t\t\t<span>EDITORIAL<\/span>\n\t\t<\/a>\n\t\t<div id=\"accordion-1639883020-content\" class=\"accordion-inner\" aria-labelledby=\"accordion-1639883020-label\">\n\t\t\t\n<p><a class=\"_ps2id\" href=\"#editorial2019\" data-ps2id-offset=\"\">\u00c9DITORIAL<\/a><\/p>\n\t\t<\/div>\n\t<\/div>\n\t\n\t<div id=\"accordion-3480241620\" class=\"accordion-item\">\n\t\t<a id=\"accordion-3480241620-label\" class=\"accordion-title plain\" href=\"#accordion-item-highlights\" aria-expanded=\"false\" aria-controls=\"accordion-3480241620-content\">\n\t\t\t<button class=\"toggle\" aria-label=\"Toggle\"><i class=\"icon-angle-down\" aria-hidden=\"true\"><\/i><\/button>\n\t\t\t<span>HIGHLIGHTS<\/span>\n\t\t<\/a>\n\t\t<div id=\"accordion-3480241620-content\" class=\"accordion-inner\" aria-labelledby=\"accordion-3480241620-label\">\n\t\t\t\n<p><a class=\"_ps2id\" href=\"#lecridenacerabelaza\" data-ps2id-offset=\"\">\u00ab LE CRI \u00bb DE NACERA BELAZA (PARIS\/ALGER) | SPECTACLE D&#8217;OUVERTURE<\/a><\/p>\n<p><a class=\"_ps2id\" href=\"#regardssurnosdanses\" data-ps2id-offset=\"\">\u00ab REGARDS SUR NOS DANSES \u00c0 L\u2019\u00c8RE NUM\u00c9RIQUE \u00bb | JOURN\u00c9E PRO<\/a><\/p>\n<p><a class=\"_ps2id\" href=\"#enterthefaun2019\" data-ps2id-offset=\"\">\u00ab ENTER THE FAUN \u00bb AVEC TAMAR ROGOFF (NEW-YORK)<\/a><\/p>\n<p><a class=\"_ps2id\" href=\"#nouvellesperspectivesendanse\" data-ps2id-offset=\"\">\u00ab NOUVELLES PERSPECTIVES EN DANSE ET SUR LA SANT\u00c9 DANS NOS COMMUNAUT\u00c9S \u00bb | <span style=\"font-size: 90%;\">SYMPOSIUM<\/span><\/a><\/p>\n<p><a class=\"_ps2id\" href=\"#unejeunefillede90ans2019\" data-ps2id-offset=\"\">\u00ab UNE JEUNE FILLE DE 90 ANS \u00bb AVEC THIERRY THIE\u00db NIANG (PARIS)<\/a><\/p>\n<p><a class=\"_ps2id\" href=\"#widow2019\" data-ps2id-offset=\"\">\u00ab WIDOW \u00bb UN FILM DE ET AVEC JIL GUYON (NEW-YORK)<\/a><\/p>\n<p><a class=\"_ps2id\" href=\"#laprocessiondenacerabelaza\" data-ps2id-offset=\"\">\u00ab LA PROCESSION \u00bb DE NACERA BELAZA (PARIS\/ALGER) | <span style=\"font-weight: 400;\">SPECTACLE D\u00c9AMBULATOIRE DANS LA VILLE<\/span><\/a><\/p>\n<p><a class=\"_ps2id\" href=\"#programmedecloture\" data-ps2id-offset=\"\"><b>\u00ab<\/b> FEMMES D&#8217;AUJOURD&#8217;HUI <b>\u00bb | <\/b><span style=\"font-weight: 400;\">PROGRAMME DE CL\u00d4TURE<\/span><\/a><\/p>\n\t\t<\/div>\n\t<\/div>\n\t\n\t<div id=\"accordion-1682104393\" class=\"accordion-item\">\n\t\t<a id=\"accordion-1682104393-label\" class=\"accordion-title plain\" href=\"#accordion-item-lumi\u00c8re-prize-2019\" aria-expanded=\"false\" aria-controls=\"accordion-1682104393-content\">\n\t\t\t<button class=\"toggle\" aria-label=\"Toggle\"><i class=\"icon-angle-down\" aria-hidden=\"true\"><\/i><\/button>\n\t\t\t<span>LUMI\u00c8RE PRIZE 2019<\/span>\n\t\t<\/a>\n\t\t<div id=\"accordion-1682104393-content\" class=\"accordion-inner\" aria-labelledby=\"accordion-1682104393-label\">\n\t\t\t\n<p><a class=\"_ps2id\" href=\"#prixlumiere2019\" data-ps2id-offset=\"\">TOUT SUR LE PRIX LUMI\u00c8RE 2019<\/a><\/p>\n\t\t<\/div>\n\t<\/div>\n\t\n\t<div id=\"accordion-3151000137\" class=\"accordion-item\">\n\t\t<a id=\"accordion-3151000137-label\" class=\"accordion-title plain\" href=\"#accordion-item-detailed-program\" aria-expanded=\"false\" aria-controls=\"accordion-3151000137-content\">\n\t\t\t<button class=\"toggle\" aria-label=\"Toggle\"><i class=\"icon-angle-down\" aria-hidden=\"true\"><\/i><\/button>\n\t\t\t<span>DETAILED PROGRAM<\/span>\n\t\t<\/a>\n\t\t<div id=\"accordion-3151000137-content\" class=\"accordion-inner\" aria-labelledby=\"accordion-3151000137-label\">\n\t\t\t\n<p><a href=\"https:\/\/www.cinedanse.ca\/cinedanse-2019\/mardi-17-septembre\/\">17 SEPT | OUVERTURE<\/a><\/p>\n<p><a href=\"https:\/\/www.cinedanse.ca\/cinedanse-2019\/mercredi-18-septembre\/\">18 SEPT | JOURN\u00c9E PRO<\/a><\/p>\n<p><a href=\"https:\/\/www.cinedanse.ca\/cinedanse-2019\/jeudi-19-septembre\/\">19 SEPT | SYMPOSIUM 1<\/a><\/p>\n<p><a href=\"https:\/\/www.cinedanse.ca\/cinedanse-2019\/vendredi-20-septembre\/\">20 SEPT | SYMPOSIUM 2<\/a><\/p>\n<p><a href=\"https:\/\/www.cinedanse.ca\/cinedanse-2019\/samedi-21-septembre\/\">21 SEPT | LA PROCESSION<\/a><\/p>\n<p><a href=\"https:\/\/www.cinedanse.ca\/cinedanse-2019\/dimanche-22-septembre\/\">22 SEPT | CL\u00d4TURE<\/a><\/p>\n\t\t<\/div>\n\t<\/div>\n\t\n<\/div>\n\t\t<\/div>\n\n\t\t\n<style>\n#section_315762190 {\n  padding-top: 0px;\n  padding-bottom: 0px;\n  background-color: rgb(0, 0, 0);\n}\n<\/style>\n\t<\/section>\n\t\n\t<div id=\"gap-2053275366\" class=\"gap-element clearfix\" style=\"display:block; height:auto;\">\n\t\t\n<style>\n#gap-2053275366 {\n  padding-top: 60px;\n}\n<\/style>\n\t<\/div>\n\t\n<h1 class=\"entry-title mb uppercase\"><a id=\"editorial2019\"><\/a>eDITORIAL<\/h1>\n<div class=\"row\"  id=\"row-665492223\">\n\n\t<div id=\"col-561227938\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<h3><span style=\"color: #f99b1c;\" data-text-color=\"secondary\"><b>Dances That Go Beyond the Surface: A Ritual for \u201cHealing Scars\u201d<\/b><\/span><\/h3>\n<p><span style=\"font-weight: 400;\">How do today\u2019s artists, who combine dance, cinema and new technologies, free themselves from the shackles of speech in order to relate to others. How can we live less in the accumulation of knowledge, intellect and material possessions and be more in tune with our senses?<\/span><\/p>\n<p><span style=\"font-weight: 400;\">We are in the fast-paced digital age of social networks, with a plethora of images and videos that bombard our daily lives. Our event, Cin\u00e9danse Ottawa 2019, helps us slow down and better understand each other, counteracting those feelings of exclusion that permeate our society.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Dancing, in a way, helps us find meaning beyond words and knowledge. A gesture, a touch, repressed tension that reveals itself. The shadow of oneself, movement towards another, against another. A step forward to find your way, a two-person twist in which one gets lost, the excited crowd. They all symbolize our lives.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The gestures we perform on screen give meaning to our lives and echo our experiences \u2013 representing our days, our nights, our dreams and our desires.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Cin\u00e9danse Ottawa 2019 is an opportunity to question our relationship to others, how we live and grow old together, whether as a couple or across broader society. It is an opportunity to reflect on the intimacies of our existence, whether at the dawn or twilight of our lives, regardless of our differences.<\/span><\/p>\n<p><strong>Sylvain Bleau.<\/strong><\/p>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\n\t<div id=\"col-1078811455\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\t<div class=\"img has-hover x md-x lg-x y md-y lg-y\" id=\"image_1714397960\">\n\t\t\t\t\t\t\t\t<div class=\"img-inner dark\" >\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1020\" height=\"680\" src=\"http:\/\/www.cinedanse.ca\/wp-content\/uploads\/2019\/08\/Propeller-circuit-by-ed-hanley-8914-1024x683.jpg\" class=\"attachment-large size-large\" alt=\"\" srcset=\"http:\/\/www.cinedanse.ca\/wp-content\/uploads\/2019\/08\/Propeller-circuit-by-ed-hanley-8914-1024x683.jpg 1024w, http:\/\/www.cinedanse.ca\/wp-content\/uploads\/2019\/08\/Propeller-circuit-by-ed-hanley-8914-300x200.jpg 300w, http:\/\/www.cinedanse.ca\/wp-content\/uploads\/2019\/08\/Propeller-circuit-by-ed-hanley-8914-768x512.jpg 768w\" sizes=\"auto, (max-width: 1020px) 100vw, 1020px\" \/>\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\n<style>\n#image_1714397960 {\n  width: 100%;\n}\n<\/style>\n\t<\/div>\n\t\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n<\/div>\n<div class=\"is-divider divider clearfix\" ><\/div>\n\n\t<section class=\"section dark\" id=\"section_444426993\">\n\t\t<div class=\"section-bg fill\" >\n\t\t\t\t\t\t\t\t\t<div class=\"section-bg-overlay absolute fill\"><\/div>\n\t\t\t\n\t<div class=\"is-border\"\n\t\tstyle=\"border-color:rgb(255, 255, 255);border-width:0px 0px 10px 0px;\">\n\t<\/div>\n\n\t\t<\/div>\n\n\t\t\n\n\t\t<div class=\"section-content relative\">\n\t\t\t\n<h2 class=\"alt-font\"><a id=\"lecridenacerabelaza\"><\/a>\u00ab LE CRI \u00bb (the scream) by NACERA BELAZA (PARIS\/ALGiERs)<\/h2>\n<h4>Opening night<\/h4>\n\t\t<\/div>\n\n\t\t\n<style>\n#section_444426993 {\n  padding-top: 20px;\n  padding-bottom: 20px;\n  margin-bottom: 0px;\n  min-height: 0px;\n  background-color: rgb(0,0,0);\n}\n#section_444426993 .section-bg-overlay {\n  background-color: #1a1a1a;\n}\n<\/style>\n\t<\/section>\n\t\n<blockquote>\n<p><i><span style=\"font-weight: 400;\"><span style=\"vertical-align: inherit;\">\u201cMajor reflection on humankind and its desire for spirituality.\u201d<\/span><\/span><\/i><\/p>\n<\/blockquote>\n<p>Le Monde (Paris)<\/p>\n<div class=\"row\"  id=\"row-21726276\">\n\n\t<div id=\"col-87892218\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\t<div class=\"img has-hover x md-x lg-x y md-y lg-y\" id=\"image_1751883029\">\n\t\t\t\t\t\t\t\t<div class=\"img-inner dark\" >\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1020\" height=\"668\" src=\"http:\/\/www.cinedanse.ca\/wp-content\/uploads\/2019\/08\/portraitNb-1024x671.jpg\" class=\"attachment-large size-large\" alt=\"\" srcset=\"http:\/\/www.cinedanse.ca\/wp-content\/uploads\/2019\/08\/portraitNb-1024x671.jpg 1024w, http:\/\/www.cinedanse.ca\/wp-content\/uploads\/2019\/08\/portraitNb-300x196.jpg 300w, http:\/\/www.cinedanse.ca\/wp-content\/uploads\/2019\/08\/portraitNb-768x503.jpg 768w, http:\/\/www.cinedanse.ca\/wp-content\/uploads\/2019\/08\/portraitNb.jpg 2008w\" sizes=\"auto, (max-width: 1020px) 100vw, 1020px\" \/>\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\n<style>\n#image_1751883029 {\n  width: 100%;\n}\n<\/style>\n\t<\/div>\n\t\n<h6>\u00a9 Laurent Philippe<\/h6>\n\t<div class=\"img has-hover x md-x lg-x y md-y lg-y\" id=\"image_725184879\">\n\t\t\t\t\t\t\t\t<div class=\"img-inner dark\" >\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1020\" height=\"680\" src=\"http:\/\/www.cinedanse.ca\/wp-content\/uploads\/2019\/08\/Le-Cri-cre\u0301dits-Laurent-Philippe-1024x683.jpg\" class=\"attachment-large size-large\" alt=\"\" srcset=\"http:\/\/www.cinedanse.ca\/wp-content\/uploads\/2019\/08\/Le-Cri-cre\u0301dits-Laurent-Philippe-1024x683.jpg 1024w, http:\/\/www.cinedanse.ca\/wp-content\/uploads\/2019\/08\/Le-Cri-cre\u0301dits-Laurent-Philippe-300x200.jpg 300w, http:\/\/www.cinedanse.ca\/wp-content\/uploads\/2019\/08\/Le-Cri-cre\u0301dits-Laurent-Philippe-768x512.jpg 768w\" sizes=\"auto, (max-width: 1020px) 100vw, 1020px\" \/>\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\n<style>\n#image_725184879 {\n  width: 100%;\n}\n<\/style>\n\t<\/div>\n\t\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\n\t<div id=\"col-598110857\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<p><span style=\"font-weight: 400;\"><span style=\"vertical-align: inherit;\">In a time where Algeria is undergoing a social revolution, Nacera Belaza is one of the only female Arabic choreographers to work internationally. Her creations question, disturb, and challenge by their mystery, their slowness, and their trance-like quality.<\/span><\/span><\/p>\n<p><span style=\"font-weight: 400;\"><span style=\"vertical-align: inherit;\">Her duet, &#8220;The Scream&#8221; (2008), which she dances with her sister Dalilas, is Nacera&#8217;s flagship piece which has shone across Europe, the Avignon Festival, the Biennale de Lyon, deSingel of Antwerp, Roma Europa, New York, and Australia. Nina Simone, Maria Callas, Amy Winehouse, and a Berber singer, This piece of music is a trance that evokes the contemporary feeling of exclusion and the quest for spirituality in our world. century later, to the famous expressionist artwork of the Norwegian painter Edvard Munch.<\/span><\/span><\/p>\n<p><span style=\"font-weight: 400;\">Projections of the version filmed by B\u00e9atrice Vernhes on a rainy evening at the Psalette Cloister will be shown looped on our urban screen, both before and during the performance at the courtyard of the SAW Gallery.<\/span><\/p>\n<p><strong>Performance run-time: 45 minutes<\/strong><\/p>\n<h6>Choreography : Nacera Belaza<br \/>Interpretation : Dalila Belaza, Nacera Belaza<br \/>Video design and soundtrack : Nacera Belaza<br \/>Sound and light control : Christophe Renaud<\/h6>\n<p>Dir : B\u00e9atrice Vernhes | Chor : Nacera Belaza | France | 2016 | 10&#8242;<\/p>\n<p class=\"lead\">We wish to thank the French Embassy in Ottawa and the French Institute for the reception of Nacera Belaza Company<\/p>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n<\/div>\n<div class=\"is-divider divider clearfix\" style=\"max-width:60px;\"><\/div>\n\n\t<section class=\"section dark\" id=\"section_833705094\">\n\t\t<div class=\"section-bg fill\" >\n\t\t\t\t\t\t\t\t\t<div class=\"section-bg-overlay absolute fill\"><\/div>\n\t\t\t\n\t<div class=\"is-border\"\n\t\tstyle=\"border-color:rgb(255, 255, 255);border-width:0px 0px 10px 0px;\">\n\t<\/div>\n\n\t\t<\/div>\n\n\t\t\n\n\t\t<div class=\"section-content relative\">\n\t\t\t\n<h1 class=\"alt-font\"><a id=\"regardssurnosdanses\"><\/a><\/h1>\n<h1 class=\"alt-font\"><span style=\"font-weight: 400;\">Our dances in the digital age<\/span><\/h1>\n<h4>Professional day open to the public<\/h4>\n\t\t<\/div>\n\n\t\t\n<style>\n#section_833705094 {\n  padding-top: 20px;\n  padding-bottom: 20px;\n  margin-bottom: 0px;\n  min-height: 0px;\n  background-color: rgb(0,0,0);\n}\n#section_833705094 .section-bg-overlay {\n  background-color: #1a1a1a;\n}\n<\/style>\n\t<\/section>\n\t\n<p class=\"lead\">With Ariane Boulet (Montreal), Chantal Caron (St-Jean-Port-Joli), Anneliese Charek (Shanga\u00ef), Virginie Combert (Paris), Jil Guyon (New-York), Kelly Hargraves (Los Angeles), \u00c9douard Lock (Montreal), Denis Poulin and les TwinsMuse (Montreal), Tamar Rogoff (New-York)l, Hason St-Laurent (Ottawa).<\/p>\n<blockquote>\n<p><span style=\"font-weight: 400;\">How do today&#8217;s artists represent our dances on screens and while using new technologies? From what perspectives do they perceive our world and how do they use them to challenge social issues and reinvent our own perspectives?<\/span><\/p>\n<\/blockquote>\n<div class=\"row\"  id=\"row-2119617021\">\n\n\t<div id=\"col-1006043840\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\t<div class=\"img has-hover x md-x lg-x y md-y lg-y\" id=\"image_1390813787\">\n\t\t\t\t\t\t\t\t<div class=\"img-inner dark\" >\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1020\" height=\"574\" src=\"http:\/\/www.cinedanse.ca\/wp-content\/uploads\/2018\/07\/W-Ghosts_Guyon_2-1024x576.jpg\" class=\"attachment-large size-large\" alt=\"\" srcset=\"http:\/\/www.cinedanse.ca\/wp-content\/uploads\/2018\/07\/W-Ghosts_Guyon_2-1024x576.jpg 1024w, http:\/\/www.cinedanse.ca\/wp-content\/uploads\/2018\/07\/W-Ghosts_Guyon_2-300x169.jpg 300w, http:\/\/www.cinedanse.ca\/wp-content\/uploads\/2018\/07\/W-Ghosts_Guyon_2.jpg 1920w\" sizes=\"auto, (max-width: 1020px) 100vw, 1020px\" \/>\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\n<style>\n#image_1390813787 {\n  width: 100%;\n}\n<\/style>\n\t<\/div>\n\t\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\n\t<div id=\"col-1381411799\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<p><span style=\"font-weight: 400;\">This day of professional meetings and networking, interviews, master classes, and conferences is open to the public. At the end of the day, a jury comprised of international members will award the Lumi\u00e8re Prize to the creator of an exceptional work of art.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">We invite artists from Ottawa, Canada, and abroad to register for this professional day which aims to build bridges between creators and put them in touch with strategic players in film, visual arts, and in digital and vocational training schools. We also have the pleasure to welcome three producers from Los Angeles, Paris, and Shanghai. During the networking activities that will ensue &#8211; breakfast, lunch-meet, and express appointments &#8211; you will not only make connections, but especially initiate collaborations, productions, broadcasting projects, and exhibition installations as a solo artist or as a group.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">This initiative, baptised \u201cStrategy 2025: Canada Dances on Screen\u201d, aims to bring Canadian dances to new horizons and reach out to a wider audience. Naturally, exchanges with our international partners are intended.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The professional day will be hosted and animated by Sylvain Bleau and Izabel Barsive, videographer and part-time professor for the Department of Communications at the University of Ottawa.<\/span><\/p>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n<\/div>\n\n\t<section class=\"section dark\" id=\"section_1062261664\">\n\t\t<div class=\"section-bg fill\" >\n\t\t\t\t\t\t\t\t\t<div class=\"section-bg-overlay absolute fill\"><\/div>\n\t\t\t\n\t<div class=\"is-border\"\n\t\tstyle=\"border-color:rgb(255, 255, 255);border-width:0px 0px 10px 0px;\">\n\t<\/div>\n\n\t\t<\/div>\n\n\t\t\n\n\t\t<div class=\"section-content relative\">\n\t\t\t\n<h1 class=\"alt-font\"><a id=\"enterthefaun2019\"><\/a>ENTER THE FAUN by TAMAR ROGOFF (NEW-YORK)<\/h1>\n<h4>Screening of the documentary in the presence of the choreographer<\/h4>\n\t\t<\/div>\n\n\t\t\n<style>\n#section_1062261664 {\n  padding-top: 20px;\n  padding-bottom: 20px;\n  margin-bottom: 0px;\n  min-height: 0px;\n  background-color: rgb(0,0,0);\n}\n#section_1062261664 .section-bg-overlay {\n  background-color: #1a1a1a;\n}\n<\/style>\n\t<\/section>\n\t\n<blockquote>\n<p><b><i>\u201c<\/i><\/b><i><span style=\"font-weight: 400;\">A remarkable story. (&#8230;) Will be of great interest not just to dance enthusiasts but to those whose lives are touched by cerebral palsy<\/span><\/i><b><i>.\u201d<\/i><\/b><\/p>\n<\/blockquote>\n<div class=\"row\"  id=\"row-383290235\">\n\n\t<div id=\"col-1860151916\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<div class=\"video video-fit mb\" style=\"padding-top:56.25%;\"><p><iframe loading=\"lazy\" title=\"ENTER THE FAUN Trailer\" width=\"1020\" height=\"574\" src=\"https:\/\/www.youtube.com\/embed\/cg4CjqnyY3k?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\n\t<div id=\"col-530005075\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<p>The incredible story of young actor Gregg Mozgala with cerebral palsy and New York choreographer Tamar Rogoff. She wanted to create with Gregg a new version of Nijinsky&#8217;s Afternoon of a Faun. It allowed him to reinvent his approach, his life.<\/p>\n<p>In the presence of the choreographer, who will discuss with the audience after the screening.<\/p>\n<p>The next day, Thursday, September 19 at 1 p.m., as part of the Symposium, Tamar Rogoff offered a workshop to artists, people with motor disorders and anyone interested in her unusual approach.<\/p>\n<p>The film is subtitled in French,<\/p>\n<p>\u00a0<\/p>\n<p>Dir : Tamar Rogoff | Chor : Gregg Mozgala | USA | 2015 | 68&#8242;<\/p>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n<\/div>\n<div class=\"is-divider divider clearfix\" style=\"max-width:60px;\"><\/div>\n\n\t<section class=\"section dark\" id=\"section_310163913\">\n\t\t<div class=\"section-bg fill\" >\n\t\t\t\t\t\t\t\t\t<div class=\"section-bg-overlay absolute fill\"><\/div>\n\t\t\t\n\t<div class=\"is-border\"\n\t\tstyle=\"border-color:rgb(255, 255, 255);border-width:0px 0px 10px 0px;\">\n\t<\/div>\n\n\t\t<\/div>\n\n\t\t\n\n\t\t<div class=\"section-content relative\">\n\t\t\t\n<h1 class=\"alt-font\"><a id=\"nouvellesperspectivesendanse\"><\/a><span style=\"font-weight: 400;\">\u201cNew Perspectives in Dance and in Health in Our Communities\u201d<\/span><\/h1>\n<h4><span style=\"font-weight: 400;\">First Day of the Symposium<\/span><\/h4>\n\t\t<\/div>\n\n\t\t\n<style>\n#section_310163913 {\n  padding-top: 20px;\n  padding-bottom: 20px;\n  margin-bottom: 0px;\n  min-height: 0px;\n  background-color: rgb(0,0,0);\n}\n#section_310163913 .section-bg-overlay {\n  background-color: #1a1a1a;\n}\n<\/style>\n\t<\/section>\n\t\n<blockquote>\n<p><i><span style=\"font-weight: 400;\">Over time, medicine has sought to purify itself. In order not to lose its human characteristics, medicine will need the arts.<\/span><\/i><\/p>\n<\/blockquote>\n<p><span style=\"font-weight: 400;\">Dr Jean D\u00e9sy, <\/span><\/p>\n<p><span style=\"font-weight: 400;\">doctor and poet. He teaches literature to medical students of the University of Laval in Qu\u00e9bec and has practiced medicine extensively among the Inuits of Northern Canada.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">During the two days of the Symposium, screenings will allow the general public to join the artists and academics in order to exchange, question, and challenge many social and health issues in our modern societies. Through new practices linking dance to well-being, workshops and discussion panels will be presented, relating to inspiring films and documentaries discovered in recent years.<\/span><\/p>\n<div class=\"row\"  id=\"row-55535518\">\n\n\t<div id=\"col-1743665240\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\t<div class=\"img has-hover x md-x lg-x y md-y lg-y\" id=\"image_886653323\">\n\t\t\t\t\t\t\t\t<div class=\"img-inner dark\" >\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1020\" height=\"574\" src=\"http:\/\/www.cinedanse.ca\/wp-content\/uploads\/2021\/03\/HAELING-SCARS_300DPI_2-1-2-1024x576.jpg\" class=\"attachment-large size-large\" alt=\"\" srcset=\"http:\/\/www.cinedanse.ca\/wp-content\/uploads\/2021\/03\/HAELING-SCARS_300DPI_2-1-2-1024x576.jpg 1024w, http:\/\/www.cinedanse.ca\/wp-content\/uploads\/2021\/03\/HAELING-SCARS_300DPI_2-1-2-300x169.jpg 300w, http:\/\/www.cinedanse.ca\/wp-content\/uploads\/2021\/03\/HAELING-SCARS_300DPI_2-1-2-768x432.jpg 768w, http:\/\/www.cinedanse.ca\/wp-content\/uploads\/2021\/03\/HAELING-SCARS_300DPI_2-1-2-1536x864.jpg 1536w, http:\/\/www.cinedanse.ca\/wp-content\/uploads\/2021\/03\/HAELING-SCARS_300DPI_2-1-2.jpg 1920w\" sizes=\"auto, (max-width: 1020px) 100vw, 1020px\" \/>\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\n<style>\n#image_886653323 {\n  width: 100%;\n}\n<\/style>\n\t<\/div>\n\t\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\n\t<div id=\"col-2006962518\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<p><strong>\u00ab Healing scars \u00bb\u00a0<\/strong><\/p>\n<p>A film by Darian Smith of Kitigan Zibi (Qu\u00e9bec)<\/p>\n<h3><strong>The film that inspired the theme of Cin\u00e9danse Ottawa 2019!<\/strong><\/h3>\n<p><span style=\"font-weight: 400;\">Darian Smith, a young indigenous woman who now lives in Ottawa, wishes to study in Nursing at the Algonquin College and become a physician. Produced by Wapikoni Mobile, the short-film she co-directed inspired the theme of Cin\u00e9danse Ottawa 2019.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cHealing Scars\u201d focuses on the teachings of the jingle dress and its healing functions. Following an open-heart surgery, Deedee begins to learn the dance of the jingle dress. This film accompanies four young women as they learn about this dance of healing.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Dir :<\/span> Naomi Recollet | Nation: Anishnabe | Wikwemikong, Canada | 2017 | 5&#8217;26<\/p>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n<\/div>\n<div class=\"row\"  id=\"row-1815789939\">\n\n\t<div id=\"col-957276961\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<div class=\"video video-fit mb\" style=\"padding-top:56.25%;\"><p><iframe loading=\"lazy\" title=\"Bande-annonce &amp;quot;Une courte histoire de la folie&amp;quot; de Isabelle Hayeur\" src=\"https:\/\/player.vimeo.com\/video\/70787149?dnt=1&amp;app_id=122963\" width=\"1020\" height=\"574\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\n\t<div id=\"col-1708311698\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<p><span style=\"font-weight: 400;\"><b>\u201cUne courte histoire de la folie\u201d (2014)<\/b><\/span><\/p>\n<p><span style=\"font-weight: 400;\">Short-film by Isabelle Hayeur, inspired by Virginie Brunelle\u2019s chor\u00e9graphies (Montr\u00e9al))<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Hailed by critics of the San Francisco Dance Film Festival, this film, directed by filmmaker and visual artist Isabelle Hayeur, will challenge our relationship to mental health.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Dir.:<\/span> Hayeur, Isabelle | Montr\u00e9al | 2014 | 27&#8242;<\/p>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n<\/div>\n\t<div id=\"gap-1907541452\" class=\"gap-element clearfix\" style=\"display:block; height:auto;\">\n\t\t\n<style>\n#gap-1907541452 {\n  padding-top: 30px;\n}\n<\/style>\n\t<\/div>\n\t\n<blockquote>\n<p><em>\u201cDance and music create a bond in the community.<span style=\"font-weight: 400;\"><b>\u201d<\/b><\/span><\/em><\/p>\n<\/blockquote>\n<p>The poet Gilles Vigneault (90 years old), who grew up in Natashquan, in the company of the natives, on the North Shore of the St. Lawrence River<\/p>\n<div class=\"row\"  id=\"row-216128341\">\n\n\t<div id=\"col-1113910060\" class=\"col small-12 large-12\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<p>Feelings of exclusion abound in our modern societies. We have a murky relationship with old age, with death. We would like eternal youth, but aren&#8217;t we getting older every day of our lives?<\/p>\n<p>Medicine has allowed us to live longer than before, but at what cost? A large part of our seniors, excluded from everyday life in our atomized cities, are ravaged by chronic diseases which science cannot overcome.<\/p>\n<p>While the concern for performance and appearances preoccupy our daily lives, degenerative diseases such as Alzheimer&#8217;s and Parkinson&#8217;s overwhelm us all.<\/p>\n<p>During this second day of the Symposium, through the screening of documentaries and art films, exchanges between guest artists and researchers and the public, a workshop, we will see how dance and its practice can regenerate beings, communities, that medicine and scientists can not explain these phenomena, or barely. The artists whose works we are presenting to you today and our guests are initiating a reflection which, no doubt, will allow new perspectives.<\/p>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n<\/div>\n\n\t<section class=\"section dark\" id=\"section_6792362\">\n\t\t<div class=\"section-bg fill\" >\n\t\t\t\t\t\t\t\t\t<div class=\"section-bg-overlay absolute fill\"><\/div>\n\t\t\t\n\t<div class=\"is-border\"\n\t\tstyle=\"border-color:rgb(255, 255, 255);border-width:0px 0px 10px 0px;\">\n\t<\/div>\n\n\t\t<\/div>\n\n\t\t\n\n\t\t<div class=\"section-content relative\">\n\t\t\t\n<h2 class=\"alt-font\"><a id=\"unejeunefillede90ans2019\"><\/a>UNE JEUNE FILLE DE 90 ANS<\/h2>\n<h2><span style=\"font-weight: 400;\">A Film by Val\u00e9ria Bruni-Tedeski and Yann Coridian with Choreographer Thierry Thie\u00fb Niang (France)<\/span><\/h2>\n\t\t<\/div>\n\n\t\t\n<style>\n#section_6792362 {\n  padding-top: 20px;\n  padding-bottom: 20px;\n  margin-bottom: 0px;\n  min-height: 0px;\n  background-color: rgb(0,0,0);\n}\n#section_6792362 .section-bg-overlay {\n  background-color: #1a1a1a;\n}\n<\/style>\n\t<\/section>\n\t\n<blockquote>\n<p><em><span style=\"font-weight: 400;\">When it was first released in France, this documentary caused a sensation and attracted more than a million online views on the platform Arte.<\/span><\/em><\/p>\n<\/blockquote>\n<div class=\"row\"  id=\"row-666943631\">\n\n\t<div id=\"col-1995543907\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\t<div class=\"img has-hover x md-x lg-x y md-y lg-y\" id=\"image_796468248\">\n\t\t\t\t\t\t\t\t<div class=\"img-inner dark\" >\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1020\" height=\"574\" src=\"http:\/\/www.cinedanse.ca\/wp-content\/uploads\/2019\/08\/69237355_478550859368533_1066400432105979904_n-1024x576.jpg\" class=\"attachment-large size-large\" alt=\"\" srcset=\"http:\/\/www.cinedanse.ca\/wp-content\/uploads\/2019\/08\/69237355_478550859368533_1066400432105979904_n-1024x576.jpg 1024w, http:\/\/www.cinedanse.ca\/wp-content\/uploads\/2019\/08\/69237355_478550859368533_1066400432105979904_n-300x169.jpg 300w, http:\/\/www.cinedanse.ca\/wp-content\/uploads\/2019\/08\/69237355_478550859368533_1066400432105979904_n-768x432.jpg 768w, http:\/\/www.cinedanse.ca\/wp-content\/uploads\/2019\/08\/69237355_478550859368533_1066400432105979904_n.jpg 1920w\" sizes=\"auto, (max-width: 1020px) 100vw, 1020px\" \/>\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\n<style>\n#image_796468248 {\n  width: 100%;\n}\n<\/style>\n\t<\/div>\n\t\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\n\t<div id=\"col-1140215701\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<p><span style=\"font-weight: 400;\">This film provides a deep look into the life of a woman suffering from Alzheimer&#8217;s, who regains a taste for life after meeting the choreographer Thierry Thie\u00fb Niang.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Thierry Thie\u00fb Niang has breathed new life into dance in France. A regular at Cin\u00e9danse events, Thierry came to Ottawa in the summer of 2017 for the <\/span><i><span style=\"font-weight: 400;\">Danser le printemps<\/span><\/i><span style=\"font-weight: 400;\"> Quebec tour. Ottawa-Gatineau dance enthusiasts who discovered him on this occasion will be happy to see him again!<\/span><\/p>\n<p>Dir : Valeria Bruni Tedeschi &amp; Yann Coridian <span style=\"font-weight: 400;\">I <\/span>Chor : Thierry Thie\u00fb Niang | France | 2016 | 85\u2019<\/p>\n<p><b>Discussion with <\/b><b>Thierry Thie\u00fb Niang<\/b><\/p>\n<p><span style=\"font-weight: 400;\">Following the screening, there will be a talk-back with the choreographer, Thierry Thie\u00fb Niang, via Skype from Paris.<\/span><\/p>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n<\/div>\n<div class=\"is-divider divider clearfix\" ><\/div>\n\n\t<section class=\"section dark\" id=\"section_1209901441\">\n\t\t<div class=\"section-bg fill\" >\n\t\t\t\t\t\t\t\t\t<div class=\"section-bg-overlay absolute fill\"><\/div>\n\t\t\t\n\t<div class=\"is-border\"\n\t\tstyle=\"border-color:rgb(255, 255, 255);border-width:0px 0px 10px 0px;\">\n\t<\/div>\n\n\t\t<\/div>\n\n\t\t\n\n\t\t<div class=\"section-content relative\">\n\t\t\t\n<h2 class=\"alt-font\"><a id=\"widow2019\"><\/a>\u00ab WIDOW \u00bb A film by &amp; with Jil Guyon (New York)<\/h2>\n\t\t<\/div>\n\n\t\t\n<style>\n#section_1209901441 {\n  padding-top: 20px;\n  padding-bottom: 20px;\n  margin-bottom: 0px;\n  min-height: 0px;\n  background-color: rgb(0,0,0);\n}\n#section_1209901441 .section-bg-overlay {\n  background-color: #1a1a1a;\n}\n<\/style>\n\t<\/section>\n\t\n<blockquote>\n<p><strong><i>&#8220;Haunting and wonderful.&#8221;\u00a0<\/i>Houston Press<\/strong><\/p>\n<\/blockquote>\n<div class=\"row\"  id=\"row-2025243418\">\n\n\t<div id=\"col-1553408570\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\t<div class=\"img has-hover x md-x lg-x y md-y lg-y\" id=\"image_1171984074\">\n\t\t\t\t\t\t\t\t<div class=\"img-inner dark\" >\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1020\" height=\"574\" src=\"http:\/\/www.cinedanse.ca\/wp-content\/uploads\/2015\/07\/1-Photo-JilGuyon-Vigil-1024x576.jpg\" class=\"attachment-large size-large\" alt=\"\" srcset=\"http:\/\/www.cinedanse.ca\/wp-content\/uploads\/2015\/07\/1-Photo-JilGuyon-Vigil-1024x576.jpg 1024w, http:\/\/www.cinedanse.ca\/wp-content\/uploads\/2015\/07\/1-Photo-JilGuyon-Vigil-300x169.jpg 300w, http:\/\/www.cinedanse.ca\/wp-content\/uploads\/2015\/07\/1-Photo-JilGuyon-Vigil.jpg 1920w\" sizes=\"auto, (max-width: 1020px) 100vw, 1020px\" \/>\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\n<style>\n#image_1171984074 {\n  width: 100%;\n}\n<\/style>\n\t<\/div>\n\t\n<div class=\"video video-fit mb\" style=\"padding-top:56.25%;\"><p><iframe loading=\"lazy\" title=\"WIDOW [trailer]\" src=\"https:\/\/player.vimeo.com\/video\/288070685?dnt=1&amp;app_id=122963\" width=\"1020\" height=\"574\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\n\t<div id=\"col-1757657320\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<p><strong>\u00ab Widow \u00bb avec Jil Guyon (New-York)<\/strong><b><br \/><\/b><\/p>\n<p>Projections-installation<\/p>\n<p><span style=\"font-weight: 400;\">The Widow Series presents the gradual disentangling of a woman\u2019s inner world. Created and performed by New York multidisciplinary artist Jil Guyon, this series is a burgeoning collection of solo shorts featuring her character as a bereaved woman. The evolving mystery of her psychological condition unfolds little by little through disturbing calm, sharp gestures and extreme emotion.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Jil Guyon\u2019s Widow films follow live performances, or are shot directly for new media platforms. The artist says that Widow was originally adapted from the femme fatale from <\/span><i><span style=\"font-weight: 400;\">Blade Runner<\/span><\/i><span style=\"font-weight: 400;\">, a movie by Ridley Scott. No\u00e9mie Lafrance, from the Outaouais, is known for her performances <\/span><i><span style=\"font-weight: 400;\">in situ<\/span><\/i><span style=\"font-weight: 400;\"> in New York and invited Jil Guyon to join one of her unusual performances.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Precise choreographic movements emerge, with the veil sometimes worn by the beautiful character. Electronic sounds, an Italian aria and overwhelming silences create changing images evocative of the dancer\u2019s inner struggle, where she transcends her broken state, her trials and her disenchantments.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">In an endless labyrinth, whether in the heart of Times Square, in the Utah Salt Flats or at the foot of a volcano in Iceland, each of her wanderings is an expression of her lamentations. The movie star, the femme fatale, the solitary vagabond and the survivor, are all female archetypes that appear \u2013 symbols for this bereaved woman in search of independence.<\/span><\/p>\n<p><strong>Widow<\/strong><\/p>\n<p><span style=\"font-weight: 400;\">Dir :<\/span> Jil Guyon; Perf : Jil Guyon; DP : Valerie Barnes; Comp : Chris Becker | USA | 2013 | 11&#8217;57<\/p>\n<p><strong>Desert Widow<\/strong><\/p>\n<p><span style=\"font-weight: 400;\">Dir :<\/span> Jil Guyon | Perf : Jil Guyon | DP : Valerie Barnes | Comp : Mihoko Suzuki | USA | 2015 | 10&#8217;54<\/p>\n<p><strong>Vigil<\/strong><\/p>\n<p><span style=\"font-weight: 400;\">Dir :<\/span> Jil Guyon | Perf : Jil Guyon | DP : Valerie Barnes | Comp : Chris Becker | USA | 2015 | 2&#8217;46<\/p>\n<p><strong>Widow|GHOSTS<\/strong><\/p>\n<p><span style=\"font-weight: 400;\">Dir :<\/span> Jil Guyon | Perf : Jil Guyon | DP : Valerie Barnes | Comp : Chris Becker | USA | 2017 | 3:07<\/p>\n<p><strong>Widow\u2019s Walk<\/strong><\/p>\n<p><span style=\"font-weight: 400;\">Dir :<\/span> Jil Guyon | Perf : Jil Guyon | DP : Valerie Barnes | Comp : Chris Becker | USA | 2019 | 6&#8217;15<\/p>\n<p><strong>Widow\u2019s End<\/strong><\/p>\n<p><span style=\"font-weight: 400;\">Dir : <\/span>Jil Guyon | Perf : Jil Guyon | DP : Valerie Barnes | Comp : Chris Becker | USA | 2019 | 4&#8217;45<\/p>\n<p>In the midday rush hour, to the surprise of city dwellers, the mysterious Widow strolled through the Rideau District and its crowded Shopping Center. We are all Widows!<\/p>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n<\/div>\n<div class=\"is-divider divider clearfix\" style=\"max-width:60px;\"><\/div>\n\n\t<section class=\"section dark\" id=\"section_1524915097\">\n\t\t<div class=\"section-bg fill\" >\n\t\t\t\t\t\t\t\t\t<div class=\"section-bg-overlay absolute fill\"><\/div>\n\t\t\t\n\t<div class=\"is-border\"\n\t\tstyle=\"border-color:rgb(255, 255, 255);border-width:0px 0px 10px 0px;\">\n\t<\/div>\n\n\t\t<\/div>\n\n\t\t\n\n\t\t<div class=\"section-content relative\">\n\t\t\t\n<h2 class=\"alt-font\"><a id=\"laprocessiondenacerabelaza\"><\/a>&#8220;Procession&#8221; by Nacera Belaza (Paris\/Algiers)<\/h2>\n<h2><span style=\"font-weight: 400;\">Ambulatory Performance in the City<\/span><\/h2>\n\t\t<\/div>\n\n\t\t\n<style>\n#section_1524915097 {\n  padding-top: 20px;\n  padding-bottom: 20px;\n  margin-bottom: 0px;\n  min-height: 0px;\n  background-color: rgb(0,0,0);\n}\n#section_1524915097 .section-bg-overlay {\n  background-color: #1a1a1a;\n}\n<\/style>\n\t<\/section>\n\t\n<p><strong><span style=\"font-size: 140%;\">Accompanied by the students of the University of Ottawa Department of Theatre<\/span><\/strong><\/p>\n<blockquote>\n<p><em><span style=\"font-weight: 400;\">Presented at the Pantheon in Paris, the Mucem in Marseille and in the heart of Tunis, Ottawa welcomes The Procession for the first time in North America!<\/span><\/em><\/p>\n<\/blockquote>\n<div class=\"row\"  id=\"row-23876864\">\n\n\t<div id=\"col-823564864\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\t<div class=\"img has-hover x md-x lg-x y md-y lg-y\" id=\"image_907764950\">\n\t\t\t\t\t\t\t\t<div class=\"img-inner dark\" >\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1024\" src=\"http:\/\/www.cinedanse.ca\/wp-content\/uploads\/2019\/08\/La-Procession-1-Panth\u00e9on-768x1024.jpg\" class=\"attachment-large size-large\" alt=\"\" srcset=\"http:\/\/www.cinedanse.ca\/wp-content\/uploads\/2019\/08\/La-Procession-1-Panth\u00e9on-768x1024.jpg 768w, http:\/\/www.cinedanse.ca\/wp-content\/uploads\/2019\/08\/La-Procession-1-Panth\u00e9on-225x300.jpg 225w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/>\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\n<style>\n#image_907764950 {\n  width: 100%;\n}\n<\/style>\n\t<\/div>\n\t\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\n\t<div id=\"col-238379512\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<p><span style=\"font-weight: 400;\">The First Nations peoples have always held their processions, and Catholics and Protestants still organized theirs with pomp and ceremony, barely half a century ago.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The Procession, choreographed by Nacera Belaza, is a stroll to which the public is invited, including them in the work in an innovative way that allows them to participate in the artistic process. It invites the public to question what constitutes the essence of a place and the constant bombardment of images in our lives.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Students from the University of Ottawa Theatre Department joined Nacera and her sister Dalila to bring you The Procession, which moved from Nepean Point to the LabO at Arts Court, through the alleys of the Byward Market and Ogilvy Place.<\/span><\/p>\n<p>Dir : Lionel Escama | Chor : Nacera Belaza | France | 2017 | 45&#8242;<\/p>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n<\/div>\n<div class=\"is-divider divider clearfix\" style=\"max-width:60px;\"><\/div>\n\n\t<section class=\"section dark\" id=\"section_715777818\">\n\t\t<div class=\"section-bg fill\" >\n\t\t\t\t\t\t\t\t\t<div class=\"section-bg-overlay absolute fill\"><\/div>\n\t\t\t\n\t<div class=\"is-border\"\n\t\tstyle=\"border-color:rgb(255, 255, 255);border-width:0px 0px 10px 0px;\">\n\t<\/div>\n\n\t\t<\/div>\n\n\t\t\n\n\t\t<div class=\"section-content relative\">\n\t\t\t\n<h2 class=\"alt-font\"><b><a id=\"programmedecloture\"><\/a>&#8220;<\/b><b>Modern Women&#8221;<\/b><\/h2>\n<h2><span style=\"font-weight: 400;\">Closing program<\/span><\/h2>\n\t\t<\/div>\n\n\t\t\n<style>\n#section_715777818 {\n  padding-top: 20px;\n  padding-bottom: 20px;\n  margin-bottom: 0px;\n  min-height: 0px;\n  background-color: rgb(0,0,0);\n}\n#section_715777818 .section-bg-overlay {\n  background-color: #1a1a1a;\n}\n<\/style>\n\t<\/section>\n\t\n<p class=\"lead\">Mixed program of performances and screenings<\/p>\n<blockquote>\n<p><em><span style=\"font-weight: 400;\">\u201cThe dancing modern woman. In New-York, Montr\u00e9al, or Ottawa. From Zimbabwe, or over Skype.\u201d<\/span><\/em><\/p>\n<\/blockquote>\n<div class=\"row\"  id=\"row-1181766998\">\n\n\t<div id=\"col-1956602727\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\t<div class=\"img has-hover x md-x lg-x y md-y lg-y\" id=\"image_1812335686\">\n\t\t\t\t\t\t\t\t<div class=\"img-inner dark\" >\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1020\" height=\"574\" src=\"http:\/\/www.cinedanse.ca\/wp-content\/uploads\/2019\/07\/cd19-1024x576.jpg\" class=\"attachment-large size-large\" alt=\"\" srcset=\"http:\/\/www.cinedanse.ca\/wp-content\/uploads\/2019\/07\/cd19-1024x576.jpg 1024w, http:\/\/www.cinedanse.ca\/wp-content\/uploads\/2019\/07\/cd19-300x169.jpg 300w, http:\/\/www.cinedanse.ca\/wp-content\/uploads\/2019\/07\/cd19-768x432.jpg 768w, http:\/\/www.cinedanse.ca\/wp-content\/uploads\/2019\/07\/cd19.jpg 1920w\" sizes=\"auto, (max-width: 1020px) 100vw, 1020px\" \/>\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\n<style>\n#image_1812335686 {\n  width: 100%;\n}\n<\/style>\n\t<\/div>\n\t\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\n\t<div id=\"col-904113933\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<p><b>RGS2<br \/><\/b><span style=\"font-weight: 400;\">A film by Colin Power (Toronto) and Yvonne Coutts (Ottawa)<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The sequined dress of the modern woman cannot hide the pressures of her life. RGS2 is the first on-screen dance creation for Yvonne Coutts, who has led the Ottawa Dance Directive (ODD) since 2010<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Dir : <\/span>Colin Power<span style=\"font-weight: 400;\"> | Chor : Y<\/span>vonne Coutts<span style=\"font-weight: 400;\"> | P<\/span>erf : Kay Kenney <span style=\"font-weight: 400;\">| <\/span>Ottawa, Canada<span style=\"font-weight: 400;\">\u00a0| 2019 | 11\u203211<\/span><\/p>\n<p><b>Georgie<br \/><\/b><span style=\"font-weight: 400;\">A film by Jessie Lh\u00f4te and Harold Rh\u00e9aume, with Lana Morton (Ottawa)<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Inspired by her mother, Lana Morton interprets the femme fatale who has learned to live through the eyes of others. She is deconstructed.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Dir :<\/span>\u00a0Jessie Lh\u00f4te | Chor : Harold Rh\u00e9aume | Perf : Lana Morton | Canada | 5&#8242;<\/p>\n<p><b>Trou (les beaux jours)<br \/><\/b><span style=\"font-weight: 400;\">A Skype performance by Manu Roque, with \u00c9milie Morin (Montr\u00e9al)<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Like a cubist painting by Picasso, <\/span><i><span style=\"font-weight: 400;\">Trou<\/span><\/i><span style=\"font-weight: 400;\"> is a mediated intimacy. This video-performance on Skype is a cross between Beckett&#8217;s \u201cHappy Days\u201d and Verlaine&#8217;s poem &#8220;Sentimental Dialogue&#8221;. Hypnotizing.<\/span><\/p>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n<\/div>\n<div class=\"row\"  id=\"row-1795182836\">\n\n\t<div id=\"col-1192994658\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<div class=\"video video-fit mb\" style=\"padding-top:56.25%;\"><p><iframe loading=\"lazy\" title=\"Desert Widow [trailer]\" src=\"https:\/\/player.vimeo.com\/video\/147278690?dnt=1&amp;app_id=122963\" width=\"1020\" height=\"574\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\n\t<div id=\"col-85903573\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<p><b>Desert Widow<br \/><\/b><span style=\"font-weight: 400;\">A performance by Jil Guyon (New York City)<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">Haunting and wonderful. <\/span><\/i><span style=\"font-weight: 400;\">-Houston Press<\/span><\/p>\n<p><span style=\"font-weight: 400;\">New Yorker Jil Guyon, the muse of Cin\u00e9danse Qu\u00e9bec in 2015, comes to Ottawa for the first time to present her series of Widow films as an installation (Friday, September 20, 6:30 p.m.), as well as one of her live performances, Desert Widow. Her mysterious Widow character, a sort of bereaved femme fatale, is freely adapted from Ridley Scott&#8217;s first Blade Runner. Her performance is combined with the screening of the film of the same name, shot at the famous Utah Salt Flats.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Dir :<\/span> Jil Guyon | Perf : Jil Guyon | DP : Valerie Barnes | Comp : Mihoko Suzuki | USA | 2015 | 10:54<\/p>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n<\/div>\n<div class=\"row\"  id=\"row-595311204\">\n\n\t<div id=\"col-81494473\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<div class=\"video video-fit mb\" style=\"padding-top:56.25%;\"><p><iframe loading=\"lazy\" title=\"Trailer  Nora\" width=\"1020\" height=\"765\" src=\"https:\/\/www.youtube.com\/embed\/s9xf_g-qpjg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\n\t<div id=\"col-1472320152\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<p><b>Nora<br \/><\/b><span style=\"font-weight: 400;\">A film by Alla Kovgan (Russia) and David Hinton (United-Kingdom)<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Nora is an immersion into the life of dancer Nora Chipaumire, born in Zimbabwe in 1965. In this film, Nora returns to the country where she grew up and travels to the places of the memories of her youth.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Dir :<\/span> Alla Kovgan &amp; David Hinton VS | 2008 | 36&#8242;<\/p>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n<\/div>\n\t<div id=\"gap-798158743\" class=\"gap-element clearfix\" style=\"display:block; height:auto;\">\n\t\t\n<style>\n#gap-798158743 {\n  padding-top: 30px;\n}\n<\/style>\n\t<\/div>\n\t\n<div class=\"is-divider divider clearfix\" style=\"max-width:3000px;\"><\/div>\n\t<div id=\"gap-332812825\" class=\"gap-element clearfix\" style=\"display:block; height:auto;\">\n\t\t\n<style>\n#gap-332812825 {\n  padding-top: 30px;\n}\n<\/style>\n\t<\/div>\n\t\n<div class=\"row\"  id=\"row-1156087230\">\n\n\t<div id=\"col-1247436840\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\t<div class=\"img has-hover x md-x lg-x y md-y lg-y\" id=\"image_768426332\">\n\t\t\t\t\t\t\t\t<div class=\"img-inner dark\" >\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"650\" height=\"578\" src=\"http:\/\/www.cinedanse.ca\/wp-content\/uploads\/2019\/10\/prixlumiere_gagnant.png\" class=\"attachment-large size-large\" alt=\"\" srcset=\"http:\/\/www.cinedanse.ca\/wp-content\/uploads\/2019\/10\/prixlumiere_gagnant.png 650w, http:\/\/www.cinedanse.ca\/wp-content\/uploads\/2019\/10\/prixlumiere_gagnant-300x267.png 300w\" sizes=\"auto, (max-width: 650px) 100vw, 650px\" \/>\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\n<style>\n#image_768426332 {\n  width: 100%;\n}\n<\/style>\n\t<\/div>\n\t\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\n\t<div id=\"col-195228883\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<h3><a id=\"prixlumiere2019\"><\/a><span style=\"font-size: 75%;\">The 2019 Lumi\u00e8re Prize awarded to the following films: \u2018Sur ma peau\u2019 by Eric Oberdorff (France) &amp; \u2018Waiting for Color\u2019 by Kosta Karakashyan (Bulgaria)<\/span><\/h3>\n<p><em>Montr\u00e9al, October 3, 2019<\/em>\u00a0\u2013 For this second edition of the Lumi\u00e8re Prize, the jury selected the films that best respected Cin\u00e9danse\u2019s theme, \u201cHealing Scars\u201d. According to them, the two selected short films: Sur ma peau by Eric Oberdorff of France and Waiting for Color by Kosta Karakashyan of Bulgaria, were of high film production quality, in which the viewers feel easily included in the story. Their dances revealed an in-depth knowledge of the physical experience of the choreographers and that of the dancers. Additional elements that helped sway the jury were the themes of respect and hope explored therein.<\/p>\n<p><strong>Congratulations to the winners!<\/strong><\/p>\n<div class=\"is-divider divider clearfix\" ><\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n<\/div>\n<div class=\"row\"  id=\"row-509246261\">\n\n\t<div id=\"col-310404838\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<div class=\"video video-fit mb\" style=\"padding-top:56.25%;\"><p><iframe loading=\"lazy\" title=\"Sur ma peau \/ trailer\" src=\"https:\/\/player.vimeo.com\/video\/345112427?dnt=1&amp;app_id=122963\" width=\"1020\" height=\"574\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\n\t<div id=\"col-1551204680\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<h1>\u00a0<\/h1>\n<p><b>\u201cSur ma peau\u201d<\/b><\/p>\n<p><span style=\"font-weight: 400;\">Short-film by Compagnie Humaine, Eric Oberdorff (France)<\/span><\/p>\n<p><span style=\"font-weight: 400;\">This art film made in prison with detainees from the prison of Nice shows a process of engaged artistic research.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Dir :<\/span> Eric Oberdorff | Chor : Eric Oberdorff | France | 2017 | 12\u201938<\/p>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n<\/div>\n<div class=\"row\"  id=\"row-333879389\">\n\n\t<div id=\"col-2121937250\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<div class=\"video video-fit mb\" style=\"padding-top:56.25%;\"><p><iframe loading=\"lazy\" title=\"WAITING FOR COLOR - Trailer\" src=\"https:\/\/player.vimeo.com\/video\/352762960?dnt=1&amp;app_id=122963\" width=\"1020\" height=\"432\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\n\t<div id=\"col-465539477\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n<p><strong>\u00ab Waiting for Color \u00bb<\/strong><\/p>\n<p><b><\/b><span style=\"font-weight: 400;\">A short film by Kosta Karakashyan (United States &amp; Bulgaria)<\/span><\/p>\n<p><span style=\"font-weight: 400;\">This short shocking documentary reveals the spite hurled against LGBTQ community members in Chechnya and the disturbing persecution they face.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Dir : <\/span>Kosta Karakashyan | Chor : Kosta Karakashyan | New York &amp; Bulgaria | 2018 | 6&#8217;36<\/p>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>eDITORIAL \u201cMajor reflection on humankind and its desire for spirituality.\u201d Le Monde (Paris) With Ariane Boulet (Montreal), Chantal Caron (St-Jean-Port-Joli), Anneliese Charek (Shanga\u00ef), Virginie Combert (Paris), Jil Guyon (New-York), Kelly Hargraves (Los Angeles), \u00c9douard Lock (Montreal), Denis Poulin and les TwinsMuse (Montreal), Tamar Rogoff (New-York)l, Hason St-Laurent (Ottawa). How do today&#8217;s artists represent our dances [&#8230;]\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":109,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-8324","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Cin\u00e9danse 2019 edition - Ottawa | Cin\u00e9danse<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/www.cinedanse.ca\/en\/cinedanse-2019-edition-ottawa\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Cin\u00e9danse 2019 edition - Ottawa | Cin\u00e9danse\" \/>\n<meta property=\"og:description\" content=\"eDITORIAL \u201cMajor reflection on humankind and its desire for spirituality.\u201d Le Monde (Paris) With Ariane Boulet (Montreal), Chantal Caron (St-Jean-Port-Joli), Anneliese Charek (Shanga\u00ef), Virginie Combert (Paris), Jil Guyon (New-York), Kelly Hargraves (Los Angeles), \u00c9douard Lock (Montreal), Denis Poulin and les TwinsMuse (Montreal), Tamar Rogoff (New-York)l, Hason St-Laurent (Ottawa). 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